Tag: Litchfield Hills

Creating Habitat Oases for Migrating Songbirds

Join Audubon’s Patrick Comins and Michelle Frankelon April 28 at the Garden Education Center of Greenwich on 1 Bible Street in Cos Cob for a special presentation and walk through Greenwich’s Montgomery Pinetum to learn about simple ways to enhance backyards, school grounds and public parks to provide quality habitat for migrating songbirds. This event is co-sponsored by Audubon Connecticut, Greenwich Tree Conservancy, Bruce Museum and Garden Education Center. An RSVP is suggested to the Greenwich Tree Conservancy at 203- 869-1464. The program takes place from 2 p.m. to 4 p.m.

Garden Education Center of Greenwich
Garden Education Center of Greenwich

The Audubon’s Habitat Oases program identifies, improves and conserves important stop-over habitat for migrating songbirds all along the Atlantic migratory flyway, focusing on urban and suburban areas and other landscapes where there is limited quality habitat. The program, performed in collaboration with Audubon chapters, state and municipal parks departments, and other groups, engages volunteer birdwatchers – citizen scientists – in migratory songbird surveys of urban/suburban green spaces. The surveys help to determine the characteristics of high quality stop-over habitat and which species of plants are most beneficial as food sources for migrating songbirds.

Audubon and its partners are using the results of this study to promote the protection of critical stop-over habitats by helping government agencies, corporations, land trusts, and other landowners make informed land use and land protection decisions
They also work to improve the quality of public and private lands as stop-over habitat for migrating birds by guiding the management and landscaping practices of natural resource managers, private landowners and professional landscapers
and strive to develop regionally-specific lists of “bird-friendly” native plants that may be used to guide landscaping practices in parks, gardens and backyards.

Patrick Comins is a graduate of Trinity College in Hartford, and has worked in the bird conservation arena for the last 15 years. Patrick began his career with the Connecticut Audubon Society, doing bird surveys on the coast at the Stewart B. McKinney National Wildlife Refuge and then worked for the US Fish and Wildlife Service as a biological technician at the refuge. He has been with Audubon Connecticut as the Director of Bird Conservation for Connecticut since 2000, overseeing Connecticut’s Important Bird Areas and other conservation programs. He is the principal author of Protecting Connecticut’s Grassland Heritage. Patrick is a past resident of the Connecticut Ornithological Association and was the 2007 recipient of their Mabel Osgood Wright Award. He has written several articles on bird conservation and identification for the Connecticut Warbler and is currently chairman and vice president of the Friends of the Silvio O. Conte National Fish and Wildlife Refuge.

Michelle Frankel, Ph.D., is a Conservation Biologist with Audubon Connecticut and is coordinating the Habitat Oases program in CT, and facilitating the implementation of the program in a number of other states along the Atlantic migratory flyway. Michelle previously worked with Audubon of Florida, where she originally piloted the Habitat Oases program. Prior to her work with Audubon, she was Education Director for Earthspan, a nonprofit that develops and applies advanced technologies for wildlife conservation. Michelle received her Ph.D. in behavioral ecology from Boston University, focusing on forest fragmentation effects on migratory songbirds. She subsequently pursued a post-doctoral fellowship with Tel Aviv University and the International Center for the Study of Bird Migration in Israel, where she studied the impacts of urbanization on the globally-threatened Lesser Kestrel.

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Twined Art at the Institute for American Indian Studies

The exhibition Woven from Milk Weed by Wabanaki Artist Vera Longtoe Sheehan opens at the Institute for American Indian Studies in Washington Connecticut runs through May 31, 2013. There is no charge for this exhibition. The Museum is open Monday through Saturday 10 am to 5 pm and Sunday 12 noon to 5pm. The last admission is at 4:30 pm.

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Vera Longtoe Sheehan is a fiber artist who follows in the footsteps of her ancestors. When she was young, her father started teaching her how to harvest and process plants to make cordage. He also taught her the various techniques that she uses to make twined bags, baskets and textiles.

Vera combines her tribal and family knowledge with many years of researching Wabanaki history, culture and tradition to create her one of a kind twined woven items. She uses both hand-rolled and commercially rolled plant fiber cordage. Each of the hand items can take hours, days, weeks or even months to complete.

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Her twined art is environmentally friendly because it is made from plants, which are quick growing, renewable resources. She is currently teaching her children to twine, so that this endangered art form is not lost. Some of her twined bags, baskets and textiles have appeared in films and literature.

The artist and her family reside in Vermont. She offers a variety of programs for schools, museums and historic sites.

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“Meet the Artist” Reception is Sunday, April 7th from 1pm -3pm. The reception includes refreshments at 2pm.

For more information about the Institute for American Indian Studies located on 38 Curtis Rd. in Washington CT call 860-868-0518 or visit www.iaismuseum.org. For area information www.litchfieldhills.com.

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Concerts at Keeler Tavern

The Louise McKeon Chamber Music Concerts will return to the Keeler Tavern Museum, (http://keelertavernmuseum.org) located at 132 Main Street in Ridgefield on Sunday April, 14th at 3 PM . The first concert of the season will feature Threeds, an oboe trio based in New York City. The trio includes oboists Kathy Halvorson, Katie Schele and Mark Snyder. Formed in 2008, the trio enjoys creating new paths for the oboe and English horn.

keeler tavern

The ensemble plays their own arrangements of pop, rock, jazz, folk and world music while using improvisational techniques. A special guest of Threeds at this concert will be Christof Knoche who plays the bass clarinet. Threeds has also arranged music to accompany local singer-song writers and has recorded at Avatar Studios and Daytone Records.

One of the founding principles of Threeds is to make the oboe an instrument more accessible to the general public by bringing their music out of the concert hall to bars, galleries and other public places that include sites from Joe’s Pub to the Cathedral of St. John the Divine. Recently, the trio was invited (by audition) to participate in MTA’s Music under NY where they will play in the New York subway.

Over the last few years Threeds have performed in Los Angeles, Providence, Philadelphia, Cape May as well as at the New York and Arizona Summer Music Festivals. The trio is composed of accomplished musicians that have performed with many prestigious orchestras, including Broadway Shows and Emmy nominated independent film tracks. In addition to the trio, the artists of the trio have taught at WestConn University, C. W. Post, Rudolph Steiner School, and the Brooklyn Conservatory among others.

Tickets at the door are $15 for adults, $12 for seniors and students, and $10 children under 12 years. Members of the audience are invited to enjoy conversation with the musicians following the concert. Light refreshments will be provided

The final performance of the 2012-2013 season on Sunday May 19th at 3 PM will feature the Devonshire Players, a string quarter.

For area information www.visitwesternct.com or www.litchfieldhills.com

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The Beauty of Botanical Illustrations in Litchfield Hills

Betsy Rogers-Knox has been drawing and painting since childhood. Her interest in botanical illustration began in Boulder, Colorado where she worked for a botanist and learned by close observation to appreciate the intricate beauty of Colorado wildflowers. This interest led her to the botanical illustration program at the New York Botanical Garden. Her final project included paintings of historic plants from the gardens of the Bellamy Ferriday House in Bethlehem, Connecticut.

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Betsy is enchanted by the full lifecycle of the plants she portrays in watercolor, and typically observes a plant for a full year before beginning a composition. Published work includes cover designs for Herb Quarterly magazine, the illustrations for the bookHerbs, Leaves of Magic and White Flower Farm’s catalog, as well as over thirty greeting card designs internationally distributed by Renaissance Greeting Card Company and Sunrise Publications.

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She has exhibited extensively including the Smithsonian in Washington, D.C., London’s Kew Gardens, the Horticultural Society of New York, and the New York Botanical Garden. In April 2013 she will show several works at the Royal Horticultural Show in London. Betsy also teaches drawing and watercolor painting to both adults and children from her studio in Bethlehem. Her website is www.betsyrogersknox.com.

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A selection of the work of Betsy Rogers Knox will appear in the Gallery of the Oliver Wolcott Library located on 160 South Street, Litchfield, CT. through April 26 2013. For more information call 860-567-8030. or visit www.owlibrary.org. For area information www.litchfieldhills.com

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The Artist in Venice at Darren Winston, Bookseller

On Saturday, April 6, from 2 to 4 p.m., bookseller and gallerist Darren Winston located in Sharon Connecticut in the Litchfield Hills will host a reading and book-signing by Adam Van Doren to celebrate the publication of The Artist in Venice, at Darren Winston, Bookseller (81 Main Street, Sharon, Connecticut). A selection of paintings by Van Doren, including pieces featured in the book, will be on display from April 2–28.

Van Doren’s new book showcases not only his virtuosity as a painter but also his writing talent. He first went to Venice to paint in 1986, to escape the “barren and cheerless” New York winter. He left as an architecture student and came back a painter—and “Venice was responsible.” The Artist in Venice presents twenty-five glorious watercolor paintings of that city, accompanied by sketches, maps, and the artist’s insightful narrative and history.

In the introduction to the book, the writer Simon Winchester observes: “Adam Van Doren has a way with light. His painterly calling-card is, in its essence, illumination. It is opalescence, iridescence, brilliance.” Publisher’s Weekly says of the book: “Architect and artist Van Doren offers a love letter to Venice in this elegant and slender volume, and he sings his praise to the city through majestic prose and 25 beautiful watercolor paintings.”

Adam Van Doren was born in Cambridge, Massachusetts in 1962 and is of the distinguished New York literary and artistic family that includes his grandfather Mark Van Doren—the Pulitzer Prize–winning poet and celebrated Columbia professor—and his great-uncle Carl Van Doren, the Pulitzer Prize–winning historian. His great-aunt Irita Van Doren was the editor of the Books section of The Herald Tribune for forty years, and his grandmother Dorothy Van Doren was a novelist and editor at The Nation. His mother is a painter and was integral in cultivating his artistic sensibilities.

Van Doren studied at Columbia University and the National Academy of Design. He has exhibited at the National Portrait Gallery in Washington, D.C., among other institutions, and his work is included in the Art Institute of Chicago, the Princeton University Art Museum, The Museum of Fine Arts (Houston), the Yale University Art Gallery, The Addison Gallery of American Art, and The Wadsworth Atheneum Museum of American Art, among others. Van Doren has been a Visiting Artist at the American Academy in Rome and an instructor at the Institute of Classical Architecture in New York. He is an Associate Fellow and former Lustman Fund Lecturer at Yale University. He maintains a studio in Manhattan, where he exhibits annually.

Although he was raised in New York, Van Doren and his family have deep connections to the Litchfield Hills in northwest Connecticut. While growing up he spent summers in Cornwall Hollow on the old farm owned by his grandparents, and now he splits his time between that property (in a new house he designed and had built there) and his home in Manhattan. In a recent interview he remembered stories of how his grandfather and uncle had to travel from Manhattan for five hours in a Model-T to reach the farm in Connecticut. “I can only imagine what it was like,” he said. “It might have meant they didn’t come up too often. They went for the summer and stayed there.” Van Doren returns to Darren Winston, Bookseller following the bookstore-gallery’s popular October 2011 exhibit of his paintings, which garnered favorable coverage in The New York Times.

For more information about Darren Winston, Bookseller, please call (860) 364-1890 or e-mail darrenwinston@gmail.com. The shop’s hours are Tuesday through Sunday, from 11 a.m. to 5 p.m. and by appointment, and the website is www.darrenwinstonbookseller.com. For area information www.litchfieldhills.com.

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Ride a Vintage Train to Visit the Easter Bunny

The Easter Bunny will once again pay a visit to the Danbury Railway Museum located in downtown Danbury in Litchfield Hills and you can take a ride in a vintage train through the historic rail yard to visit him. This popular annual family event will take place on Saturday & Sunday, March 23 & 24, and Friday & Saturday, March 29 & 30.

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Museum hours are 10 a.m. – 4:30 p.m. on Friday and Saturday; noon – 4:30 p.m. on Sunday. Trains leave every 30 minutes from 12:30 p.m. to 3:30 p.m..
Admission is $9.00 (age 2 and up); each child will receive a small gift from the Bunny. Reservations are suggested and may be made by visiting the museums Web site at www.danburyrail.org. The short train ride in a fully-restored 1953 New Haven RR Rail Diesel Car (Budd RDC), will take visitors past the fully operational turntable, over 70 vintage railroad cars and locomotives, and many unique pieces of railroad history, including a Boston & Maine steam locomotive built in 1907 The highlight of the trip is when the train stops at the Easter Bunny’s special railroad car.

The museum’s beautifully restored circa-1910 Railway Post Office (RPO) car is open for tours. The exhibits inside the restored 1903 Danbury station will be open, along with a coloring station, temporary tattoos, Thomas® play table, and the operating model train layouts. Don’t miss a visit to the fully-stocked gift shop chock full of affordable items.

The Danbury Railway Museum is a non-profit organization, staffed solely by volunteers, and is dedicated to the preservation of, and education about, railroad history. The museum is located in the restored 1903 Danbury Station and rail yard at 120 White Street, Danbury, CT. For further information, visit the Web site at www.danburyrail.org email info@danburyrail.org, or call the museum at 203-778-8337.

For area information visit www.litchifeldhills.com.

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