Vijay Kumar: Etchings, A Retrospective at Center for Contemporary Printmaking

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The fall exhibition, featuring a splendid array of original prints by Vijay Kumar, at the The Center for Contemporary Printmaking (CCP), 299 West Ave., in Mathews Park, Norwalk runs through Sunday, November 3, 2013. The Gallery is open Monday through Saturday 9 am to 5 pm, and Sunday, 12 to 5 pm; it is closed Columbus Day and Veterans Day and admission is free.

A narrative is apparent in all of Vijay Kumar’s artworks. When Vijay was a child, he and his family left their home, during the religious strife that troubled India as the country gained its independence from Britain. Traveling the world — from India to the Middle East, Europe and the United States — his artistic focus has centered on the geometry of urban spaces. In the fall exhibition, many pieces are untitled and are essentially architectural, linear jumbles such as stacked houses and buildings. The eighteen prints in the series “India Portfolio,” reflect the sorrow and loss of the refugee. In the background, a New York Times article from Dec 11, 1992, published the headline “Hatreds of India.” Abstracted figures set in conflict or in positions of mourning dominate the series.

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Born in Lehore (then part of India) and based in New York City, Vijay Kumar has had numerous solo exhibitions of his drawings, prints and paintings in the United States and abroad. Vijay is the curator for the Indo-American Arts Council’s annual Erasing Borders Exhibition of Contemporary Indian Art of the Diaspora. He has also curated print shows in New York and Ohio in the United States, and in India. Mr. Kumar teaches printmaking at several graphics centers in New York City, and at the Center for Contemporary Printmaking, in Norwalk, Connecticut.

About the Center for Contemporary Printmaking

The Center for Contemporary Printmaking (CCP) is a non-profit organization dedicated to the art of the print: intaglio, lithography, monotype, silkscreen, woodblock printing, paperworks, book arts, and digital arts. Housed in a handsome 19th-century stone carriage house, this 5,000- square-foot historical landmark is located at 299 West Avenue in Mathews Park, in Norwalk Connecticut. CCP workshops, gallery, and offices are open Monday through Saturday, 9 am – 5 pm, and Sunday, 12 – 5 pm. The Grace Ross Shanley Gallery features acclaimed exhibitions throughout the year, and is handicapped accessible. Artists who participate in the Artist-in-Residence Program have the opportunity to live and work in the Helen Frankenthaler Printmaking Cottage, adjacent to the main building. Edition printing is offered by the CCP Master Printer and Associate Printer. For more information, please call 203-899-7999 or visit www.contemprints.org. The Center for Contemporary Printmaking is a member of the statewide Connecticut Art Trail, a partnership of seventeen world-class museums and historic sites.

For area information www.visitfairfieldcountyct.com

Kent Historical Society presents art of George Laurence Nelson

Portrait of the Hirschberg/Nelson family by George Laurence Nelson
Portrait of the Hirschberg/Nelson family by George Laurence Nelson

The Seven Hearths, the Kent Historical Society Museum, will re-open this summer after being closed for two years with a series of new art exhibits focusing on the life and work of George Laurence Nelson. The Seven Hearths Museum is located on Rte. 7 north of Kent center on the corner of Studio Hill Road in Kent in the historic Flanders area that was once the original center of Kent.

George Laurence Nelson, trained at the Art Students League and the National Academy, and began teaching at the Art Students League in his early 20s. Nelson was among the founders of the Litchfield Hills Art Colony, and later one of the nine founders of the Kent Art Association.

The Litchfield Hills Art Colony played a meaningful role on a national scale in twentieth century American art. George Laurence Nelson’s studio in Seven Hearths is the only remnant of the colony that is open to the public today.

Set within Nelson’s beloved pre-Revolutionary Seven Hearths, which he donated to the Historical Society located on Rte. 7 in Kent Connecticut in the heart of the Litchfield Hills, the Historical Society is presenting three changing exhibits of Nelson’s work in August, September and October.

Nelson portrait of Arturo Toscanini Credit: Kent Historical Society
Nelson portrait of Arturo Toscanini Credit: Kent Historical Society

The August exhibit beginning on the 3rd and running through the 25th will feature large and interesting selection of Nelson portraits. He made his money by doing portraits, and the subjects range from well-known celebrities such as Arturo Toscanini, to NYC society dames, to familiar local faces such as Frank Goodsell as a child.

In September from the 1st to the 29th Nelson’s floral paintings will be on display. While he made money-painting portraits, his heart was devoted to stunning renditions of the lovely flowers that he and his wife Helen grew in their gardens at Seven Hearths. Some are exquisitely colored oil paintings and some are perfectly detailed pencil drawings. Some even are featured on the cover of matchboxes!

Floral painting by Nelson, Kent Historical Society
Floral painting by Nelson, Kent Historical Society

A show that will fill the Seven Hearths Museum with works by Nelson that are borrowed from private collections will be the final exhibit of the season and will take place from October 5 – 27.

The museum is open Saturdays and Sundays from10 a.m. to 4 p.m. throughout the month.

Call the Historical Society office, 860-927-4587 or visit the web site for more information www.kenthistoricalsociety.org.

For area information www.litchfieldhills.com

Summer Photography Exhibit at Greenwich Historical Society

Town Hall from Greenwich Avenue by Mary Waldron
Town Hall from Greenwich Avenue by Mary Waldron

“The Perspective of Time” is a collaboration between the Greenwich Historical Society and the Stamford Photography Club. The show of juried images is the result of an invitation by the Greenwich Historical Society to members of the Photography Club to submit photographs that portray aspects of Greenwich history through the eye of the lens. The images will be on display at the Historical Society’s Storehouse Gallery through September 1, 2013.

Table Shuffleboard at Bruce Park Grill by Mike Harris
Table Shuffleboard at Bruce Park Grill by Mike Harris

The varied and fascinating images represent a visual commentary on the ever-changing face of the community–its structures, landscape and institutions–and how aspects of the town as they are today may not survive the next generation. Since its invention, photography has been an invaluable medium for chronicling historical events. But photography can also raise the understanding of history to another level by evoking a sense of time and place on a more visceral level. This exhibition
exemplifies this.

Glenville Bridge by Jean-Marc Bara
Glenville Bridge by Jean-Marc Bara

The Greenwich Historical Society is open Wednesday through Sunday, noon to 4:00 pm. Admission is free to members and children under six. $10 for adults; $8 for seniors and students. Admission is free to all the first Wednesday of every month. For more information call 203-869-6899 or www.greenwichhistory.org. FOr area information www.visitfairfieldcountyct.com

Farms and Barns Art Show at The Silo at Hunt Hill Farm in Litchfield Hills

February - Eric Sloane
February – Eric Sloane

The Silo Gallery at Hunt Hill Farm located in the Litchfield Hills on 44 Upland Rd. in New Milford Connecticut is hosting an opening reception on Friday, August 2 from 5 to 7:30 p.m. for the new Barns and Farms Exhibit that runs through October 5. Tosto, Laurence Neufeld, son and nephew of the Neufelds, and Art Kerber, of Millerton’s Green River Gallery who is offering a selection of Eric Sloane paintings, will be greeting guests at the reception. The artwork in the gallery is available for purchase, and Tosto will also be accepting future commissions.

Woldemar Neufeld
Woldemar Neufeld

This exhibit that is hung in the hayloft gallery at The Silo features the work of some of the areas best known artists: Eric Sloane and Woldemar Neufeld. Also on display will be works from Kate Neufeld, Woldemar’s sister, and by Merryall resident Frank Tosto.

The artists, each in their own style, have documented buildings, vistas and the history of their era. While the Neufelds and Sloane are deceased, Tosto carries on the tradition of recording the landscapes of our time for posterity.

Frank Tosto
Frank Tosto

This exhibit shows that barns are are more than just buildings. They are a witness to centuries of change. In this era of sustainable agriculture, part of the mission at Hunt Hill Farm is their focus on teaching future generations the importance of farming and barns through active adaptive usage of our historic buildings.

The Barns and Farm exhibit will be augmented in September by the addition of Barn Again, a retired Smithsonian Institution Main Street exhibit, now in the hands of Hunt Hill Farm.

The Silo Gallery and Store are open Wednesday through Saturday, 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. For more information, please call Liba Furhman at (860) 355-0300 or visit http://www.hunthillfarmtrust.org.

For area information http://www.litchfieldhills.com.

About The Silo at Hunt Hill Farm
Drawing on the creative legacy of Skitch and Ruth Henderson, the Henderson Cultural Center at Hunt Hill Farm, a Smithsonian Institution affiliate, is a vibrant and unique regional resource, offering the public opportunities to explore music, art, cuisine, and permanently protected historic open space.

Summer exhibits at Silvermine Arts Center

Kite - Charles Hinman and Master Printer Gary Lichtenstein
Kite – Charles Hinman and Master Printer Gary Lichtenstein

Silvermine Arts Center, located in New Canaan, CT will be kicking off its summer exhibitions with an exciting collaboration of works by Charles Hinman and Gary Lichtenstein, and new works by Guild Artist Christ Durante. Silvermine’s new Viewing Room features presentations of new works on paper by Guild Artists Roger Mudre and Robert Gregson. The exhibitions will open on Sunday, July 28th with a reception from 2pm-4pm, and will run through September 7th.

“Kites” features the latest collaborative silkscreens between three dimensional painting pioneer Charles Hinman and Master Printer Gary Lichtenstein. A working relationship which began in 2011 with their prints Gems, this latest body of work continues their exploration into translating the visual vocabulary of Hinman’s signature hard-edged shaped canvas into the realm of prints. By combining a mutual understanding of color and the use of subtle hand embossing, they have created a suite of prints that epitomizes the core of Hinman’s ideology: “Though the works at first glance appear serene and placid, they are ever changing as the surface of the ocean or the expanse of the sky. Ever dynamic, they are ever alive.”

A prime example of this idea can be seen in Kite 2. At first glance, the silkscreen faithfully reconstructs Hinman’s paintings down to the inclusion of subtle lines referencing the support system of his three dimensional work. As the viewer gazes at the work, the true complexity of its arrangement of space unfolds into an ever changing visual experience that expands upon Mr. Hinman’s longstanding commitment to visual perceptions of space.

In his new exhibit “No Mans Land,” Guild Artist Chris Durante has constructed an environment of what he calls “considered hanging,” where viewers can visually and physically traverse his works. An artist who is never satisfied with making work that neatly fits into prescribed categories, Durante continually explores and blurs the lines between mediums and artistic genres. Using a combination of paintings, drawings,graffiti, found objects and a collection of other materials, Durante creates a space that furthers his exploration of boundaries into a visual experience, creating a thought provoking space, a “place of freedom,” if you will, where viewers can explore ideas. About his work, Chris comments, “The inability to couple a thought with a sustained and focused action can be an asset if one can be patient and accept that condition as temporary. Let the mind wander and the hand fiddle. Attention is a slippery proposition. The unison of idea and craft will come, eventually.”

Drawing - Robert Gregson
Drawing – Robert Gregson

Silvermine’s new Viewing Room, will present works by Guild Artists Roger Mudre and Robert Gregson. A selection of new abstract silkscreens by Roger Mudre which were produced in collaboration with Master Printer Gary Lichtenstein and an installation of recently created optically fetching geometric drawings by Robert Gregson will be featured through the summer. For more information about the exhibitions and other upcoming events at Silvermine Arts Center call 203-966-9700 or visit our website at www.sivermineart.org.

About Silvermine Arts Center

Silvermine Arts Center located in New Canaan, Connecticut is one of the oldest artist communities in the United States. Located on a four acre campus, the center consists of a nationally renowned artist guild, award winning school of art offering multi-disciplinary art classes for all ages, an art and fine crafts shop and galleries, offering over twenty contemporary and historic exhibitions annually.

The center also provides innovative free and subsidized arts education in Norwalk and Stamford schools through its outreach program, Art Partners; and hosts a lecture series, performances, and special programs throughout the year. Silvermine Arts Center is a nonprofit organization.

Gallery Hours: Silvermine Galleries are open Wednesday through Saturday, 12p.m. to 5 p.m. and Sunday from 1pm to 5 p.m. For more information, call (203) 966-9700 ext. 20 or visit the website: www.silvermineart.org.

For area information www.visitfairfieldcountyct.com

Bruce Museum features Durer, Rembrandt and Whistler

Joachim and the Angel ca. 1504 Albrecht Dürer (German, 1471-1528) Joachim and the Angel, ca. 1504 Woodcut From The Life of the Virgin Collection of Dr. Dorrance T. Kelly
Joachim and the Angel ca. 1504
Albrecht Dürer (German, 1471-1528) Joachim and the Angel, ca. 1504 Woodcut From The Life of the Virgin Collection of Dr. Dorrance T. Kelly

Located in Fairfield County Connecticut, the Bruce Museum located on One Museum Dr. in Greenwich is featuring prints of old masters and works from the 19th century through August 18th. This is one of the most distinguished local collections of prints that have been painstakingly assembled by Dr. Dorrance T. Kelly. The works include prints of Durer, Rembrandt and Whistler among other notable artists.

While Dr. Kelly’s collection has been comprised primarily of American 20th-century prints and prints by John James Audubon, in recent years he has also collected Old Master and 19th-century works extensively.

The Triumph of Mordecai Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Triumph of Mordecai, ca. 1641 Etching and drypoint Collection of Dr. Dorrance T. Kelly
The Triumph of Mordecai
Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Triumph of Mordecai, ca. 1641 Etching and drypoint Collection of Dr. Dorrance T. Kelly

These encompass splendid sheets by the great German printmaker Albrecht Dürer, including a rare etching, woodcuts, and engravings of such iconic images as his Nemesis of 1502.

Dr. Kelly’s Dutch prints include several of the rare engravings after the influential Adam Elsheimer by Hendrik Goudt and no less than 28 images by the highly experimental printmaker Rembrandt van Rijn, ranging from early works of the 1630s to mature impressions from the 1650s.

Limehouse James Abbott McNeill Whistler (American, 1834-1903) Limehouse, 1859 Etching, printed in black on laid paper From “The Thames Set” Collection of Dr. Dorrance T. Kelly
Limehouse
James Abbott McNeill Whistler (American, 1834-1903) Limehouse, 1859 Etching, printed in black on laid paper From “The Thames Set” Collection of Dr. Dorrance T. Kelly

Dr. Kelly’s 18th-century holdings include sheets by the great Italian artists Canaletto and Giovanni Domenico Tiepolo and several fine sheets from Los Caprichos by the renowned Spanish artist Francisco de Goya y Lucientes.

Completing the collection is a group of etched cityscapes and figure studies by the American artist James Abbott McNeill Whistler.

Together the collection attests to the quality of some of the greatest printmakers in Western Art.

The exhibition – on view through August 18, 2013 and is accompanied by a scholarly catalog and a series of educational and public programs.

The Bruce Museum is grateful to Dr. Dorrance T. Kelly for sharing this extraordinary collection with the public.

About the Bruce Museum: Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org. For area information on Fairfield County www.visitfairfieldcountyct.com.