Jiggle a Jelly at the Maritime Aquarium Norwalk

Apparently it’s a lot of fun to touch jellyfish when you know you won’t be stung. “Jiggle A Jelly” has become a permanent offering at The Maritime Aquarium at Norwalk. The display, will now will be open on weekends, holidays and school-vacation days through June 30, and then daily in July and August. It’s free with Aquarium admission.

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Visitors will be able to experience the unusual sensation of touching jellies making Jiggle A Jelly’ one of the Aquarium regular hands-on features, along with their Intertidal Touch Tank and our Shark & Ray Touch Pool.

Visitors can safely touch live moon jellyfish, one of the most common species in Long Island Sound. Maritime Aquarium volunteers staff the exhibit, encouraging visitors to use two fingers to gently touch the top of the jellyfishes’ gelatinous body or “bell.”

Moon jellies (Aurelia aurita) do have tentacles but their stings are generally benign to people. A common species in Long Island Sound, they grow to dinner-plate size during the warmth of summer. Short tentacles rim their bell, and four “oral arms” extend underneath. Moon jellies are colorless and translucent, except for four central horseshoe-shaped reproductive organs.

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Letting visitors get close to jellyfish is nothing new for The Maritime Aquarium. A mesmerizing gallery featuring moon jellies, sea nettles, lion’s mane and other live species of jellyfish is now in its 19th year at the Aquarium and remains among the most popular and memorable exhibits.

Plus, displays of jellies in their various life stages in the Jellyfish Culture Lab let visitors see how the Aquarium keeps a year-round supply of the seasonal creatures on exhibit. But “Jiggle A Jelly” is the first time visitors have been able to touch them.

Learn more about the Aquarium’s exhibits, IMAX® movies and programs at www.maritimeaquarium.org or by calling (203) 852-0700. For information about Fairfield County www.visitfairfieldcountyct.com

Arthur Carter at Washington’s Stairwell Gallery

The Stairwell Gallery at Gunn Memorial Library in Washington, CT is honored to present an exhibition of sculptures, orthogonals and paintings by Arthur Carter. The exhibit will be on view through June 21.

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Mr. Carter’s early years might seem like another person’s full lifetime of events. He was trained as a classical pianist, majored in French literature at Brown University, served three years in the United States Coast Guard as a lieutenant commanding officer of an air search and rescue craft, then received his MBA in finance from Dartmouth, followed by a 25 year career as an investment banker.

In 1981, he started a new venture. Founding the Litchfield County Times and six years later the New York Observer, he began his career as a publisher. He was also the publisher of theNation and the East Hampton Star. And in 2008, the Arthur L. Carter Journalism Institute was founded at New York University where Mr. Carter is a trustee and chairman of the Board of Overseers of the Faculty of Arts and Science. Mr. Carter has also held adjunct professorships in philosophy and journalism at NYU.

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Now we come to the “art part” of Mr. Carter – the grid design and layout of the front page of his newspapers inspired him to reproduce that same theme but in a three dimensional format and using stainless steel. This was a material he had learned to master when he was in Officer Candidate School where he learned welding. Thus, sculpting “became the latest statement of his polymath proclivities.”

Artists naturally evolve and he was soon working with wood, clay and copper wire and then larger constructions in silicon bronze and stainless steel. Many of his larger pieces are on permanent public display in New York City. The fabrication process can take months to complete and involves all the complexities of a machine shop, but each piece begins with one common denominator, his sketch pad.

The Stairwell Gallery exhibit will include Mr. Carter’s Orthogonals. A catalog of his exhibit at the New Britain Museum of American Art from the Fall of 2011, describes the pieces as follows: “Arthur Carter’s bold new series, which he calls collectively the Orthogonals, offers a fine example of a mixed mode that channels the powers of painting and sculpture through the distinguished medium of the relief.” These pieces are complex in their simplicity. They are strong, mathematical and like his other work, they vary in finish and are affected by the changing light and reflection. Carter has said, “My work focuses on simplifying and eliminating the excessive. The question is how does purity of design lend itself to making a beautiful and elegant piece?”

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Arthur Carter maintains a production facility and design studio in Roxbury, CT. He has been a featured solo artist at many galleries, including the Tennessee State Museum, The Grey Art Gallery, 80WSE Galleries at New York University and the New Britain Museum of American Art. Mr. Carter is the author of two hardcover books, Arthur Carter: Sculptures, Paintings, Drawings (2009) and Arthur Carter: Studies for Construction (2012).

Gunn Memorial is most pleased to welcome this prolific artist who is still immersed in the world of manufacturing and finance around the world. Perhaps his philosophy can help unify this “polymath” for us. Mr. Carter has said, “The simpler the economics are, the better; if you don’t understand it, you don’t do it. Purity in both design and business function means never dilute, never diffuse, and never bloat.”
For further information please call (860) 868-7586 or email chartman@biblio.org . The Gunn Memorial Library is located at 5 Wykeham Road at the juncture of Route 47 opposite the Green in Washington, CT. For library hours and to learn more about our programs and events visit our website www.gunnlibrary.org .

For information on Litchfield Hills www.litchfieldhills.com

Pasture to Pond: Connecticut Impressionism

Pasture to Pond: Connecticut Impressionism at the Bruce Museum in Greenwich, CT, runs through June 22, brings American Impressionism back to its roots, according to the Museum’s Executive Director, Peter C. Sutton.

Metcalf_Autumn  Willard Leroy Metcalf, (American, 1858-1925)
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Willard Leroy Metcalf, (American, 1858-1925)

“The history of art proves that Connecticut has long been one of the most fertile states for the creation of new art movements,” says Peter Sutton. “In no small measure it was the birthplace of American Impressionism.”

Drawn from the permanent collection of the Bruce, private collectors, area museums, and the trade, this exhibition of more than 25 works of American Impressionism speaks to the quality and beauty of this perennially popular art, and to Connecticut’s important role in its creation.

Before the turn of the 20th century, Connecticut was a logical birthplace for American Impressionism, as artists sought a nearby, rural respite from the burgeoning urban and rapidly industrializing world. While their artistic predecessors, the landscape painters of the Hudson River School, had championed dramatic landscapes of panoramic sweep and awe-inspiring majesty, the artists who came of age after the calamity and chaos of the Civil War sought a more intimate, bucolic and orderly landscape. They found these reassuring views among the farms, rolling hills, rivers and picturesque shoreline of Connecticut.

 Davis_Uplands  Charles H. Davis, (American, 1856-1933)
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Charles H. Davis, (American, 1856-1933)

While steeped in pre-Revolutionary history, Connecticut was readily accessible by train to these escaping urbanites, many of whom had winter studios in New York City. Artists’ colonies sprang up in Cos Cob and Old Lyme and landscapists took to recording favored sites in places like Branchville, Farmington, Mystic and the Litchfield Hills. The names of these artists – John H. Twachtman, J. Alden Weir, Childe Hassam, and Willard Metcalf – are among the most famous landscapists in American art history. While some, like Robinson, made regular pilgrimages to France to paint alongside the great French Impressionist Claude Monet, others learned the style second hand, and collectively they made it a uniquely American manner.

“Several of the artists featured in the show exhibited in the famous Armory Show in New York in 1913, which is generally regarded as the watershed moment that introduced Modern Art and the likes of Marcel Duchamp to America,” says Peter Sutton. “It is with pleasure then that we remember with this exhibition an era of enduring local creativity and the celebration of the beauty of our own special corner of New England.”

Pasture to Pond: Connecticut Impressionism is generously underwritten by People’s United Bank, a Committee of Honor co-chaired by Leora Levy and Alice Melly, a grant from the Connecticut Office of the Arts, and The Charles M. and Deborah G. Royce Exhibition Fund.

_Crane_Harvest Moon  Bruce Crane, (American, 1857-1937)
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Bruce Crane, (American, 1857-1937)

And when you go, don’t forget your cell phone: This exhibition, like many others at the Bruce, will be accompanied by a compelling cell phone audio tour guide program, Guide by Cell, generously underwritten by Nat and Lucy Day. The Guide by Cell program for Pasture to Pond: Connecticut Impressionism will include a driving tour of sites in Greenwich that are featured in some of the paintings on view. Easy to follow Guide by Cell instructions will be available at the front admissions desk, and in the case of this exhibition will include a physical map for the driving tour.

About the Bruce Museum

The Bruce Museum of Art and Science is located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children less than five years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org.

Monroe’s Rails Trails Tour

On Saturday, May 31 the Monroe Historical Society is offering a look back to the Golden Age of Railroading for its annual spring glimpse into the past and is offering the newly revamped Rails Trails Tour.

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The Rails Trails Tour covers the sites of four old wooden railway stations once vital to the rhythm of life in Monroe-Stepney and Stevenson Depots, and will also include Pepper Crossing and a stop off at Hammertown Road, known simply as Monroe Station.

Participants will board a motorcoach that will depart from the Monroe Senior Center on 235 Cutler’s Farm Rd. in Monroe at 10 a.m. Box lunches will be for sale as there is a noon stopover for lunch in Wolfe Park. There is also a ten-minute screening of the Great Train Robbery produced by Thomas Edison Studios in 1903 that will be shown before the motor coach departs and after it returns. This is the first commercially viable movie with sequential scenes.

The tour will include two morning stops and two stops in the afternoon and the motorcoach will head out rain or shine. Due to safety considerations, no private automobiles, motorcycles or bicycles are permitted on the tour. A special highlight of each tour will be the illustrated presentations at each site by railway historians: John Babina, Bob Belletzkie and Monroe’s town historian, Ed Coffey.

Displays will show how the steam engine was the lifeline for distributing farm products that drove the Monroe economy in the 1840s. At this time, the rail lines were the primary link to the outside world with its jobs and high schools in Bridgeport. The rail line also gave Monroe’s merchants access to goods and brought the farmers supplies like seed, fertilizer, feed and agricultural machinery.

With the advent of the automobile, by the 1930s passenger service was virtually discontinued. At the same time trucks became a more dedicated alternative for transporting the needs of business although limited use of the tracks for commerce continued until recent years.

The cost of the Rails Trails Tour is $10 for members, $15 for non-members, discounted to $5 for seniors and students. Tickets are available at the Monroe Senior Center and the Edith Wheeler Memorial Library. Space is limited. Additional information is available from Marven Moss at mmoss36@yahoo.com

“Jazz Great” Bucky Pizzarelli at The Silo Hunt Hill Farm

The Silo at Hunt Hill Farm, in Litchfield Hills is “Saluting Jazz” in style on May 24 at 7 p.m. when they will be hosting jazz great Bucky Pizzarelli at the Canterbury School in New Milford. Pizzarelli, a , world-renowned jazz guitarist, will be accompanied by Ed Laub. The duo has been performing for audiences all over the US and Canada in clubs, concert halls and jazz festivals for the past 12 years after a lifetime association as teacher/student.

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Pizzarelli and Laub combine instrumental and vocal arrangements with an emphasis on the Great American Songbook and well as some of the classic 1930’s guitar duos made popular by Carl Kress/ Dick McDonough, Eddie Lang and George Smith. Their great friendship of over 45 years is evident in their sound and the way they interact together.

All proceeds from the concert will benefit The Silo at Hunt Hill Farm, listed on the National Register of Historic Places, offering programs and family events that enrich the community, including art gallery exhibitions, cooking classes, live music, literary readings and more.

Tickets begin at $30 for general admission, with reserved seating tickets at $50 and $75 levels. A pre-concert reception will be held from 5:30 to 7 p.m., also at the Canterbury School, with tickets for the reception and concert at $100. Sponsor and Underwriter levels are available as well. For more information and to purchase tickets visit http://www.hunthillfarmtrust.org, or call (860) 355-0300. Tickets are also on sale at The Silo during regular business hours. The Silo Gallery and store are open Wednesday through Saturday, 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m.

Ticket prices are: $30 General Admission $50 Reserved Seating, $75 Front and Center, $100 Jazz Lover (includes pre-concert reception and “Front and Center” reserved seating), $250 All Star Patron (includes pre-concert reception, “Front and Center” reserved seating and program credit as a patron), $500 Premier VIP (includes pre-concert reception, “Front and Center” reserved seating, CD and program credit as an underwriter).

About Hunt Hill Farm Trust

Located in New Milford, Conn., the Hunt Hill Farm Trust operates The Silo at Hunt Hill Farm, a non-profit organization and Smithsonian Institution Affiliate dedicated to preserving the unique history of this farm. The Silo is as devoted to protecting this piece of New England agricultural history – its buildings, stone walls, and fields – as it is to the cultural legacy of Ruth and Skitch Henderson, the founders who brought ‘new life to old barns.’™ The Silo continues traditions of education, conservation, artisanry and excellence in the Cooking School, the Skitch Henderson Museum, the Hunt Hill Farm Land Preserve, the Gallery and the Silo Store and is a vibrant and unique regional resource, offering the public opportunities to explore music, art, cuisine, and permanently protected historic open space. For more information, please visit www.hunthillfarmtrust.org, and connect with the bank on Facebook and Twitter (@thesilohunthill).

For information on Litchfield Hills www.litchfieldhills.com

For the love of Trees in Norwalk – the annual Tree Festival

The Connecticut Tree Festival, Norwalk’s annual spring tribute to leafy greenery is set for Cranbury Park, located on Grumman Ave. on Saturday, May 17 from 11 a.m. to 3 p.m., rain or shine.

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This family fun festival will be both entertaining and educational for the whole family with up to 40 exhibition booths on a U-shaped midway making it easy to explore. Best of all, this event is free, everything in the park is free to the public–admission, parking, door prizes, even a picnic-style lunch.

There are demonstrations of how trees are planted, trimmed and moved as well as information on how to care for trees. Bring a twig and leaf from home and look for the “Ask the Arborist” signs, certified arborists are on-site to help identify trees, foliage or unusual conditions. In a mid-day ceremony, an eastern redbud tree is to be planted to honor the late Dick Aime who died last year at age 93 after many years as secretary of the Norwalk Tree Alliance.

For kids there is face painting, scavenger hunts, and arts and crafts activities. A highlight of the event are the cherry-pickers located around the midway that offers kids rides to the tree tops and tells them about the importance of tree care.

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Popular exhibitors include: the Wolf Conservation Center from South Salem New York, Wildlife in Crisis of Weston, CT, Earthplace of Westport and Connecticut’s Search and Rescue dog team.

Appearing for the first time is the Art Academy of Weir Farm in Wilton with a booth on the midway and a display of arboreal art called “A Celebration of Trees” in the neighboring Gallaher Mansion.

For additional information about this event visit https://www.ioby.org/project/2014-connecticut-tree-festival. For information on Fairfield County visit www.visitfairfieldcountyct.com

About Cranbury Park

This is an expansive parkland of 227 acres that has a series of wooded trails, and a challenging 18- hold disc golf course. Also on the grounds is the Gallager Mansion built in 1913 by industrialist/inventor Edward Beach Gallaher. This limestone Tudor Revival mansion is styled with carvings, stained-glass windows and Walnut paneled rooms. It includes a large terrace and adjacent garden that make it perfect venue for outdoor entertaining. It’s available to rent for meetings, events, luncheons and weddings. The Carriage House Arts Center is located adjacent to the mansion. Contact Recreation and Parks for details. (203) 854-7806 or http://www.norwalkct.org/Facilities/Facility/Details/1