Shakespeare’s ‘All’s Well That Ends Well’ set for Pinkney Park in June

Shakespeare on the Sound has selected “All’s Well That Ends Well” as its 20th anniversary presentation and named nationally renowned Mary B. Robinson to direct The Bard’s subtle and poetic comedy in Pinkney Park June 11-28.

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The provocative challenge to the conventions of gender unfolds under the stars in the natural outdoor amphitheater of the park in Rowayton where a family-festive audience assembles on blankets and low-slung deck chairs with picnic baskets crammed with goodies. Admission is free and so is parking nearby. At the same time, donations are collected at the gate, $20 suggested for adults, $10 for seniors and students. Reserved seating is also available for $50. To reserve: www.shakespeareonthesound.org or call (203) 299-1300.

“All’s Well That Ends Well” was selected for the theater’s 20th anniversary from Shakespeare’s inimitable 34-play palette that poetically synthesizes what it means to be human and crackles with wordplay and wit. The sheer lyrical force of Shakespeare’s top layer is engaging but Robinson is committed to adding a dimension that reveals the Bard’s intense passion and extraordinary mastery of the rhythms of life and perplexities of human behavior.
A 3 ½-week-run of the play “Intimate Apparel” at the Westport Country Playhouse last fall—recounting the relationship between an African-American seamstress and a Jewish tailor—is among the 60-plus productions Robinson has directed in New York City and across the U.S. over the past three decades. Judith Ivey has appeared on Robinson’s stage. So have Cynthia Nixon, Jeff Daniels and Buck Henry. Her productions have gained her acclaim from Hartford to Philadelphia and Pittsburgh, from Louisville, KY to Seattle and from Cincinnati to Milwaukee.

Her book “Directing Plays, Directing People: A Collaborative Art” (Smith and Kraus, 2012, 188 pages) meanwhile has been described by Pulitzer Prizewinner Edward Albee as “an intelligent and useful guide for both the professional and the casual theater lover.” Robinson intends to mount “All’s Well That Ends Well” in the round,” meaning the audience in Pinkney Park would encircle the stage, just as the so-called “groundlings” did at Shakespeare’s Globe Theater 400 years ago outside London. As opposed to the Elizabethan era, however, she is setting the play in an Edwardian time bend, the early 1900s.

The production runs Tuesdays through Sundays—Mondays are dark as they say in the theater—with patrons permitted to stake out space on the grounds with a blanket or deck chair starting at 4 p.m., 3 ½ hours before the curtain. Most night, one hour in advance, there is a special preview presentation for children.

June fun at the Stepping Stones Museum for Children

The Stepping Stones Museum for Children, http://www.steppingstonesmuseum.org located on 303 West Ave in Norwalk is celebrating 15 years of family fun this year. They have planned many special events for the month of June including a birthday bash on Monday June 15 that they are calling 15 -on-the-15th. Visitors are invited to join the staff at Stepping Stones for imaginative birthday activities and surprises!

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On June 6 at 2 p.m. there is an Around the World program at 2 pm called “Gator Hat.” Participating kids will discover more about alligators and the everglades and make a gator hat. This program has limited space – tickets available at 1:30 p.m. and is good for children ages 2 and older. The following day, June 7 the Stepping Stones is hosting a BooZoo, Bugs and Butterflies Garden Party from 2:00p.m. – 4:00 p.m. Don’t forget to registration for this event that is $5/person for members, and member guests are $10/person.

A second Around the World program is also being held on June 14 at 1:30 p.m. called Show Me a Tale. This session will feature Allison’s Alligator: A Tongue Twister Tale. Participants will also create a keepsake out box out of recycled shoe boxes and other reusable materials. There is limited space for this event and tickets will be available at 12:30 pm. This program is good for children ages 5 and older.

To round out the Around the World series for the month of June, on June 20 there will be a performance series at 2 p.m. featuring Florida’s amazing animal ambassadors. Kids will be invited to join the Animal Embassy on a journey through Florida, with a diverse group of incredible, live animal ambassadors! Kids will discover how important each animal is to its habitat, while meeting native species such as an American alligator, a common snapping turtle or alligator snapping turtle, a red-eared slider, a green tree frog and a corn snake. Kids will also interact with a number of invasive species which have come to dwell in the Sunshine State, such as a Burmese python, Cuban knight anole or green iguana and an Argentine black and white tegu. Participants will explore how these animals have been introduced to Florida, as well as their impact on the local ecosystem. Animal Embassy allows children to connect with the natural world with this unforgettable, live animal presentation!

The Stepping Stones Museum also offers a series of ongoing programs daily that are free with admission to the museum.

TUESDAYS:
Zelda the Zany Owl 12:15 – 1:15 pm
Learn your ABCs and 123s with our peppy, purple professor. Ages 36 months and younger.
Mutt-i-grees 1:30 – 2:00 pm
For children ages 3 and older.
Enjoy a special canine storytime and discussion followed by a visit from a shelter dog. Shelter dogs courtesy of P.A.W.S.

WEDNESDAYS:
Toddler Tales
Children join in an interactive storytime, followed by an art project in Tot Town. Storytimes:
9:45 am members only; 10:15 am open to all and 10:45 am, Cuentos para Ninos.
Music Time 1:30 – 2:00 pm
Join us for an exploratory musical playtime! Sing, dance and play a variety of instruments.
Zumba Kids 2:30 – 3:00
Join our fitness party, dancing your way to a healthy future!

THURSDAYS:
Junior Gadgeteers 1:30 – 2:00 pm
Calling all mini scientists! Engineer gadgets, devices and inventions of all sorts and sizes.
Art Cart 2:30 – 3:00 pm
Get creative! Try out a variety of art materials and techniques while design a Masterpiece of your own.

FRIDAYS:
Zelda the Zany Owl 12:15 – 1:15 pm
Learn your ABCs and 123s with our peppy, purple professor. Ages 36 months and younger.
Boogie, Bop, Skip and Hop 1:30 – 2:00 pm
It’s time to groove! Simple dance steps and a wide variety of music will have children and caregivers bopping and hopping!

SATURDAYS
Mutt-i-grees 10:45 am – 11:15 am
For children ages 3 and older.
Enjoy a special canine storytime and discussion followed by a visit from a shelter dog. Shelter dogs courtesy of P.A.W.S.

Walking tour of Sauagtuck

The walk that explores Saugatuck will be on Saturday, June 6 and takes place from 4 p.m. to 5 p.m. . This walk begins at the train station, where rail service was launched in 1848, making Westport more accessible for visitors and, in turn, giving residents better access to New York City.

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Railroad construction brought an influx of jobs, filled mostly by Irish and Italian laborers, and the young community eventually was called Little Italy. In 1958, a swath of buildings bisecting Saugatuck was demolished to make way for the Connecticut Turnpike.

Here are some bits of Saugatuck lore you’ll learn about: The Saugatuck Grain & Supply Company (1929), Luciano Park, the Westport Bank & Trust branch office, the Hedenbury Tin Shop, the Banyan Coffin Tack Factory, the first Saugatuck firehouse, the mattress factory, the William F. Cribari Bridge (the oldest movable span in Connecticut), and the Saugatuck Manufacturing Company, which made buttons from Brazilian ivory nuts. In addition, you’ll hear wonderful stories from people who grew up in Saugatuck when life was simple and family ties strong.

The tour was created to give participants insights into Westport’s history and show how resilient Westporters have been in retaining the character of our town, even as the landscape changes and Saugatuck undergoes an impressive renaissance.
There is a $10 donation, and $8 for members. Ages 12 and under are $5. Reservations are recommended: (203) 222-1424. Meet at the New York Bound Side. Wine and cheese at Westport Auction following the tour.

For more information about the Westport Historical Society visit http://westporthistory.org.

June Workshops at the Center for Contemporary Printmaking

The Center for Contemporary Printmaking located on 299 West Ave. in Norwalk is offering a series of programs perfect for novice and master artists interested in the genre of printmaking.

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On June 5-26 for example, the center is offering a 4 week evening workshop from 6 p.m. – 9 p.m. on painterly etching. In these workshops you will learn to expand your painting or monotype style into the versatile world of etching. Participants will learn to make painterly marks on copper plates which can then be printed multiple times, allowing for endless color explorations as
well as edition printing. This workshop will cover various aquatint techniques that allow for different kinds of marks: spit-bite for soft, watercolor-like washes, sugar lift and soap-ground for clear brushstrokes, and stopout for flat tonal areas. Elisabeth will also demonstrate a variety of special printing techniques, including multicolor registration, inking and wiping à la poupée, and chine collé. Some experience with intaglio printing is helpful, but not necessary.

On June 6 and June 20, take a class with Roxanne Faber-Savage to learn about old plates and new prints and learn how to revive existing plates and create fresh imagery. The sessions are limited to 8 and take place on Saturdays from 10 a.m. – 4 p.m. Using stack of oldies but goodies (etching plates, solar plates, collagraph plates, relief blocks etc), Roxanne will demonstrate a range of ways to print old plates in surprising ways. Demonstrations include traditional & non-traditional inking and wiping techniques, chine collè, overprinting, and printing on unusual paper sizes, textures and colors. Following these demonstrations, participants will explore individual projects in the print shop. Walk away with a variant edition or a stack of unique monoprints made from your own plate collection. Only non-toxic Akua inks will be used.

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There will be an introduction to letterpress printing on June 21, 28 and July 12 with Amber Heaton on Sundays from 10 a.m. to 4 p.m. Letterpress printing is often thought of in terms of type and text, yet there are a variety of exciting image making techniques open to letterpress printers. In this workshop, participants will dive into two of these techniques: photopolymer plates and relief block carving. Participants will learn the basics of printing on a Vandercook no. 4 letterpress, file preparation for photopolymer relief plates, and how to carve a relief linoleum block. Don’t miss your chance to learn how to incorporate the speed, versatility and precision of letterpress printing into your own art practice.

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On June 27 there will be a half day workshop on Figure and the Monotype with Nomi Silverman. Participants in this workshop will work directly from a live model, working with printing inks in much the same manner as Degas. The work is then printed with the assistance of the instructor. Subsequent reworked impressions can also be pulled to achieve depth of color, or, as Degas frequently did, a second paler or ghost impression can be printed and used as ground for later pastel additions. This workshop is good for all levels and abilities.
For more information about these and other classes and workshops visit http://contemprints.org

Litchfield Hills Road Race June 13

This summer, the Litchfield Hills Road Race is 39 years old and “running strong’. It has been described as “The best little race you have ever heard of.” by Runners World Magazine. This race takes place, rain or shine the second Sunday of every June in the center of Litchfield, a beautiful village in the Litchfield Hills that is well-known for fine dining, great shopping and interesting architecture and natural beauty.

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The Litchfield Hills Road Race dates back to 1977 and was based on the famous race held in Falmouth, Massachusetts. From the first race, one of the notable observations from runners and spectators alike, was that there is a feeling of equal appreciation between them. LHRR has seen runners from all over the world, representing Ireland, New Zealand, Kenya, Great Britain, Belgium, Tanzania, Canada, Yugoslavia, Morocco and Poland, keeping pace with some of our more famous American runners, including Bill Rodgers, Joan Benoit, Dave Dunham, Randy Thomas, Patti Catalano and Vin Fleming to name a few.

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The challenge of this race for participants is to conquer “Gallow’s Hill, rated #8 by Runner’s World Magazine in their list of the greatest, most daunting hills in U.S. races— the hill that made Olympian Bill Rodgers shift to ninth gear! And of course no one wants to miss out on Death Valley” or as our younger generation calls a stretch of the race, the “Microwave Mile.”

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Don’t miss the fun at one of the pre-race, race day and after race parties The race begins at 1 p.m. sharp on June 13! For ore information visit http://lhrr.com. For area information visit www.litchfieldhills.com

Walls of Color: The Murals of Hans Hofmann at the Bruce Museum

This spring and summer the Bruce Museum located on One Museum Drive in Greenwich will be awash in the vibrant hues of
Abstract Expressionist Hans Hofmann.

Walls of Color: The Murals of Hans Hofmann, is the first ever exhibition to focus on the artist’s varied and under-appreciated public
mural projects that will be on view at the Bruce Museum through September 6. The show will then travel to The Patricia
and Phillip Frost Art Museum at Florida International University, Miami, FL (October 10, 2015 to January 3, 2016), and to the Ackland Art Museum, University of North Carolina, Chapel Hill, NC (January 22 to April 10, 2016).

Awakening Hans Hofmann (1880-1966) Awakening, 1947 Oil on canvas, 59 ¼  x 40 ¼ in. Private Collection Photograph by Paul Mutino  Works by Hans Hofmann used with permission of the Renate, Hans and Maria Hofmann Trust
Awakening
Hans Hofmann (1880-1966)
Awakening, 1947
Oil on canvas, 59 ¼ x 40 ¼ in.
Private Collection
Photograph by Paul Mutino
Works by Hans Hofmann used with permission of the Renate, Hans and Maria Hofmann Trust

A towing figure among the New York School painters and one of the most important teachers and theoretician of the Abstract
Expressionist movement, Hans Hoffman is well known for his dynamic approach to color. The centerpiece of Walls of Color: The Murals of Hans Hofmann will be nine oil studies by Hofmann,each seven feet tall, for the redesign of the Peruvian city of Chimbote. This was Hofmann’s extraordinary collaboration, in 1950, with Catalan architect José Luis Sert – the man who designed the
Spanish Pavilion at the Paris World’s Fair in 1937, for which Picasso’s great mural Guernica was conceived. Although never realized, this visionary project was to include a huge mosaic wall – a freestanding bell tower in the town center – designed by Hofmann, which would incorporate not only his own highly evolved notions of Abstract Expressionist visual dynamics, but also forms symbolic of traditional Peruvian culture, religion and history.

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Although now nearly forgotten, Hofmann also created two huge public murals in Manhattan. In 1956, for the developer William Kaufman, and in collaboration with the noted pioneer modernist architect William Lescaze, Hofmann created an astonishing, brilliantly colored mosaic mural, wrapped around the elevator bank in the main entrance hall of the office building at 711 Third Avenue. Two years later, in 1958, commissioned by the New York City Board of Education, Hofmann created a 64-foot long and
11-foot tall mosaic-tile mural for the High School of Printing (now the High School of Graphic Arts Communication) on West 49th Street.
These large scale stunning works will be brought back to life at the Bruce Museum via varied painted studies, mosaic maquettes, photos, and ephemera – as well as studies for a mural for an unrealized New York apartment house of the same period – which will show Hofmann’s working methods.

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A scholarly catalogue has been created for the exhibition, with a foreword from the Renate, Hans and Maria Hofmann Trust, and essays by Curator Kenneth Silver and Mary McLeod, Professor at the Graduate School of Architecture, Planning and Preservation, Columbia University. Public programming planned for the exhibition includes the 2015 Bob and Pam Goergen Lecture Series, with lectures by Curator Kenneth E. Silver on Tuesday, May 5; Stacey Gershon, principal at Stacey Gershon Fine Art/MLG Art Advisory on Thursday, June 11; and Mary McLeod, Professor at the Graduate School of Architecture, Planning & Preservation, Columbia University, on Thursday, June 25. All lectures will be held at the Museum and will begin at 7:30 p.m.

About the Bruce Museum
The Bruce Museum is a museum of art and science and is located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Sunday from 10 am to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children less than five years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at http://brucemuseum.org. For area information www.visitfairfieldcountyct.com