An Emotional Portrayal of Women’s Lives in Afghanistan on View at the Westport Arts Center

Lynsey Addario uses her camera to speak for the people she photographs. She documents the issues and events on the periphery of war, capturing the emotions as a way to draw in the viewer. Ms. Addario, who is a Westport native and Pulitzer Prize-winning photographer, has traveled to war torn countries such as Afghanistan, Sudan, and Libya, to focus her lens on the effects of war. Her stunning photographs will be featured in “On The Wire: Veiled Rebellion” this winter at the Westport Arts Center. This exquisite exhibition will showcase 34 color photographs by Ms. Addario, depicting the plight of women in Taliban-controlled Afghanistan. Throughout her numerous visits, Ms. Addario has trained a close eye through her lens on women’s lives in all areas of Afghan society: culture, politics, education, employment, and domestic life. “Veiled Rebellion” was originally published in National Geographic in December 2010.

“’On the Wire: Veiled Rebellion’ follows the Westport Arts Center’s exhibitions ‘On Duty’ and ‘Chuck Close: About Face,’ which depict investigation and photographic documentation as art form,” says Helen Klisser During, Westport Arts Center Visual Arts Director and curator. “Each one of Lynsey’s images tells a story that conveys a full range of emotions. Lynsey Addario, in my opinion, is a photographer who not only documents but also touches the emotional core of the viewer through her work. She consistently photographs with rawness, honesty, and sensitivity.”

Lynsey Addario: Afghan Woment
Lynsey Addario: Afghan Woment

Ms. Addario has traveled throughout Afghanistan to capture the images featured in “On The Wire: Veiled Rebellion.” Her photographs explore the differences of the lives of women living within the same country. The series depicts births and operations in a hospital in Faizabad, women graduating from Kabul University, and female boxers training for the 2012 Summer Olympics. She has traveled with mobile health clinics, American soldiers, and Abiba Sarabi, the only female governor in Afghanistan. Several of her photographs detail the training of Afghan women by Italian Carabinieri to become police officers. In the photographs, the women shoot AMD-65 rifles at a firing range. Few Afghan women train to be police, about 700 out of 100,000, but their presence is welcome, as many men cannot perform certain tasks due to Islamic custom, such as frisking other women.

Ms. Addario, who is now based in London, England, grew up in Westport, CT and is a graduate of Staples High School. She photographs for The New York Times, National Geographic, and Time Magazine. She was awarded the MacArthur Fellowship, also known as the ‘Genius Grant,’ in 2009 and, along with a team from the New York Times, won the Pulitzer Prize for international reporting for her photographs in “Talibanistan,” in 2008. Her passion for photography has sent her all over the world and placed in her the middle of several wars. In 2011, Lynsey and fellow Westport native and international photographer Tyler Hicks were kidnapped in Libya with two other journalists, Stephen Farrell, and the late Anthony Shadid. The four co-wrote an article for The New York Times detailing their time as captives. While covering the Libyan revolution they were captured outside of Ajdabiya by soldiers loyal to Muammar Qaddafi and held captive for several days.

Visitors to the Westport Arts Center can hear Lynsey Addario speak about her work on January 25th, 2014 from 3 – 5pm where she will discuss topics presented in the exhibition. The opening reception for “On the Wire: Veiled Rebellion” will be held at the Westport Arts Center on January 24, 2014 from 6-8pm.

For more information visit www.westportartscenter.org. For area information www.visitfairfieldcountyct.com

Calling all Chocolate Lovers…..

Less than three weeks before Valentine’s Day, shop for amazing sweets for your sweetie from some of the region’s best chocolatiers as the Maritime Aquarium (10 North Water Street in Norwalk) is taken over on Sun., Jan. 26 by Chocolate World Expo. This event is perfect for people who are serious about chocolate, and not just for folks looking to load up on candy commonly available in most grocery aisles.

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The Expo, one of the largest consumer-oriented chocolate events in the United States, will feature some 40 vendors who will offer tastings and sales of their products. They’ll be set up throughout the Aquarium’s galleries.

Vendors at the Expo typically offer small tasting-sized portions of their products that can be tried right away. Think of the chocolate tastings in the way you might think of a wine tasting at a winery: you get a small sample to try and you often get to talk with the person who made the product. If you like what you’ve tasted, you can purchase that product directly at the show for yourself or as a gift.

Chocolate lovers will find much more at the expo than traditional chocolates as this event features unique offerings like chocolate-covered bacon and – appropriate for the Aquarium – one vendor’s “chocolate shark bites.” Vendors will also offer baked goods, specialty foods and even fine soaps and bath products.
All of The Maritime Aquarium exhibits will be open on Jan. 26 – and will stay open two hours longer than normal: from 10 a.m. to 7 p.m. Your Chocolate World Expo admission includes Aquarium admission. IMAX® movies are available as an additional ticket, as always.
The special admission price on Jan. 26 is $15 for adults and $10 for kids 3-12.

Aquarium Members Important Notice:
Aquarium Members receive a $2 per person discount (adult and child) on event/Aquarium admission this day. Senior member price is same as adult price. Sorry, but Aquarium members do not receive free admission for this special event. Member guest discounts do not apply.

For more information about the Maritime Aquarium www.maritimeaquarium.org. For area information www.visitfairfieldcountyct.com

Inside the Artists’ Studios: Small-Scale Views at the Bruce Museum in Greenwich CT

If you have ever wished you could observe artists engaged in the process of creation, Inside the Artists’ Studios presented by the Bruce Museum on One Museum Drive in Greenwich allows you to explore the individual investigations and analyses of four artists through their paintings, prints, photographs and three-dimensional miniature constructions. This exhibit runs through March 9 and features a Guide-by-Cell Audio Tour that is free of charge and may be accessed simply by using your cell phone.

The artists participating are well known and bring special skills to this exhibit.

Perspective Box Jimmy Sanders (American, b. 1963) Perspective Box, 2007 Wood, oil paint, 28 x 36 x 28 in. New Britain Museum of American Art, New Britain, CT Photo courtesy of Hirschl & Adler Modern, New York
Perspective Box
Jimmy Sanders (American, b. 1963) Perspective Box, 2007
Wood, oil paint, 28 x 36 x 28 in.
New Britain Museum of American Art, New Britain, CT Photo courtesy of Hirschl & Adler Modern, New York

Jimmy Sanders, for example has been influenced by the work of 17th-century Dutch painters, most notably in his Perspective Box, Studio in Florence, which he modeled after his own Florentine studio. Sanders traveled in Europe in the late ‘90s and, after seeing Hoogstraten’s A Peepshow with Views of the Interior of a Dutch House (c. 1655-60; The National Gallery, London), was inspired to create a contemporary version of this Old Master creation.

Lori Nix Studio Lori Nix (American, b. 1969) Lori Nix Studio, 2013 Chromogenic print, 42 x 69 in. Courtesy of the Artist © Lori Nix
Lori Nix Studio
Lori Nix (American, b. 1969) Lori Nix Studio, 2013 Chromogenic print, 42 x 69 in. Courtesy of the Artist
© Lori Nix

Describing herself as a “non-traditional photographer,” Lori Nix constructs her sets and then photographs them. After photographing the “scene” she has laboriously
constructed, Nix dismantles the diorama, leaving the photograph as the ultimate creative object. Her latest project is a self-reflective examination of her own crowded living/work space.

The Art of Painting Richard Haas (American, b. 1936) The Art of Painting a.k.a.The Allegory of Painting, 1968-69 Wood, cardboard, cloth, paper, acrylic, pencil, masonite, lights, 221/2 x221/2x221/2in. Courtesy of the Artist Art © Richard Haas/Licensed by VAGA, New York, NY
The Art of Painting
Richard Haas (American, b. 1936)
The Art of Painting a.k.a.The Allegory of Painting, 1968-69 Wood, cardboard, cloth, paper, acrylic, pencil, masonite, lights, 221/2 x221/2×221/2in.
Courtesy of the Artist
Art © Richard Haas/Licensed by VAGA, New York, NY

Richard Haas began exploring the artist’s studio environment in the 1960s. He started with iconic masters, then moved into creating dioramic boxes of his contemporaries’ studios – including Jackson Pollock and Franz Kline – as well as views from his own 12-foot studio windows in New York’s then-gritty and industrial SoHo.

ack the Dripper Joe Fig (American, b. 1968) Jack the Dripper, 2006 Cibachrome print, Ed. of 10, 16 x 20 in. Courtesy of the Artist and the Tierney Gardarin Gallery, New York
ack the Dripper
Joe Fig (American, b. 1968)
Jack the Dripper, 2006
Cibachrome print, Ed. of 10, 16 x 20 in.
Courtesy of the Artist and the Tierney Gardarin Gallery, New York

Examinations of artists’ working lives also inform the pieces created by Joe Fig. Like Haas, Fig moved to the representation of contemporary artists’ spaces, interviewing artists before recreating their studios in miniature. Fig’s intimate views clearly appeal to the viewer’s desire to sneak a peek into the artistic process of artists such as Chuck Close, Ross Bleckner, Eric Fischl, April Gornik, Bill Jensen, Ryan McGinness, Philip Pearlstein, James Siena and Joan Snyder.

About the Bruce Museum: Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org. For area information www.visitfairfieldcountyct.com

Franklin Street Works Art Show is Amazing in Complexity

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Franklin Street Works, www.franklinstreetworks.org presents Neuromast: Certain Uncertainty and Contemporary Art. The group exhibition explores “emergence,” the theory that says unforeseeable results happen when a system reaches a certain level of complexity. The show’s title is inspired by a very specific emergent phenomenon, “neuromast,” which is the sensory organ that allows fish to effectively behave in unison against the threat of predators. Neuromast features sculpture, videos, text-based works, photographs and more by contemporary artists, writers and theorists interested in theories of emergence.

Exhibiting artists are: Kari Altmann, Christian Bök and Micah Lexier, Ingrid Burrington, Kaye Cain-Nielsen, Mircea Cantor, David Horvitz, Brian House and Jason Rabie, Juliana Huxtable, Thilde Jensen, Carolyn Lazard, M. M. Mantua, Preemptive Media, Robert Spahr, Elizabeth Stephens and Annie Sprinkle’s Sexecology collaboration, and The Waterwhisper Ilse.

The exhibition is curated by Taliesin Gilkes-Bower and Terri C Smith and is on view from December 12, 2013 through February 23, 2014. It will open with a free, public reception on Thursday December 12 from 5:00 – 8:00 pm.

With Neuromast: Certain Uncertainty and Contemporary Art, several shared themes arose among the thirty-one works, including: how culture and gender contribute to constructing identity; the dynamic between an individual’s health and the medical industry, commerce, or the natural environment; and the collection and distribution of digital information as it relates to business, personal security, and persona.

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A primary inspiration of the show was a series of photographs by Thilde Jensen called The Canaries, which served as an inspiration for the exhibition. Her photographs document the lives of individuals living with heightened levels of sensitivity to the toxic chemicals and powerful electromagnetic radiation found in modern, built environments. Preemptive Media’s Air project also explores emergence and the environment. Their portable air quality measurement kits demand reflection on the proliferation of smart phones and pocket computers that do little beyond promise increased entertainment and productivity. Mircea Cantor’s video installation Deeparture juxtaposes predator and prey by placing a wolf and a deer in a typical white cube gallery space. The artist calls into question traditional narratives of danger and the inevitability of death while he simultaneously hijacks the gallery by excluding art objects and audience. With Elizabeth Stephens and Annie Sprinkle’s Sexecology project, the artists approach nature very differently, creating performative weddings that link the concept of a couple’s love to our love of the planet via inclusive, largely unscripted community events.

Neuromast also approaches personal identity as a microcosm of larger complex systems. Juliana Huxtable’s portrait series Seven Archetypes explores her process of gender transitioning through cultural expectations of performance. M. M. Mantua’s sculptures ask viewers direct questions that hint at the unequal distribution of privacy between viewer and artist while creating cognitive engagement through language. Brain House and Jason Rabie’s Facebook Portraits present identity through algorithm and data, attempting to humanize the ways in which social networks identify and classify their users. Kari Altman’s site- specific iteration of her Smart Mobility/Invisible Protection series calls into question abstract ideals of security as they relate to identity in finance and branding.

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Moving out in scale to broader social phenomena, lngrid Burrington’s Center for Missed Connections identifies configurations of socially and sexually disconnected people in New York City through the missed connections section of Craigslist. David Horvitz also tried to change collectively authored online information through his zine documenting the artist’s attempted removal of himself from the group-edited encyclopedia site Wikipedia. Another text-based work that involves collaboration and an unpredictable outcome is Two Equal Texts by Christian Bök and Micah Lexier. The large vinyl wall work is an elaborate anagram that consists of two texts placed on either side of a freestanding wall. One side features Lexier’s descriptive text, which outlines the terms of the collaboration; the other side hosts Christian Bök’s elegantly resolved anagram of Lexier’s original text. Kaye Cain-Nielsen’s installation Miranda further explores the social consequences of shared responsibility in relationship to her own experience as a potential paid egg donor to an infertile couple.

Using contemporary art as its starting point, the artists in Neuromast investigate complex systems within social, environmental, and personal fields. The exhibition shows ways in which collective small-scale actions can prevail against seemingly insurmountable odds. Writer and activist Adrienne Marie Brown adds, “Rather than laying out big strategic plans for our work, many of us have been coming together in community, in authentic relationships, and seeing what emerges from our conversations, visions and needs. …We can define emergent strategy as intentional, strong because it is decentralized, adaptive, interdependent, and creating more possibilities.” The artists in Neuromast: Certain Uncertainty and Contemporary Art join in an interdisciplinary conversation on emergence via the adaptive and generate approach Brown sites, giving us insights into the often invisible, yet shared, complex systems that pervade our everyday lives.

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Franklin Street Works is located at 41 Franklin Street in downtown Stamford, Connecticut, near the UCONN campus and less than one hour from New York City via Metro North. Franklin Street Works is approximately one mile (a 15 minute walk) from the Stamford train station. On street parking is available on Franklin Street (metered until 6 pm except on Sunday), and paid parking is available nearby in a lot on Franklin Street and in the Summer Street Garage (100 Summer Street), behind Target. The art space and café are open to the public on Wednesday, Friday, Saturday, and Sunday: 12:00 p.m. – 5:00 p.m. with extended hours on Thursdays, 12:00 p.m. – 7:00 p.m. Franklin Street Works does not charge for admission during regular gallery hours.

Franklin Street Works is a not-for-profit contemporary art space, café, and social gathering place in Stamford, Connecticut. It produces original on-site and off-site exhibitions, artist projects, and related programming. Located in renovated row houses on Franklin Street, the two-story space includes three galleries and a café. Franklin Street Works embraces innovative art and exhibition practices, a DIY attitude, and a workshop approach to its programming, audiences, and organizational structure. The activities and attitudes of the café reflect and expand on the organization’s mission as a contemporary art venue.

For area information www.visitfairfieldcountyct.com

Stepping Stones Museum for Children Announces 2014 Around the World Program

Exposure to the world’s diverse cultures and customs provides priceless educational opportunities for our children. Through the Stepping Stone Museum for Children’s highly popular and award-winning Around the World programming, families can explore the world without leaving Norwalk through cultural programs brought to life.

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The Stepping Stones Museum for Children is proud to announce the 12 Around the World “destinations” selected for each month of 2014. Frequent Around the World participants will be able to achieve “World Traveler” status and attend an exclusive end-of-the-year event in December 2014.

Since 2009, Stepping Stones has been transporting children and parents to 12 different parts of the world each year. Each month, museum guests get an extensive look at a different country’s customs through their engaging, interactive Around the World Performance Series events featuring youth performers and professional artists and musicians and their Around the World Creative Kids offering hands-on cultural craft activities.

Throughout the month, the designated country is represented on the museum’s walls with a map display and travel guide, in the Multimedia Gallery with a short film and interactive digital media floor games broadcast at various times each day and in the Family and Teacher Resource Center with the Around the World Bookshelf offering children’s books about the featured country. School vacation weeks are dedicated to Around the World programs and include special crafts, story times and activities.

From the program’s inception, participants have been receiving a keepsake Around the World “passport” that is stamped to keep track of each destination they have “visited.” Stepping Stones registers each child’s passport to keep track of his or her participation. If a child “visits” at least 6 countries during the year, he or she will receive “World Traveler” status and will be invited to the special World Travelers’ event in December 2014.

Experiencing the world’s diverse cultures can be enriching and rewarding. Below is the 2014 roster of countries that will be “explored” at the Stepping Stones Museum for Children located on 303 West Avenue, exit 14N or 15S off I-95 in Norwalk. Museum hours are Labor Day through Memorial Day, Tuesday—Sunday and holiday Mondays from 10 am-5pm; and Memorial Day through Labor Day, Monday-Sunday from 10 am-5 pm. Admission is $15 for adults and children and $10 for seniors. Children under 1 are free. To learn more, call 203 899 0606 or visit www.steppingstonesmuseum.org

2014 Around The World Performance Series Schedule:

January 18, 2014
Ballet Los Pampas – Argentina

February 15, 2014
Soro Bindi – Ghana

March 8, 2014
Inca Son – Peru

April 19, 2014
Kahana Hula – Samoa

May 3, 2014
Rossijanochka Folk Dance Troupe – Russia

June 21, 2014
Didgequest – Australia

July 26, 2014
Music and Dance of the Scottish Highlands – Scotland
August 16, 2014
Surcari – Chile

September (Date TBA)
Greek Mythology – Greece

October 25, 2014
The Catskill Puppet Theater presents The Lion’s Whiskers – Ethiopia

November 8, 2014
Shane Long – United States (Native Americans)

December 13, 2014
ABBA Girlz – Sweden

Closer: The Graphic Art of Chuck Close at The Bruce Museum

The Bruce Museum in Greenwich is presenting Closer: The Graphic Art of Chuck Close in the main Love, Newman Wild Galleries through January 5, 2013 with a portion on view in the Lecture Gallery through January 26.

With a body of work composed almost entirely of portraits, the American artist Chuck Close has been astounding us with his artistic verisimilitude for more than four decades. His prints, especially, are adventures in problem solving: working from the particularities of each print medium – woodcut, etching, silkscreen, linocut, aquatint, pulp-paper multiple – he gives his imagination free rein to reconceive their aesthetic possibilities. Although a spirit of experimentation characterizes Close’s work across all media, it is particularly evident in the wide-ranging scope of his printed production.

Chuck Close announced his arrival on the contemporary art scene with his large-scale, black-and-white airbrushed heads, paintings based on photographs he had transferred to canvas by means of a grid. Recognition came quickly: his work was shown at the Whitney Museum of American Art, New York, in 1969, followed by a solo exhibition at New York’s Bykert Gallery in 1970 and a one-man show at the Los Angeles County Museum of Art in 1971. In 1972 he created the first print of his professional career, a mezzotint, which began a life-long engagement with the aesthetics and technology of printmaking. The collaborative nature of this work has been vital to the artist’s creative process: working with master printers, Close alters one or several variables to create endless permutations in a wide variety of print techniques, usually recycling past portraits of himself, his family, and his friends.

The Bruce Museum is also sponsoring a lecture on Dec. 12 beginning at 7:30 p.m. It is titled Closer: The Art of Chuck Close in the Context of the 1970s that is being led by Kenneth Silver, PHD, Professor of Art History, New York University, Adjunct Curator of Art, Bruce Museum. There will be a dessert reception for both lectures from 6:30 p.m. – 7:30 p.m. and reservations are required. Visit www.brucemuseum.org to make reservations.

Closer: The Graphic Art of Chuck Close is accompanied by a generously illustrated catalogue by the same title. A lecture series and film series will also complement the exhibition.

About the Bruce Museum
Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at 203 869-0376 or visit the website at www.brucemuseum.org.