Stories in Clay @ Institute for American Indian Studies

Everyone likes a good story. In Native American culture, stories were told to pass on knowledge from generation to generation. It was a way for tribe elders to pass on the history, sacred learning and beliefs to future leaders of the tribe.

In recent years Native American artists have set out on a new updated artistic path using clay to tell the stories of traditional life as a caregiver, mother or father and homemaker. Helen Cordero, a member of the Cochiti Pueblo, located 55 miles from Albuquerque, New Mexico is a perfect example of the new generation of avant-garde Indian clay artists and the Institute of American Indian Studies in Washington, Connecticut has an excellent collection of her work as well as the work of many other famous artists of this genre that have been generously donated to the museum.

This Singing Mother was made by Bonnie Fragua of the Jemez Pueblo. The Fragua family is known for their pottery making, Bonnie studied under Marie Romero, and just a few years after starting won several awards for her pottery. This figure shows the squash-blossom necklace, ceremonial circles painted on her cheeks, and textured hair which the Fragua family made pottery is known for. Donated by Marjorie & Sidney Goldman, Collection of the IAIS.

Helen Cordero – the First Modern Storyteller Dollmaker

The first modern storyteller doll was made in 1964 by Cochiti potter Helen Cordero. Before 1964 there was a tradition of figure pottery in the Pueblo, however, Helen is recognized as the first to create what has become the modern art form of storyteller dolls. Male figures are referred to as Storytellers while Female figures are called Singing Mothers and, both are always accompanied by a number of children and sometimes an animal that is listening to the tale being told.

Helen worked with her cousin Juanita Arquero making pottery, Juanita was an accomplished potter in her own right making vessels and bowls, Helen was never happy with how her vessels came out. When Helen tried making figure pottery Juanita compared it to “a flower blooming.” Undeterred, Helen kept creating.

Eventually, Helen was approached by folk art collector Alexander Girard who commissioned her to make a 250 piece nativity set. Appreciating her work, Girard told Helen he would buy larger figures that she created as well.

This Singing Mother (Figure A) was made by Marilyn Ray of the Acoma Pueblo in 1999. The decorative styles used here date back thousands of years and are traditional to Acoma. Marilyn is known for the intricacy of her figures and the detail displayed in her work. Here she integrates both children and animals into the figure. The Olla held by the Singing Mother is typical of Acoma white and black pottery. Marilyn has won several awards for her pottery and been published in many publications on both Storytellers pottery and Pueblo pottery. Donated by Marjorie & Sidney Goldman, Collection of the IAIS.

As the story goes, Helen’s commissioned artwork was inspired by her grandfather, Santiago Quintana a well-known storyteller, and the result was the creation of the first modern storyteller figure. “When people ask me what it is, I tell them it’s my grandfather. He’s giving me these. His eyes are closed because he’s thinking and his mouth is open because he’s telling stories. That one, he was a really wise man. He knew so much and he was a really good storyteller. There were always lots of us grandchildren around him, and we’re all there, in the clay.” -Helen Cordero

Though Storyteller and Singing Mothers are a modern art form dating to the 1960s, pottery making itself dates back thousands of years. Today’s native artists use some of the traditional designs and techniques to make and decorate these modern figures that vary in size, with some pieces having up to 200 children attached to them.

Each figure is unique to the artist using certain colors, symbols, and glazes. Most Storytellers and Singing Mothers are created by artists in Pueblo societies in the American Southwest and are highly collectible.

About The Institute for American Indian Studies

The Institute for American Indian Studies preserves and educates through discovery and creativity the diverse traditions, vitality, and knowledge of Native American cultures. Through archaeology, the IAIS is able to build new understandings of the world and history of Native Americans, the focus is on stewardship and preservation.

This is achieved through workshops, special events, and education for students of all ages. Located on 15 woodland acres the IAIS has an outdoor Three Sisters and Healing Plants Gardens as well as a replicated 16th c. Algonkian Village. Inside the museum, authentic artifacts are displayed in permanent, semi-permanent and temporary exhibits from prehistory to the present that allows visitors a walk through time. The Institute for American Indian Studies is located on 38 Curtis Road in Washington Connecticut and can be reached online or by calling 860-868-0518.

Celebrate Maple Sugar… Native American Style

Traditions of the Algonquian Indians, who lived in northwestern Connecticut’s Litchfield Hills, are kept alive in many fascinating ways at the Institute for American Indian Studies, Curtis Road, Washington, CT. One of the most interesting Native American traditions is taking place here on March 10, 2018 from 11 a.m. to 3 p.m. when visitors are invited to an authentic Maple Sugaring Festival.

Lost in the mists of history, Native Americans discovered that sweet sap runs from maple trees in the spring as the days get warmer and the nights stay cold. They discovered that boiling the sap in a hollowed out log with hot rocks reduced the water like liquid to an amber colored syrup; and that when cooked longer, it would also harden into a brownish colored “sugar”.

The Native Americans used this precious sap to sweeten and flavor their food, and as a sought after item to barter with. Eventually, they taught colonists the art of tapping maple trees for their sap and how to turn it into delicious “Sweetwater”.

To sweeten up spring join the staff of the Institute along with primitive technologists Jeff and Judy Kalin in the outdoor Algonquian Village for an afternoon celebrating the gift of maple syrup. The Kalins will demonstrate the traditional technique of collecting sap using only stone and wooden tools that would have been used by Native Americans. They will discuss the importance of maple sugar to the diet of Native Americans as well as its usefulness as an item of trade.

A highlight of this event are the “made from scratch” pancakes served up with local maple syrup, coffee and orange juice. The Maple Syrup Demonstration is noon – 3 pm., the Pancake Brunch is 11 am – 2 pm and children’s activities are 11:30 am – 2:30 pm. The cost is $15 for adults, $13 for seniors, children are $10 and members of the museum $5.

About Primitive Technologies

PTI has built nearly 200 aboriginal structures both free standing and congregated in villages using only the tools and practices of the time such as stone axes, flaked hand tools, and fire. In his work, Jeff Kalin, owner of PTI uses only primitive tools that he has made himself.

PTI has created the village at the American Indian Archeological Institute in the style of the Eastern Woodland Indians. This reconstructed village was created to look as it would have in the 16th century prior to European contact. There are several wigwams and a longhouse in the village. The structures are covered in thatch or bark.

Mr. Kalin is recognized as an expert in stone tool replication and is a consultant to museum curators and archeologists in the analysis of artifacts. He has constructed prehistoric sets for filmmakers and his wood-fired replica pottery hand built from river clay is in private and public collections.

Native American Legends

There are many Native American legends concerning maple syrup.

Abenaki Legend

The Abenaki believed that the Creator gave many gifts to help man during his life and one of these gifts was maple syrup that would flow freely year-round from a broken tree limb. When the Creator saw the Abenaki not tending to their village or crops and just drinking the sweet sap the creator decided to teach them a lesson by making the sap flow once a year in the spring. The Abenaki learned to honor the creator’s gift by finding that it would now take a lot of work to make the syrup. To honor this gift they collected sap in birch bark buckets and prepared hot rocks to boil the sap from a thin liquid into a thick syrup.

Mohegan Legend

The Mohegan’s believed that the melting snow caused the spring sap to run and considered it to be the dripping oil of the Great Celestial Bear, that was wounded by the winter sky hunters. The bear that was represented by the Big Dipper was part of their own Pleiades story that weaves its way through many Native American origin stories.

Iroquois Legend

An Iroquois legend tells of Woksis, an Indian chief that pulled his tomahawk from a maple tree while hunting resulting in sap dripping from the tree. The chief’s squaw noticed the sap dripping from the tree and needing water to make dinner decided to collect the sap from the tree rather than walk all the way to the river. The sap made the meal very tasty and as a result, the Native Americans decided to tap maple trees.

Stenciling Workshop for Kids @ Wilton Historical Society

On March 3 from 11 am till 12:30 kids are invited to learn about stenciling from an expert at the Wilton Historical Society located on 224 Danbury Road. There will be so many motifs to choose from.

Flower baskets, graceful willow trees, wildflower sprays and simple vines plump with berries were typical motifs which decorated many plastered New England walls. According to Early American stenciling expert Suzanne Korn, “The history of decorative arts in America includes a colorful chapter between the years of 1778 and 1840 when itinerant wall stencilers roamed New England country roads, painting their colorful folk art in homes, inns, and taverns
along the way.”

Ms. Chen will be talking about this simple, colorful folk art, and its history. The workshop project will be stenciling a lace pattern on a plate. The children will help make their own snack, doily chocolate cookies. To register or find out more click here

About Decorating @ Greenwich Historical Society

On Thursday, March 8 the Greenwich Historical Society is hosting a luncheon, lecture and book signing featuring Richard Keith Langham beginning at 11:30 a.m.

For the last 25 years Alabama-born, Manhattan-based Richard Keith Langham has been creating elegant spaces for some of New York’s most legendary ladies (think Mrs. William F. Buckley and Jacqueline Kennedy Onassis). His pedigreed town and country homes, grounded in tradition and enlivened with a fresh and imaginative perspective, feature lush color and pattern, a mixture of old and new and are particularly characterized by couture details.

Langham studied at Parsons School of Design and London’s Study Center for the History of Fine and Decorative Arts and earned a degree from The Fashion Institute of Technology in interior design. Before launching his own firm he apprenticed under the legendary Mark Hampton and honed his skills at Irvine & Fleming. His name has appeared on Architectural Digest’s AD-100 as well as on Elle Decor’s A List, and his work has appeared in publications too numerous to list. Add to that notable resume: Honorary Design Chair of Antiquarius 2017.

Don’t miss this rare opportunity to hear firsthand the stories behind the unique and elegant homes featured in his luscious new book, About Decorating, The Remarkable Rooms of Richard Keith Langham. Tickets are available online.

Dreaming with animal power @ White Memorial Foundation

White Memorial Foundation, the state’s largest nature conservation center is offering an interesting evening on March 3 on “dreaming with animal powers.

Where do we go every night? Why? Is it really “Just a Dream?!” Are you being “stalked” in your dreams – or in your waking life! – by a certain Animal? Get to Know Your Inner Tiger – or Dolphin or Eagle or Bear or…! Active Dreaming is a synthesis of modern dream work and ancient shamanic practices which views dreams as experiences of the soul. The Active Dreaming process respects the dreamer as the only authority on the meaning of his or her dreams – and thus, his or her Life.

As part of this lively evening, we will learn the Lightning Dreamwork process – a quick, fun and respectful way to share dreams or Waking experiences that helps us to develop our intuition and creativity, and helps us to bring their healing into our daily lives. We will learn about the many ways in which the Animals show themselves to us – in our Dreams and in our day-to-day lives – and how to discern their messages.

Come ready to learn more about the Magical world in which we live! Please bring a drum or rattle if you have one, your Dream journal if you keep one, and your Imagination! 7:00 p.m. – 9:00 p.m., A. B. Ceder Room, Members: $ 30.00 , Non-members: $45.00, Pre-registration and pre-payment are required. Call 860-567-0857 or register online.

Fundraiser for Tiger Twins @ Beardsley Zoo

​This past November, two tiger twins were born at Connecticut’s Beardsley Zoo. They are rare, endangered Siberian tigers whose species in the wild have just under 500 animals left.

A group of men and women from around Fairfield County have banded together to support the endangered species programs that the Beardsley Zoo is part of and they have organized an Endangered Species Gala that will take place on November 3 at the Patterson Club in Fairfield. The committee is co-chaired by Kathy MacGhee of Shelton and Cathy Fell of Fairfield.​

The guest speaker for this event will be world class explorer, Richard Weiss. He is also an Emmy award winning producer and author of the book, “Born to Explore: How to be a Backyard Adventurer.”

If you are interested in sponsoring this event, please contact Amanda Bolanos, associate development director, at 203-394-6574, or at abolanos@beardsleyzoo.org. There are several level of sponsorships that include the $25,000 presenting sponsorship, $10,000 to the Amur Tigers, $5,000 to the Golden Lion Tamarin and $2,500 for the Red Wolf.