Curator for a day in Litchfield Hills and more

February is a busy month at the Litchfield History Museum. On February 22 for example, at 3pm a lecture, The Colonial Revival as Collective Memory and Consumer has been scheduled. The lecture will be presented by Thomas Denenberg, director of the Shelburne Museum in Shelburne, VT. The development of a culture of consumption in the decades that bracketed the turn of the twentieth century created unprecedented opportunity for the dissemination of images, objects, and texts that engendered historical consciousness in the United States. Antiquarian activities, the province of social outliers, the wealthy, or the creative such as the painter Edward Lamson Henry (1841-1919), became normative behavior in the new middle-class America.

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Gathering, collecting, and sorting historical material culture, once an end unto itself in the nineteenth century, gave way to the creation of a widespread aesthetic that prized idealized “native” forms. Entrepreneurial individuals, including the minister-turned antimodern colporteur Wallace Nutting (1861-1941), employed the very modern platforms of advertising, publishing, department stores, and mail order merchandising to encourage and fulfill middle-class desires for objects and myths that answered contemporary social needs in an era of rapid economic and geographic change.

Often termed “the” Colonial Revival—an aesthetic assumed to be, monolithic, sui generis, and whole upon arrival, this illustrated lecture will look at the phenomenon as a complex and carefully constructed collective memory that matured over time. This program is free for members and $5 for non members. Register at registration@litchfieldhistoricalsociety.org.

If you have ever wondered what it’s really like to be a curator at a history museum, you are invited to shadow the curator of the societies collections on February 26 from 9:30 a.m. – 12:30 p.m. Participants will study artifacts from the Historical Society’s collections, get a behind-the-scenes peek at object storage, a hands-on experience with some of a curator’s day-to-day work, and assemble a hypothetical exhibit. Please register for this program by Tuesday, February 24. Non-members are required to pay the registration fee in advance of the event. Your registration will not be considered complete until we have received payment and the cost is $10 for members; $15 for non-members. Register at registration@litchfieldhistoricalsociety.org.

For more ideas about what to do and see in Litchfield Hills visit www.litchfieldhills.com

Rick Shaefer Draws the Line at Housatonic Museum of Art

The Housatonic Museum of Art presents Rick Shaefer: Drawing the Line on view in the Burt Chernow Galleries, 900 Lafayette Blvd., Bridgeport, CT, from February 12 through March 27, 2015 with a reception open to the public on February 12 from 5:30-7:00 pm. The Burt Chernow Galleries are free and open seven days a week. Visit the website, www.HousatonicMuseum.org for gallery hours.

LIVE OAKS

Drawing is essential to the training of an artist. It is the most direct medium between the artist and his observations, thoughts, feelings and experiences—serving both as a record and as a revealer of truth. Drawing is both a cognitive and manual process that provides the foundation for painting, sculpture and architecture. Fairfield artist Rick Shaefer’s monumental, breath-taking drawings offer viewers an adventure in looking with his technically precise and visually poetic drawings of animals and nature.

At first glance, it is clear that Shaefer has more than a passing acquaintance with works of art across time. Of all the masters he has studied, it is Albrecht Durer that has influenced him most. In the 16th century, the natural world of animals and plants had become the focus of scientific and cultural interest as explorers returned from far-flung places carrying examples and illustrations of exotic new species. One of Durer’s best known pen drawings, Rhinoceros, 1515, demonstrates the artist’s fascination with recording the curiosities and wonders of the world. Paradoxically, Shaefer’s own African Rhinoceros, beautifully rendered in rich charcoal on vellum, comes full circle by documenting what now may be the waning days of these magnificent beasts.

BELGIAN BLUE

Shaefer’s trees, crowned with leaves or barren and in varying states of decay, are densely detailed and sensitively modeled through the use of tonal gradations. Majestic oaks and tangled vines allow the artist to mine the sculptural properties of a charcoal line, expressing not only what he observes but how he feels. A dramatic narrative unfolds before the eye, compelling the viewer to travel along through the light and into the shadows.

And, like the rhinoceros, these powerful and confident drawings circle around a common theme: the effects of human activity on nature. Climate change specifically could lead to the massive destruction of forests as well as the extinction of countless species. Global warming has led to the increase of forest fires as well as a proliferation of pests and diseases. Rick Shaefer: Drawing the Line looks to the rich tradition of drawing in order to explore the critical issues of our time.

For area event information www.visitfairfieldcountyct.com

The Millionaires’ Unit Documentary Film Screening

On January 29, the Greenwich Historical Society is hosting the screening of The Millionaires’ Unit Documentary from 3 pm to 5 pm. at the Vanderbilt Education Center on the grounds of the Society. The tickets are Members: $10; nonmembers: $15 and can be purchased at http://greenwichhistory.org or by calling 203-869-6899, Ext. 10.

Millionaires-Unit

The Millionaires’ Unit is the story of an elite group of college students from Yale who formed a private air militia in preparation for America’s entry into World War One. Known as the First Yale Unit and dubbed “the millionaires’ unit” by the New York press, they became the founding squadron of the U.S. Naval Air Reserve and were among the first to fight for the United States in the Great War. Using the squadron members’ letters and diaries, the documentary chronicles the coming of age of these young pioneers against the backdrop of an event that signaled America’s emergence as a world power.

The film focuses on their service and sacrifice and chronicles a great, untold story of early aviation in America. The documentary was inspired by the book The Millionaires’ Unit by Marc Wortman. After seven years in development and production by co-producers Ron King and Darroch Greer, the film is being presented to the public to commemorate the centennial of World War I.

The Witches are back in Kent Connecticut!

Not many people know that Connecticut was New England’s most determined witch prosecutor – even fiercer than Salem. The record is terrible: The first person hanged for witchcraft in New England came from Windsor, and for a time every Connecticut woman indicted for witchcraft was convicted and hanged.

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In another of its continuing “Sunday Series” presentations, the Kent Historical Society will host Walt Woodward, the Connecticut state historian, giving a presentation on witch hunts that happened in Connecticut.

The lecture will be held Sunday, January 18, 2015 at 2 p.m. at the Kent Town Hall.
Walt Woodward animates this extraordinary, but neglected episode in a lecture that begins with the Protestant Reformation and continues through the Hartford Witch hunt of the 1660’s – a nightmare of trials and executions that preceded Salem by a generation. The story improves, too. Woodward documents how Connecticut’s Governor John Winthrop, Jr. played a role in ending executions for witchcraft 30 years before they even began at Salem.

Kent’s own Seger family was caught up in the madness. Elizabeth Moody Seger was accused of witchcraft three times. It is documented on the family’s web site http://www.onsegermountain.org/witchcraft.html

For more winter event information on the Litchfield Hills visit www.litchfieldhills.com

LEGOS AND LIGHTHOUSES BRIGHTEN THE SEASON IN CONNECTICUT

There’s no merrier place to be this season than Fairfield County in Western Connecticut where two of the most original exhibits in New England brighten the season at local museums.

A lavish moving landscape made of a billion LEGO® bricks delights visitors to the Stamford Museum and Nature Center while the 13th annual Festival of Lighthouses contest at the Maritime Aquarium in Norwalk shows off dozens of fabulous new miniature creations.

WIDE WORLD OF LEGOS®

Trains and planes. Cars, tractors and trucks. Ships, shuttles and monorails. Helicopters and spaceships

Just about anything that moves on land, sea, air and space will be seen as colorful LEGO® sculptures, moving through a three-dimensional imaginary landscape at the Billion Bricks 2 exhibit at the Stamford Museum & Nature Center. Everything in the amazing exhibit is made of LEGO blocks.
Master builder Bill Probert & I LUG (LEGO® Users Group) NY return to the Museum Galleries for a sixth season of their popular displays, promising a LEGO world that is even bigger and better this year. The exhibit runs from November 22 to January 25.

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Starting in January, families are invited to make their own LEGO® creations in weekend workshops. Participants on Saturday, January 3 will build and race a LEGO® car while the group on Sunday January 4 will build and fly a Lego helicopter or space ship.

Lights! Camera! Action! Animation Workshops on Saturday and Sunday January 17 and 18 for ages 10 and up will be led by Alex Kobbs, of KooberzStudios. Kobbs will teach techniques for film stop action animation using LEGO® creations and mini figures.

Workshops are limited in size and advance reservations are required. Phone 203-977-6521 to register and see www.stamfordmuseum.org for more information.

LIGHTHOUSES LIGHT UP THE SEASON

Some are funny. Some are clever. Some are beautiful.

For the 13th year, artists and would-be-artists will compete for the most original entry in the Festival of Lighthouses at the Maritime Aquarium at Norwalk from November 22 through January. 19.

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The rules are simple. Entries must be three to six feet tall and have a working light. They may not include animal remains such as shells. Beyond that, it’s up to the creators’ imaginations and the results are guaranteed to amaze. Past entries have been made of stained glass, stone, yarn, clay, candy and tiny coffee cups. One entry was made of holiday greeting cards, another included computer animation. One memorable entry featured all the makings of the 12 days of Christmas.

This year’s exhibit will showcase 24 lighthouses and there is no telling what the creative results will be. Aquarium visitors will follow these one-of-a-kind beacons through the galleries and then cast a vote for their favorite. The winner takes home the $1,500 first prize. Runner-ups divide the rest of the $3300 in prize money. To learn more, see www.maritimeaquarium.org.

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For more information about holiday events and a free copy of Unwind, a full-color, 152-page booklet detailing what to do and see, and where to stay, shop and dine in Fairfield County as well as in the Litchfield Hills, contact the Western Connecticut Visitors Bureau, PO Box 968, Litchfield, CT 06759, (860) 567-4506, or visit their web site at www.visitwesternct.com.

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“A Prairie Refrain” at Carole Peck’s Good News Cafe

Contemporary realist painter, Karl Hartman, will exhibit his new show titled “A Prairie Refrain” through January 27, 2015 at Carole Peck’s Good News Cafe and Gallery, 694 Main Street South, Woodbury CT.

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Hartman’s paintings focuses on his memories of the prairie landscapes that he grew to love and his evolvement with these landscapes as a geologist in Oklahoma, Texas and Kansas. Hartman describes this part of the United States as spare, quiet and infinitely dynamic, beautiful and terrifying all at the same time. In contrast to his painting of the plains, he is also working on drawings of Bergen County, New Jersey that reflect the tightly packed, crowded suburban local domestic world of this area as well as its occupants and their imprint on it.”

Karl Hartman was born in Billings Montana and grew up mostly in the plains states of Texas, Kansas and Oklahoma. He received his BS from the University of Oklahoma majoring in geology and minoring in art. He received his MFA in painting from the School of Visual Arts in New York where he studied with Sam Cady, Ursula von Rydingsvard and John Lees. He lives with his family in New Jersey and travels back to Oklahoma to see family, take photographs and sketch.

Karl shows at the Mary Ann Doran gallery in Tulsa, OK and the New Arts Gallery in Litchfield, CT. He has exhibited at the Kansas Museum of Fine Art in Wichita, KA, The Butler Institute of American Art in Youngstown, OH, The Charles A. Wustum Museum, Racine, WI. He has also shown at The Grand Central Galleries, The Adam Baumgold Gallery, and the National Academy of Design in New York as well as the Yoyogi School of fine art in Tokyo Japan.

His most recent award was the New Jersey State Council for the Arts Fellowship for painting. For area information visit http://www.litchfieldhills.com. For New Year or dinner reservations, contact Good News Cafe at http://www.good-news-cafe.com/