Arthur Carter at Washington’s Stairwell Gallery

The Stairwell Gallery at Gunn Memorial Library in Washington, CT is honored to present an exhibition of sculptures, orthogonals and paintings by Arthur Carter. The exhibit will be on view through June 21.

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Mr. Carter’s early years might seem like another person’s full lifetime of events. He was trained as a classical pianist, majored in French literature at Brown University, served three years in the United States Coast Guard as a lieutenant commanding officer of an air search and rescue craft, then received his MBA in finance from Dartmouth, followed by a 25 year career as an investment banker.

In 1981, he started a new venture. Founding the Litchfield County Times and six years later the New York Observer, he began his career as a publisher. He was also the publisher of theNation and the East Hampton Star. And in 2008, the Arthur L. Carter Journalism Institute was founded at New York University where Mr. Carter is a trustee and chairman of the Board of Overseers of the Faculty of Arts and Science. Mr. Carter has also held adjunct professorships in philosophy and journalism at NYU.

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Now we come to the “art part” of Mr. Carter – the grid design and layout of the front page of his newspapers inspired him to reproduce that same theme but in a three dimensional format and using stainless steel. This was a material he had learned to master when he was in Officer Candidate School where he learned welding. Thus, sculpting “became the latest statement of his polymath proclivities.”

Artists naturally evolve and he was soon working with wood, clay and copper wire and then larger constructions in silicon bronze and stainless steel. Many of his larger pieces are on permanent public display in New York City. The fabrication process can take months to complete and involves all the complexities of a machine shop, but each piece begins with one common denominator, his sketch pad.

The Stairwell Gallery exhibit will include Mr. Carter’s Orthogonals. A catalog of his exhibit at the New Britain Museum of American Art from the Fall of 2011, describes the pieces as follows: “Arthur Carter’s bold new series, which he calls collectively the Orthogonals, offers a fine example of a mixed mode that channels the powers of painting and sculpture through the distinguished medium of the relief.” These pieces are complex in their simplicity. They are strong, mathematical and like his other work, they vary in finish and are affected by the changing light and reflection. Carter has said, “My work focuses on simplifying and eliminating the excessive. The question is how does purity of design lend itself to making a beautiful and elegant piece?”

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Arthur Carter maintains a production facility and design studio in Roxbury, CT. He has been a featured solo artist at many galleries, including the Tennessee State Museum, The Grey Art Gallery, 80WSE Galleries at New York University and the New Britain Museum of American Art. Mr. Carter is the author of two hardcover books, Arthur Carter: Sculptures, Paintings, Drawings (2009) and Arthur Carter: Studies for Construction (2012).

Gunn Memorial is most pleased to welcome this prolific artist who is still immersed in the world of manufacturing and finance around the world. Perhaps his philosophy can help unify this “polymath” for us. Mr. Carter has said, “The simpler the economics are, the better; if you don’t understand it, you don’t do it. Purity in both design and business function means never dilute, never diffuse, and never bloat.”
For further information please call (860) 868-7586 or email chartman@biblio.org . The Gunn Memorial Library is located at 5 Wykeham Road at the juncture of Route 47 opposite the Green in Washington, CT. For library hours and to learn more about our programs and events visit our website www.gunnlibrary.org .

For information on Litchfield Hills www.litchfieldhills.com

Pasture to Pond: Connecticut Impressionism

Pasture to Pond: Connecticut Impressionism at the Bruce Museum in Greenwich, CT, runs through June 22, brings American Impressionism back to its roots, according to the Museum’s Executive Director, Peter C. Sutton.

Metcalf_Autumn  Willard Leroy Metcalf, (American, 1858-1925)
Metcalf_Autumn
Willard Leroy Metcalf, (American, 1858-1925)

“The history of art proves that Connecticut has long been one of the most fertile states for the creation of new art movements,” says Peter Sutton. “In no small measure it was the birthplace of American Impressionism.”

Drawn from the permanent collection of the Bruce, private collectors, area museums, and the trade, this exhibition of more than 25 works of American Impressionism speaks to the quality and beauty of this perennially popular art, and to Connecticut’s important role in its creation.

Before the turn of the 20th century, Connecticut was a logical birthplace for American Impressionism, as artists sought a nearby, rural respite from the burgeoning urban and rapidly industrializing world. While their artistic predecessors, the landscape painters of the Hudson River School, had championed dramatic landscapes of panoramic sweep and awe-inspiring majesty, the artists who came of age after the calamity and chaos of the Civil War sought a more intimate, bucolic and orderly landscape. They found these reassuring views among the farms, rolling hills, rivers and picturesque shoreline of Connecticut.

 Davis_Uplands  Charles H. Davis, (American, 1856-1933)
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Charles H. Davis, (American, 1856-1933)

While steeped in pre-Revolutionary history, Connecticut was readily accessible by train to these escaping urbanites, many of whom had winter studios in New York City. Artists’ colonies sprang up in Cos Cob and Old Lyme and landscapists took to recording favored sites in places like Branchville, Farmington, Mystic and the Litchfield Hills. The names of these artists – John H. Twachtman, J. Alden Weir, Childe Hassam, and Willard Metcalf – are among the most famous landscapists in American art history. While some, like Robinson, made regular pilgrimages to France to paint alongside the great French Impressionist Claude Monet, others learned the style second hand, and collectively they made it a uniquely American manner.

“Several of the artists featured in the show exhibited in the famous Armory Show in New York in 1913, which is generally regarded as the watershed moment that introduced Modern Art and the likes of Marcel Duchamp to America,” says Peter Sutton. “It is with pleasure then that we remember with this exhibition an era of enduring local creativity and the celebration of the beauty of our own special corner of New England.”

Pasture to Pond: Connecticut Impressionism is generously underwritten by People’s United Bank, a Committee of Honor co-chaired by Leora Levy and Alice Melly, a grant from the Connecticut Office of the Arts, and The Charles M. and Deborah G. Royce Exhibition Fund.

_Crane_Harvest Moon  Bruce Crane, (American, 1857-1937)
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Bruce Crane, (American, 1857-1937)

And when you go, don’t forget your cell phone: This exhibition, like many others at the Bruce, will be accompanied by a compelling cell phone audio tour guide program, Guide by Cell, generously underwritten by Nat and Lucy Day. The Guide by Cell program for Pasture to Pond: Connecticut Impressionism will include a driving tour of sites in Greenwich that are featured in some of the paintings on view. Easy to follow Guide by Cell instructions will be available at the front admissions desk, and in the case of this exhibition will include a physical map for the driving tour.

About the Bruce Museum

The Bruce Museum of Art and Science is located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children less than five years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org.

“Jazz Great” Bucky Pizzarelli at The Silo Hunt Hill Farm

The Silo at Hunt Hill Farm, in Litchfield Hills is “Saluting Jazz” in style on May 24 at 7 p.m. when they will be hosting jazz great Bucky Pizzarelli at the Canterbury School in New Milford. Pizzarelli, a , world-renowned jazz guitarist, will be accompanied by Ed Laub. The duo has been performing for audiences all over the US and Canada in clubs, concert halls and jazz festivals for the past 12 years after a lifetime association as teacher/student.

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Pizzarelli and Laub combine instrumental and vocal arrangements with an emphasis on the Great American Songbook and well as some of the classic 1930’s guitar duos made popular by Carl Kress/ Dick McDonough, Eddie Lang and George Smith. Their great friendship of over 45 years is evident in their sound and the way they interact together.

All proceeds from the concert will benefit The Silo at Hunt Hill Farm, listed on the National Register of Historic Places, offering programs and family events that enrich the community, including art gallery exhibitions, cooking classes, live music, literary readings and more.

Tickets begin at $30 for general admission, with reserved seating tickets at $50 and $75 levels. A pre-concert reception will be held from 5:30 to 7 p.m., also at the Canterbury School, with tickets for the reception and concert at $100. Sponsor and Underwriter levels are available as well. For more information and to purchase tickets visit http://www.hunthillfarmtrust.org, or call (860) 355-0300. Tickets are also on sale at The Silo during regular business hours. The Silo Gallery and store are open Wednesday through Saturday, 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m.

Ticket prices are: $30 General Admission $50 Reserved Seating, $75 Front and Center, $100 Jazz Lover (includes pre-concert reception and “Front and Center” reserved seating), $250 All Star Patron (includes pre-concert reception, “Front and Center” reserved seating and program credit as a patron), $500 Premier VIP (includes pre-concert reception, “Front and Center” reserved seating, CD and program credit as an underwriter).

About Hunt Hill Farm Trust

Located in New Milford, Conn., the Hunt Hill Farm Trust operates The Silo at Hunt Hill Farm, a non-profit organization and Smithsonian Institution Affiliate dedicated to preserving the unique history of this farm. The Silo is as devoted to protecting this piece of New England agricultural history – its buildings, stone walls, and fields – as it is to the cultural legacy of Ruth and Skitch Henderson, the founders who brought ‘new life to old barns.’™ The Silo continues traditions of education, conservation, artisanry and excellence in the Cooking School, the Skitch Henderson Museum, the Hunt Hill Farm Land Preserve, the Gallery and the Silo Store and is a vibrant and unique regional resource, offering the public opportunities to explore music, art, cuisine, and permanently protected historic open space. For more information, please visit www.hunthillfarmtrust.org, and connect with the bank on Facebook and Twitter (@thesilohunthill).

For information on Litchfield Hills www.litchfieldhills.com

Beautiful Dogwood Festival Blossoms Help Celebrate 375th Anniversary of Fairfield, in Western Connecticut

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A steepled church, a village green, and colonial homes enveloped in clouds of pink blossoms are a traditional sign of spring in Fairfield, one of Western Connecticut’s oldest and loveliest towns. Fairfield’s Dogwood Festival has been a tradition for 79 years, celebrating the hundreds of trees that light up the lanes of the town’s historic Greenfield Hill neighborhood. This year’s event takes place Friday May 2 through Sunday, May 4.

But Greenfield Hill is just one of three historic districts in this Fairfield County town celebrating an impressive 375th anniversary this year. So after enjoying one of spring’s most colorful celebrations, visitors can enjoy the celebration taking place in the rest of the town.

The Dogwood Festival

Fairfield’s first dogwood trees were planted back in 1705, when Isaac Bronson, a retired Revolutionary War surgeon-turned-farmer, decided his Greenfield Hills property would be enhanced if he transplanted some of the native wild dogwood trees blooming in the nearby woods. Bronson propagated and so did his trees. By 1895, the blooms were so outstanding that the Greenfield Hill Village Improvement Society took on care of the dogwoods as an official project, adding many new plantings that continue to grow.

In 1935 the Greenfield Hills Congregational Church held the first Dogwood Festival, and like the trees, it has grown prodigiously with time. Besides taking in the beauty of the blossoms, guests can visit tents where some 40 juried New England artisans and crafters will be showing their creations, see an art show, hunt for treasures at a tag sale, enjoy free musical entertainment and pick up prize plants that make perfect Mothers’ Day gifts. Walking tours of the historic lanes will be available and kids will have their own craft tent, bounce house, and face painter, plus cotton candy, and carnival games with prizes. Proceeds from the festival benefit more than 30 local, national and international charities. For details, see www.greenfieldhillschurch.com

The 375th Anniversary

In the second historic district in the center of town, the first sign of something special going on this year will be the fire hydrants, painted in historic garb like the Colonial soldiers who once marched here.
At the Fairfield Museum and History Center, a new hands-on exhibit explores the doings in town over its colorful past. Creating Community: Exploring 375 years of Our Past lets visitors look inside a Native American wigwam, climb into an American Revolution fort, watch a video depicting the Burning of Fairfield by the British in 1779, decipher a spy code, and sit on a 19th century trolley. In six chronologically organized sections, it shows how people worked, lived, and built communities over time by exploring original objects, individual stories, and engaging activities like trying on wardrobes from different periods.

The corner of the Museum block, Beach and Old Post Road, was the center point of the original “four squares” of the town laid out in 1639. Only four original homes survived the British fires, but a pleasant hour can be spent exploring the area’s many beautiful post-Revolutionary homes, historic churches and the town hall, whose central section remains as it was rebuilt in 1790

Southport, the picturesque harbor area, is the third historic area. Boats laden with onions from Greenfield Hill farms used to sail out of this harbor before the British did their damage. Now it is home to yachts and country clubs and exclusive residential areas in the hills surrounding the tiny village.

Fairfield is planning many special events in the months ahead to mark its special birthday. See http://www.fairfield375.com for a complete calendar.

For more information about lodging and other activities in the area and a free copy of UNWIND, a full-color, 152-page booklet detailing what to do and see, and where to stay, shop and dine in Fairfield County and the Litchfield Hills of Western Connecticut, contact the Western Connecticut Visitors Bureau, PO Box 968, Litchfield, CT 06759, (860) 567-4506, or visit their web site at www.visitwesternct.com

Keeler Tavern Museum To Host First Annual Spring Artisans’ Show

Distinguished artists and craftspeople from across the region will be present when the Keeler Tavern Museum hosts its inaugural Spring Artisans’ Show on Saturday, April 26, to be preceded by a special Preview Party on Friday evening, April 25.
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The Museum campus at 132 Main Street in Ridgefield—with its distinctive Cass Gilbert Carriage Barn, picturesque gardens, and charming Garden House — will be the setting for this premier event curated by VS Shows. The collection will feature fine art, high-quality handmade furniture, fiber, and home décor items, distinctive jewelry, and a wide range of one-of-a-kind offerings. A multi-media exhibit titled “Expressions: Spring – painting, sculpture & photography,” will be staged in the Carriage Barn. While Saturday visitors browse, children will be able to enjoy games and crafts of their own. Food will be available for purchase.

Some 20 notable artisans and artists from all over the region are expected to participate, including Ridgefield artists Peggy Thomas who will be displaying her pottery; Kokoon Jewelry designer Debbie Thornton; and painter Spencer Eldridge whose works will be shown in the Carriage Barn as part of “Expressions: Spring.” Among the regional artists featured are Pamela Dalton who will be showing her intricate paper cuts – Scherenschnitte; Heidi Howard, who paints 18th and 19th century trade and tavern signs; doll-maker Eva-Maria Araujo; Kathleen McDonald who makes chalkware figurines handcrafted from a collection of antique chocolate molds; and Robert Ferrucci, an artist of abstract action art, drip art and contemporary American Folk Art.

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Saturday show hours are 10:00 AM to 5:00 PM; admission that day is $8 ($7 with presentation of pre-show announcement postcard or advertisement). The special wine-and-cheese Preview Party on Friday evening will offer early purchasing from 6 – 9 PM, as well as opportunities to engage with artisans and artists; admission is $40 ($30 for Museum members). Proceeds from ticket sales on both days benefit the Keeler Tavern Museum, a non-profit historical site that is entirely self-funded.

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Free off-premises parking is available nearby. To make reception reservations, and for directions or other information, visit www.keelertavernmuseum.org or call (203) 438-5485. For information about the Litchfield Hills www.litchfieldhills.com

Ride a Vintage Train to Visit the Easter Bunny in Danbury CT

The Easter Bunny will once again pay a visit to the Danbury Railway Museum and you can take a ride in a vintage train through the historic railyard to visit him. This popular annual family event will take place on Saturday & Sunday, April 12 & 13, and Friday & Saturday, April 18 & 19. Museum hours are 10:00-4:30 on Friday and Saturday; noon-4:30 on Sunday. Trains leave every 30 minutes from 12:30 to 3:30. Admission is $10.00 (age 2 and over); each child will receive a small gift from the Bunny. Reservations are suggested and may be made by visiting the museum’s Web site at http://www.danburyrail.org/.

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The short train ride in a fully-restored 1953 New Haven RR Rail Diesel Car (Budd RDC), will take visitors past the fully operational turntable, over 70 vintage railroad cars and locomotives, and many unique pieces of railroad history, including a Boston & Maine steam locomotive built in 1907. The train ride will stop at the Easter Bunny’s special railroad car. The museum’s beautifully restored circa-1910 Railway Post Office (RPO) car will also be open. Of course, the exhibits inside the restored 1903 Danbury station will be open, along with a coloring station, temporary tattoos, Thomas® play table, and the operating model train layouts. A fully-stocked gift shop will also be open.

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The Danbury Railway Museum is a non-profit organization, staffed solely by volunteers, and is dedicated to the preservation of, and education about, railroad history. The museum is located in the restored 1903 Danbury Station and rail yard at 120 White Street, Danbury, CT. For further information, visit the Web site at http://www.danburyrail.org, email info@danburyrail.org, or call the museum at 203-778-8337.