Tag: Fairfield County

Westport’s Hidden Garden Tour

Be sure to mark Sunday, June 8th, on your calendars, garden lovers. That’s the day the Westport Historical Society rolls out its annual Hidden Garden Tour of five exceptional properties in Westport and Fairfield, and a Garden Market on the town’s Veterans Green, followed by a gala Garden Party that evening under a festive tent also on Veterans Green.

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Among the gardens to be showcased on the self-guided tour is one its owners say “has put the green in Greens Farms.” And another at a land-marked house that once belonged to George Hand Wright, dean of Westport’s art community from 1907 to 1951. Green-thumbs can learn how others deal with such problems as nibbling deer, large swaths of shade, and variations in dry and wet soil.

The five venues of the Garden Tour will offer visitors the opportunity to connect to nature will all their senses. Garden experiences will include musicians, old-fashioned croquet, moving meditation demonstrations, food and beverage tastings, and garden experts.

Here’s an overview of this year’s five featured gardens:

Discovery and Restoration: Quite overgrown when the current owner moved there in 2010, George Hand Wright’s 1767 house sits on a spacious tract bounded by native stone walls. Scattered about are specimen trees: a Japanese katsura, Zelkova elm and towering Norway maple in the front, old apple trees and newer cherry trees in the side yard, and a weeping cherry and star magnolia near the drive. The flower beds are planted in blue tones favored by the owner and include blue hydrangeas, Russian sage, and butterfly bush. Behind the house, the lawn slopes to a restored pond and wetlands. An added treat is the secret garden behind the painter’s studio that was unearthed when the owner discovered “a mysterious brick stairway that seemed to go nowhere.”

Greenfield Hill Gem: This 1824 Dutch-style house atop Greenfield Hill has quite a pedigree. It occupies land first settled by the ancestors of the owner’s late husband in the 1600s. In 1976, when the couple moved in, they inherited an English rose garden designed by the firm of Frederick Law Olmstead, the creator of New York’s Central Park. Though no longer planted in roses, the garden’s format remains unchanged, its beds enclosed in stone walls and sharing space with boxwoods and a pond.

Inspiration of Roses: Possessing little sophistication when its current owners arrived in the late 1990s, this home and garden in the Gorham Avenue Historic District near downtown Westport was nevertheless redeemed by “good bones.” So the couple, who both came from gardening families, set to work creating their own landscape, inspired by the six David Austin roses received as a housewarming gift. The centerpiece is a magnificent Japanese maple surrounded by a shade garden comprised of hosta, ferns, and Japanese forest grass. The sunnier areas show off borders of lamb’s ear, stonecrop, peonies, irises and lilies, and beds of lily of the valley, bloodroot, and imperata. Expect to see some bees as the owners are beekeepers as well as gardeners.

Continuous Blooming Color: Owned by landscape architects in the Stratfield section of Fairfield, this property is defined by the presence of old-growth trees whose dense canopy has forced the owners to use shade- tolerant plants. Even so, they have managed to provide color and bloom time from March to October using perennials, spring flowering lawn and garden bulbs, and flowering bushes and trees. A garden of wetland grasses and flowering native plants peeks from behind a 100-year-old spring-fed swimming pool. And a rock ledge beside the home is populated by daffodils, crocus, hosta, azalea, rhododendron, and woodland geranium.

Summer Hill Bliss: At this garden on a private Green’s Farms cul-de-sac, the plantings were inspired by the New York Botanical Garden and embellished by the owners’ love of wordplay. The formal garden is divided into three rooms, one with free-form beds divided by “a boulevard of grass” and another that the owners describe as a tranquil space with an alley. They call it their Zen Central. The pool/patio area features a white garden that changes with the seasons.
Hours for the Garden Tour are 11am to 4pm. Ticket prices are $40 for WHS members, $50 for non-members, and $55 if purchased on the day of the tour. A jitney service will be available to the gardens at an additional $20 per person. To reserve a seat, those interested should call Sue at 203-222-1424.

Tour-goers can start or finish their rounds by checking out the Garden Market on Veterans Green, adjacent to WHS headquarters. A variety of practical and fanciful items for home and garden will be for sale including plants, garden tools, antiques, jewelry, and accessories. Admission is free. Following the garden tour and market will be the Garden Party, also on Veterans Green, from 6:30 to 9:00. Guests will enjoy delicious hors d’oeuvres and beverages provided by local restaurants and caterers, silent and live auctions, while listening to live jazz.

Tickets are $50 per person. Tickets for the Garden Tour and Garden Party may be purchased online at https://westporthistory.securesites.com/products/index.php?type=883&PCID=883:0:0:0:0 , or by visiting or calling Westport Historical Society, 25 Avery Place, 203- 222-1424 across from Westport Town Hall. Tickets and garden directions will be available for pick up Sunday, June 8th from 10am to 2pm at the Garden Market.

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Jiggle a Jelly at the Maritime Aquarium Norwalk

Apparently it’s a lot of fun to touch jellyfish when you know you won’t be stung. “Jiggle A Jelly” has become a permanent offering at The Maritime Aquarium at Norwalk. The display, will now will be open on weekends, holidays and school-vacation days through June 30, and then daily in July and August. It’s free with Aquarium admission.

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Visitors will be able to experience the unusual sensation of touching jellies making Jiggle A Jelly’ one of the Aquarium regular hands-on features, along with their Intertidal Touch Tank and our Shark & Ray Touch Pool.

Visitors can safely touch live moon jellyfish, one of the most common species in Long Island Sound. Maritime Aquarium volunteers staff the exhibit, encouraging visitors to use two fingers to gently touch the top of the jellyfishes’ gelatinous body or “bell.”

Moon jellies (Aurelia aurita) do have tentacles but their stings are generally benign to people. A common species in Long Island Sound, they grow to dinner-plate size during the warmth of summer. Short tentacles rim their bell, and four “oral arms” extend underneath. Moon jellies are colorless and translucent, except for four central horseshoe-shaped reproductive organs.

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Letting visitors get close to jellyfish is nothing new for The Maritime Aquarium. A mesmerizing gallery featuring moon jellies, sea nettles, lion’s mane and other live species of jellyfish is now in its 19th year at the Aquarium and remains among the most popular and memorable exhibits.

Plus, displays of jellies in their various life stages in the Jellyfish Culture Lab let visitors see how the Aquarium keeps a year-round supply of the seasonal creatures on exhibit. But “Jiggle A Jelly” is the first time visitors have been able to touch them.

Learn more about the Aquarium’s exhibits, IMAX® movies and programs at www.maritimeaquarium.org or by calling (203) 852-0700. For information about Fairfield County www.visitfairfieldcountyct.com

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Pasture to Pond: Connecticut Impressionism

Pasture to Pond: Connecticut Impressionism at the Bruce Museum in Greenwich, CT, runs through June 22, brings American Impressionism back to its roots, according to the Museum’s Executive Director, Peter C. Sutton.

Metcalf_Autumn Willard Leroy Metcalf, (American, 1858-1925)
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Willard Leroy Metcalf, (American, 1858-1925)

“The history of art proves that Connecticut has long been one of the most fertile states for the creation of new art movements,” says Peter Sutton. “In no small measure it was the birthplace of American Impressionism.”

Drawn from the permanent collection of the Bruce, private collectors, area museums, and the trade, this exhibition of more than 25 works of American Impressionism speaks to the quality and beauty of this perennially popular art, and to Connecticut’s important role in its creation.

Before the turn of the 20th century, Connecticut was a logical birthplace for American Impressionism, as artists sought a nearby, rural respite from the burgeoning urban and rapidly industrializing world. While their artistic predecessors, the landscape painters of the Hudson River School, had championed dramatic landscapes of panoramic sweep and awe-inspiring majesty, the artists who came of age after the calamity and chaos of the Civil War sought a more intimate, bucolic and orderly landscape. They found these reassuring views among the farms, rolling hills, rivers and picturesque shoreline of Connecticut.

Davis_Uplands Charles H. Davis, (American, 1856-1933)
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Charles H. Davis, (American, 1856-1933)

While steeped in pre-Revolutionary history, Connecticut was readily accessible by train to these escaping urbanites, many of whom had winter studios in New York City. Artists’ colonies sprang up in Cos Cob and Old Lyme and landscapists took to recording favored sites in places like Branchville, Farmington, Mystic and the Litchfield Hills. The names of these artists – John H. Twachtman, J. Alden Weir, Childe Hassam, and Willard Metcalf – are among the most famous landscapists in American art history. While some, like Robinson, made regular pilgrimages to France to paint alongside the great French Impressionist Claude Monet, others learned the style second hand, and collectively they made it a uniquely American manner.

“Several of the artists featured in the show exhibited in the famous Armory Show in New York in 1913, which is generally regarded as the watershed moment that introduced Modern Art and the likes of Marcel Duchamp to America,” says Peter Sutton. “It is with pleasure then that we remember with this exhibition an era of enduring local creativity and the celebration of the beauty of our own special corner of New England.”

Pasture to Pond: Connecticut Impressionism is generously underwritten by People’s United Bank, a Committee of Honor co-chaired by Leora Levy and Alice Melly, a grant from the Connecticut Office of the Arts, and The Charles M. and Deborah G. Royce Exhibition Fund.

_Crane_Harvest Moon Bruce Crane, (American, 1857-1937)
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Bruce Crane, (American, 1857-1937)

And when you go, don’t forget your cell phone: This exhibition, like many others at the Bruce, will be accompanied by a compelling cell phone audio tour guide program, Guide by Cell, generously underwritten by Nat and Lucy Day. The Guide by Cell program for Pasture to Pond: Connecticut Impressionism will include a driving tour of sites in Greenwich that are featured in some of the paintings on view. Easy to follow Guide by Cell instructions will be available at the front admissions desk, and in the case of this exhibition will include a physical map for the driving tour.

About the Bruce Museum

The Bruce Museum of Art and Science is located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children less than five years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org.

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Monroe’s Rails Trails Tour

On Saturday, May 31 the Monroe Historical Society is offering a look back to the Golden Age of Railroading for its annual spring glimpse into the past and is offering the newly revamped Rails Trails Tour.

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The Rails Trails Tour covers the sites of four old wooden railway stations once vital to the rhythm of life in Monroe-Stepney and Stevenson Depots, and will also include Pepper Crossing and a stop off at Hammertown Road, known simply as Monroe Station.

Participants will board a motorcoach that will depart from the Monroe Senior Center on 235 Cutler’s Farm Rd. in Monroe at 10 a.m. Box lunches will be for sale as there is a noon stopover for lunch in Wolfe Park. There is also a ten-minute screening of the Great Train Robbery produced by Thomas Edison Studios in 1903 that will be shown before the motor coach departs and after it returns. This is the first commercially viable movie with sequential scenes.

The tour will include two morning stops and two stops in the afternoon and the motorcoach will head out rain or shine. Due to safety considerations, no private automobiles, motorcycles or bicycles are permitted on the tour. A special highlight of each tour will be the illustrated presentations at each site by railway historians: John Babina, Bob Belletzkie and Monroe’s town historian, Ed Coffey.

Displays will show how the steam engine was the lifeline for distributing farm products that drove the Monroe economy in the 1840s. At this time, the rail lines were the primary link to the outside world with its jobs and high schools in Bridgeport. The rail line also gave Monroe’s merchants access to goods and brought the farmers supplies like seed, fertilizer, feed and agricultural machinery.

With the advent of the automobile, by the 1930s passenger service was virtually discontinued. At the same time trucks became a more dedicated alternative for transporting the needs of business although limited use of the tracks for commerce continued until recent years.

The cost of the Rails Trails Tour is $10 for members, $15 for non-members, discounted to $5 for seniors and students. Tickets are available at the Monroe Senior Center and the Edith Wheeler Memorial Library. Space is limited. Additional information is available from Marven Moss at mmoss36@yahoo.com

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Visit replica’s of Columbus’s ships Nina and Pinta in Bridgeport

The Niña is a replica of the ship on which Columbus sailed across the Atlantic on his three voyages of discovery to the new world beginning in 1492. Columbus sailed the tiny ship over 25,000 miles. That ship was last heard of in 1501, but the new Niña has a different mission. It is a floating museum sponsored by the Columbus Foundation from the British Virgin Islands that visit ports all over the Western Hemisphere.

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On Friday May 23rd, the ‘Pinta’ and the ‘Nina’, replicas of Columbus’ Ships, will open in Bridgeport. The ships will be docked at Captains Cove Seaport, 1 Bostwick Ave., until their departure early Tuesday morning May 27th.

The ‘Nina’ was built completely by hand and without the use of power tools. Archaeology magazine called the ship “the most historically correct Columbus replica ever built.” The “Pinta” was recently built in Brazil to accompany the Nina on all of her travels. She is a larger version of the archetypal caravel. Historians consider the caravel the Space Shuttle of the fifteenth century.

Both ships tour together as a new and enhanced ‘sailing museum’ for the purpose of educating the public and school children on the ‘caravel’, a Portuguese ship used by Columbus and many early explorers to discover the world.

While in port, the general public is invited to visit the ships for a walk-aboard, self-guided tour. Admission charges are $8.00 for adults, $ 7.00 for seniors, and $6.00 for students 5 – 16. Children 4 and under are Free. The ships are open every day from 9:00 a.m. to 6:00 p.m. No reservations necessary.

Teachers or organizations wishing to schedule a 30 minute guided tour with a crew member should call 1 787 672 2152 or email columfnd1492@gmail.com . Minimum of 15. $5.00 per person. No Maximum. For more information visit www.thenina.com

For information about Fairfield County www.visitfairfieldcountyct.com

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A Lecture on Victorian Era Jewelry to Launches the Lockwood-Mathews Mansion Museum’s Lecture Series

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On Wednesday, May 21, at 11 a.m., the Lockwood-Mathews Mansion Museum located at 295 West Avenue in Norwalk, CT will launch its 2014 Lecture Series. CT Historic New England’s Associate Curator Laura Johnson will present the illustrated talk, Mottos, Messages and Gem Lore in Victorian Jewelry and introduce the messages, both hidden and overt, in Victorian gems. From the many meanings of turquoise to “fide” rings and the language of flowers, men and women alike in the nineteenth century used gems and ornaments to whisper sweet nothings or softly spell out their devotion. Lecture attendees are invited to bring their own Victorian jewelry for expert identification (please note- not for appraisal).

Laura Johnson is a specialist in American material life, focusing on identity construction and consumption. She is particularly interested in the intersections of memory and identity in American adornment. Ms. Johnson is currently working on an exhibition for Historic New England entitled Mementos: Jewelry of Life and Love, scheduled to open in 2016 but also works on needlework, children’s clothing, revival textiles, basketry, and Native American material culture. She received her Ph.D. in the History of American Civilization from the University of Delaware and an M.A. in Early American Culture from the Winterthur Program.

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This is the first in a series of lectures entitled, Lockwood-Mathews Mansion: Seventy-four years of Culture – Art, Life, and Love, 1864-1938 by curators and experts in the field of Victorian era material life. The lectures are $25 for members, $30 for non-members per session. A discount package for all seven lectures can be purchased in advance for $150 for members/ $180 for non-members. The price includes lecture, lunch and a Mansion tour. Lunch is courtesy of Michael Gilmartin’s Outdoor Cookers. The chair of the Lecture Committee is Mimi Findlay of New Canaan. Photo credits: Collection of Historic New England and photography by Andrew Davis.

The Lockwood-Mathews Mansion Museum is a National Historic Landmark. For more information on schedules and programs please visit: www.lockwoodmathewsmansion.com, e-mail info@lockwoodmathewsmansion.com, or call 203-838-9799.

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