March Meeting of the Gunn Historical Museum’s Washington History Club in the Morning

The Gunn Historical Museum’s Washington History Club in the Morning will meet at the Washington Senior Center on Monday, March 19 at 10am. The topic of discussion will be the history of the Washington Supply Company. Founded in 1893, and celebrating its 125th anniversary this year, The Supply is a Washington institution with a long history. Valerie Sedelnick, President and Chief Executive Officer of the Washington Supply Co., Jay Combs, Vice President and Service Manager, and former employees will be in attendance and join in the conversation. Bring your memories, stories, photographs, and object to share!

Washington Supply Company in Washington Depot by Joseph West in May 1915.
Photograph from the collection of the Gunn Historical Museum.

The Washington History Club in the Morning is a program of the Gunn Historical Museum and meets the third Monday of the months of September, December, March and June at 10:00am at the Washington Senior Center to discuss the history of Washington, Washington Depot, Marbledale, New Preston and Woodville. Share your memories and stories with the group or just come and listen to the fascinating conversation about our town’s past. Bring your photos and objects for show and tell!

Everyone is invited to attend this free program. The Washington Senior Center is located at 6 Bryan Hall Plaza, Washington Depot, CT 06794. Call the Gunn Museum at 860-868-7756 or view http://www.gunnmuseum.org for more information.

Trial of the Century: Nuremberg Trials Lecture at Westport Historical Society

On  Thursday, March 15 from  7 – 8 pm,  Historian Mark Albertson,  joins the Westport Historical Society to recreate November 20, 1945, 10 a.m. In the old fortress prison in Nuremberg, northern Germany, 23 defendants fill the prisoners’ dock in the central courtroom, some of them the elite of Nazi political gangsterdom. The ensuing trials would be an effort to dispense justice in lieu of vindictive retribution. If the world were to have any chance to heal, the Rule of Law would have to prevail. Citing violations of international law such as crimes against humanity, crimes against peace, and war crimes, the Nuremberg judges would create for posterity volumes of evidence, court proceedings, and judgments to serve as a model for post-war humankind as a way to build a better world.

 In the end, Nuremberg produced not the judgment of God or the judgment of history, but humankind’s judgment of its own: an admission that organizations do not start wars or commit atrocities, but people do. And be it a head of state or a lowly military private, nobody should be above the law.

 Mark Albertson is an historical research editor at Army Aviation magazine and the historian for the Army Aviation Association of America. A longtime member of the United States Naval Institute, he has authored several books, including USS Connecticut: Constitution State Battleship, They’ll Have to Follow You!: The Triumph of the Great White Fleet, and On History: A Treatise. Mark is currently at work on another book, Sky Soldiers: The Saga of Army Aviation.

Mark has published numerous articles on issues of history and current events and is an avid speaker on a variety of issues on history. In May 2005, he was presented with a General Assembly Citation by both houses of the Connecticut General Assembly for his efforts in commemorating the centennial of the battleship USS Connecticut. Mark teaches history at Norwalk Community College for the Extended Studies Program and the Lifetime Learners Institute. Learn more at  www.markwriter.com. 

 Nuremberg Trials, Thursday, March 15, 7-8 pm Westport Historical Society 25 Avery Place, across from Town hall. To register, go to westporthistory.org or 203-222-1424. Suggested Admission $10 members, $15 nonmembers. Light refreshments will be served.

Audubon Sharon hosts MapleFest along with Maple Bake Sale

Audubon Sharon will be holding its annual MapleFest on Saturday, March 17 between 12 and 4 pm at the Sharon Audubon Center, Route 4, Sharon, CT. On-going guided 45-minute tours will lead visitors through the Center’s sugaring operation, including a working sugarhouse and a re-creation of Native American and early colonial sugaring methods. Participants can watch as pure sugar maple sap is collected from the trees and turned into delicious maple syrup. Admission for the event is $6.00 adults and $4.00 children (2 and under free.) Wear warm clothes and boots, as much of the tour is outdoors.

Fresh, homemade maple baked goods and coffee will also be available for purchase during the day as part of the Maple Bake Sale. Each treat will be made with the Center’s very own maple syrup! Fresh syrup will be available for purchase while supplies last, as well as locally made maple candy.

For more information on MapleFest or the Audubon Sharon sugaring operation, contact the Audubon Center at (860) 364-0520, visit www.sharon.audubon.org, or like us on Facebook.

A Duo of Sugar Houses not to be missed!

It’s a sweet New England tradition—toasting old man winter out the door with delicious new maple syrup. As soon as days are above freezing and the sap begins to run, the annual spring ritual begins. Turning thin sap into thick, fragrant syrup is a fascinating process and Western Connecticut, where sugar maple trees abound, is one of the best places to see it in action. More than a dozen sugar houses in Fairfield County and the Litchfield Hills invite visitors to see how it is done, from tapping the maple trees to collecting the sap to boiling down the thin watery sap until it turns to the thick, fragrant syrup.


A variety of settings, from farms and nature centers to museums are among the maple possibilities, most offering tastes as well as show and tell, and many have take-home syrup for purchase as a sweet souvenir. The sugaring season starts early at large facilities like Lamothe’s Sugar House in Burlington, where the public is invited to see how syrup is made every weekend through March 30. This family-owned operation began as a hobby with seven taps and has grown to over 4500 taps and a year-round showroom. The showroom is open Mon. – Thurs. 10 a.m. to 6 p.m., and Fri. and Sat. 10 am – 5 pm and Sun. 12 noon to 5 pm.

Their newly expanded shop offers a tempting array of unusual foods like maple mustard and maple apple butter plus original maple-themed items from embroidered aprons, decorating sets, and cupcake-shaped rubber spatulas to a cupcake carrier in the shape of a big cupcake. www.Lamothesugarhouse.com

Brookside Farm II, located in Litchfield CT, is a relatively small and very high-quality maple syrup operation. Mark Harran and Kay Carroll, owners of the farm since 1999, make about 250 gallons of maple syrup per year, depending on weather conditions, which dictate the flow and sugar content of the sap. The owners both had careers in the food industry prior to buying the farm. They have applied all their collective knowledge and experience, along with Mark’s childhood experiences on his family’s large sugar bush in upstate New York, to their operation in Connecticut.

Brookside Farm’s production process yields 100% pure and basically 100% organic maple syrup. Unlike some older sugaring operations, they do not use equipment that contains lead, solder or galvanized metal. Most of the sap is collected with tubing and processed in an evaporator and canning equipment that are 100% stainless steel with tig welds.

Mark and Kay welcome visitors, just call ahead. They like teaching folks of all ages where maple syrup comes from, how it is made and the differences in the four grades of maple syrup. A tour includes a tasting and recipe suggestions. Phone: 860-567-3890.

Maple Syrup Tours @ Sullivan Farm Through March

New Milford’s Sullivan Farm is hosting maple syrup tours running through March. The cost is $5 per participant with chaperones for groups of 10 or more receiving free admission.

In addition to syrup tastings and demonstrations, participants will also learn about processing techniques. Also, the syrup will be available for sale. The tour runs about 45 minutes.

Sullivan Farm is located at 140 Park Lane in New Milford. For more information email vincent@youthagency.org or call 860-210-2030.

Stories in Clay @ Institute for American Indian Studies

Everyone likes a good story. In Native American culture, stories were told to pass on knowledge from generation to generation. It was a way for tribe elders to pass on the history, sacred learning and beliefs to future leaders of the tribe.

In recent years Native American artists have set out on a new updated artistic path using clay to tell the stories of traditional life as a caregiver, mother or father and homemaker. Helen Cordero, a member of the Cochiti Pueblo, located 55 miles from Albuquerque, New Mexico is a perfect example of the new generation of avant-garde Indian clay artists and the Institute of American Indian Studies in Washington, Connecticut has an excellent collection of her work as well as the work of many other famous artists of this genre that have been generously donated to the museum.

This Singing Mother was made by Bonnie Fragua of the Jemez Pueblo. The Fragua family is known for their pottery making, Bonnie studied under Marie Romero, and just a few years after starting won several awards for her pottery. This figure shows the squash-blossom necklace, ceremonial circles painted on her cheeks, and textured hair which the Fragua family made pottery is known for. Donated by Marjorie & Sidney Goldman, Collection of the IAIS.

Helen Cordero – the First Modern Storyteller Dollmaker

The first modern storyteller doll was made in 1964 by Cochiti potter Helen Cordero. Before 1964 there was a tradition of figure pottery in the Pueblo, however, Helen is recognized as the first to create what has become the modern art form of storyteller dolls. Male figures are referred to as Storytellers while Female figures are called Singing Mothers and, both are always accompanied by a number of children and sometimes an animal that is listening to the tale being told.

Helen worked with her cousin Juanita Arquero making pottery, Juanita was an accomplished potter in her own right making vessels and bowls, Helen was never happy with how her vessels came out. When Helen tried making figure pottery Juanita compared it to “a flower blooming.” Undeterred, Helen kept creating.

Eventually, Helen was approached by folk art collector Alexander Girard who commissioned her to make a 250 piece nativity set. Appreciating her work, Girard told Helen he would buy larger figures that she created as well.

This Singing Mother (Figure A) was made by Marilyn Ray of the Acoma Pueblo in 1999. The decorative styles used here date back thousands of years and are traditional to Acoma. Marilyn is known for the intricacy of her figures and the detail displayed in her work. Here she integrates both children and animals into the figure. The Olla held by the Singing Mother is typical of Acoma white and black pottery. Marilyn has won several awards for her pottery and been published in many publications on both Storytellers pottery and Pueblo pottery. Donated by Marjorie & Sidney Goldman, Collection of the IAIS.

As the story goes, Helen’s commissioned artwork was inspired by her grandfather, Santiago Quintana a well-known storyteller, and the result was the creation of the first modern storyteller figure. “When people ask me what it is, I tell them it’s my grandfather. He’s giving me these. His eyes are closed because he’s thinking and his mouth is open because he’s telling stories. That one, he was a really wise man. He knew so much and he was a really good storyteller. There were always lots of us grandchildren around him, and we’re all there, in the clay.” -Helen Cordero

Though Storyteller and Singing Mothers are a modern art form dating to the 1960s, pottery making itself dates back thousands of years. Today’s native artists use some of the traditional designs and techniques to make and decorate these modern figures that vary in size, with some pieces having up to 200 children attached to them.

Each figure is unique to the artist using certain colors, symbols, and glazes. Most Storytellers and Singing Mothers are created by artists in Pueblo societies in the American Southwest and are highly collectible.

About The Institute for American Indian Studies

The Institute for American Indian Studies preserves and educates through discovery and creativity the diverse traditions, vitality, and knowledge of Native American cultures. Through archaeology, the IAIS is able to build new understandings of the world and history of Native Americans, the focus is on stewardship and preservation.

This is achieved through workshops, special events, and education for students of all ages. Located on 15 woodland acres the IAIS has an outdoor Three Sisters and Healing Plants Gardens as well as a replicated 16th c. Algonkian Village. Inside the museum, authentic artifacts are displayed in permanent, semi-permanent and temporary exhibits from prehistory to the present that allows visitors a walk through time. The Institute for American Indian Studies is located on 38 Curtis Road in Washington Connecticut and can be reached online or by calling 860-868-0518.