Journey to a Magical Cloud Forest- A Quiet Place at the Oliver Wolcott Library and White Flower Farm

The Oliver Wolcott Library on 160 South Street in Litchfield is hosting the photographs of Sue Kennedy through April 25 in the Gallery of this lovely library.

Twenty years ago Sue Kennedy was in Texas working on a Kinesiology and Adapted Physical Education PhD. If anyone had told her that photographing and raising orchids was what she would be doing today, she wouldn’t have believed them. She is here to share her journey, and hopes you will smile, find joy, and most of all, peace from these images of her quiet and powerful children of the Magical Cloud Forest.

Blue Cattleya

Sue’s father was a pediatrician in the Torrington/Litchfield area, but he always had a second great passion…orchids. Before medical school he earned a PhD in Botany from Cornell and dreamed of discovering and naming a new orchid. After retiring from medicine and armed with a U.S. Department of Agriculture permit, he and his wife took many collecting excursions including the Amazon, Peru, Ecuador, Mexico, Venezuela, Costa Rica, and Nicaragua. Plants were brought home, potted or mounted, and treasured in his “quiet place,” the greenhouse he had built.

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When her father passed away and her mother became ill, Sue was forced with a dilemma – let the orchids die, sell them off or give it a go. She dove in and never looked back. With each blossom she began to see and photograph the unique character of each plant. She shared her images with friends and would see their eyes light up with a kind of childish wonder, peace and joy. Sue continues to capture how light is reflected and penetrates; how it enlightens; how each bloom is a fascination.

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After visiting the Library, stop by White Flower Farm to look at the fabulous selection of plants to be found there. White Flower Farm is located on Rte. 63, 167 Litchfield Rd. a few miles south of the center of Litchfield. Visitors to White Flower Farm will find a wide array of plants for sale. The shop at White Flower Farm opens in April. Visitors may also explore several beautiful display gardens that are adjacent to the shop. For more information about White Flower Farm visit www.whiteflowerfarm.com.

For more information on programs at the Oliver Wolcott Library call 860-567-8030 or www.owlibrary.org For information on Litchfield Hills www.litchfieldhills.com

Cover Story: The New Yorker in Westport at the Westport Historical Society

The Westport Historical Society located on 25 Avery Place in Westport is hosting an exhibit, Cover Story: The New Yorker in Westport and “Can’t Tell a Book by its Cover…” through April 26.

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This exhibition focus’s on the fact that between 1925 and 1989, 13 New Yorker artists living in and around Westport-Weston produced a remarkable 695 covers for The New Yorker Magazine. Some 44 of the covers actually depict Westport scenes.

These two exhibits share the covers and the story-behind-the-story, focusing on the influence of The New Yorker’s “idea man” turned Art Editor , James Geraghty, who–with wife Eva–first lived on Rayfield Rd, Westport before moving to Old Redding Rd. in Weston. Throughout the Geraghty era (1939 to 1973), often with an element of wit, The New Yorker’s cover images mirrored the commuter lifestyle of his Connecticut-based artists, including Garrett Price, James Daugherty, Perry Barlow, Alice Harvey, Helen Hokinson, Edna Eicke, Arthur Getz, Reginald Massie, Whitney Darrow, Jr., Charles Saxon, Albert Hubbell, Donald Reilly and John Norment. Curator Eve Potts draws from artifacts, anecdotes and correspondence provided by the families of Geraghty and these artists, who also did innumerable drawings for the magazine.

Never, as visitors will see in “Can’t Tell a Book by its Cover…” in the Mollie Donovan Gallery, was that more true than the Aug. 31, 1946 New Yorker, a single-story issue. The story? Hiroshima, by writer John Hersey, who shortly thereafter moved to Turkey Hill South (the home later sold to Andy & Martha Stewart) in Westport.

Hersey , considered the “Father of the New Journalism,” not only was a member of Geraghty’s local New Yorker Friday afternoon bowling team (Westport Bowling Lanes, in winter) and golf team (Longshore, in summer), he served for a period of time on the Town of Westport Board of Education.

The Westport Historical Society is open Monday – Friday 10 – 4 p.m.and Saturday 12 – 4 p.m. For more information http://westporthistory.org. For information on Fairfield County www.visitfairfieldcountyct.com

Exhibit: Collections, Community & Conversation at the Danbury Historical Society

The Danbury Museum & Historical Society located on 43 Main Street in Danbury will be launching an 2014 Accessible Art Exhibit, in conjunction with the Cultural Alliance of Western Connecticut, on Saturday, January 18, 2014 and will run through the month of March.

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The exhibit cases in Huntington Hall will be filled with a wealth of interesting objects gleaned from the collections of individuals from The Greater Danbury area; including vintage photographs on display from guest curator, Catherine Vanaria, Professor of photographer at Western Connecticut State University. She is also President and Co-Owner of Connecticut Photographics, Inc., a professional photographic and digital lab located in Danbury.

On display will be an eclectic mix of objects including sewing machines, turn of the century postcards, milk glass, examples of antique book bindings, slide rules, colonial apothecary items, vintage toys, dolls, vintage pins and more.

The exhibit will be open to the public Wednesday through Friday from 10:00 a.m. to 3:00 p.m. and Saturdays from 10:00 a.m. To 4:00 p.m. Collections will be on display through March. The museum will be hosting several roundtable discussions and will sponsor an educational program, ‘How to Start a Collection’ and ‘Preserving Treasured Photographs,’ presented by Catherine Vanaria on March 15, 2014. A schedule of events and additional information will be available on the museum website.

For more information visit www.danburymuseum.org or call 203-743-5200. For information on Litchfield Hills www.litchfieldhills.com

ABOUT THE DMHSA: The Danbury Museum & Historical Society was formed in 1947 to acquire, preserve, exhibit and interpret New England’s past; focusing particularly on the heritage of Danbury. Situated in downtown Danbury, the museum preserves the John and Mary Rider House (c.1785), the Dodd Hat Shop (c. 1790), the Marian Anderson Studio and the Charles Ives Birthplace. Huntington Hall, a modern exhibit building houses the museum offices and research library.

Color, Pattern & Light at Pequot Library

The Beth Munro exhibition Color, Pattern & Light, opens in The Perkin Gallery at Pequot Library on Sunday, February 23, 2014, with a reception from 4:00pm – 6:00pm. The exhibition and sale runs from February 23 through March 30, 2014. It is free and open to the public.

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The pure pleasure of form, color, patterns, and texture are the qualities Beth Munro tries to capture in her paintings. Her still life paintings and interiors reflect her love of everyday objects and the beauty of the ordinary. Munro’s paintings are often based on both reality and sometimes derived from her imagination. The interaction of colors, shapes, and form create a harmonious rhythm, keeping the viewer’s eye constantly moving through the composition. Ms. Munro has been influenced by many artists and grew up in an artistic family. Further information about the artist can be found on her website http://bethmunro.com/

Please visit www.pequotlibrary.org to learn more about this vibrant library, educational, arts and cultural institution. All classes and programs are open to everyone. For information: (203) 259-0346 ext. 15.

For area information www.visitfairfieldcountyct.com

Oysters, Pearls of Long Island Sound at the Bruce Museum

Found in estuaries around the world, oysters play a significant role in ecosystems and economies. These bivalve mollusks have sustained Native Americans and created waterside cultures. The Long Island Sound’s native oyster, the Eastern oyster (Crassostrea virginica), is a keystone species in the local environment, providing critical habitat and food for many other species, recycling nutrients, cleaning the water as it feeds, and driving an industry. Its value lies in these worthy attributes rather than in its potential for jewels. Like other true oysters, the Eastern oyster rarely produces a pearl. If it does make one, the pearl lacks the lustrous quality of those produced by pearl oysters, which are in a different family.

Eastern Oyster Eastern Oyster Crassostrea virginica Bruce Museum Collection Photo by Paul Mutino
Eastern Oyster
Eastern Oyster
Crassostrea virginica
Bruce Museum Collection Photo by Paul Mutino

The Bruce Museum celebrates the Eastern oyster in the exhibition Oysters, Pearls of Long Island Sound, running through March 23, 2014.

The exhibition will explore the science and history of the Eastern oyster in Long Island Sound, examining how its nutritional and commercial values have made the Eastern oyster a popular commodity for residents along the Sound for eons.

Hassam_Sloop Childe Hassam (American, 1859 – 1935) Oyster Sloop, Cos Cob, 1902 Oil on canvas National Gallery of Art, Washington, Ailsa Mellon Bruce Collection, 1970.17.100
Hassam_Sloop
Childe Hassam (American, 1859 – 1935) Oyster Sloop, Cos Cob, 1902
Oil on canvas
National Gallery of Art, Washington, Ailsa Mellon Bruce Collection, 1970.17.100

Native Americans harvested oysters from mile-long natural beds and collected individual oysters that were up to a foot long. By the early 1800s, the natural beds had become depleted and oysters were cultivated on artificial beds.

The oyster industry was a powerful force in the local economy by the end of the 19th century. However, overfishing, pollution, natural disasters, and disease brought about a decline and the industry was seriously threatened through the early to mid-20th century.

In recent years, the oyster trade has experienced resurgence as a result of improved aquaculture techniques and oysters’ popularity among food connoisseurs who enjoy their distinctive flavor, which varies with each local environment.

Organized with the assistance of scientists and historians and developed in cooperation with the Town of Greenwich Shellfish Commission, Oysters, Pearls of Long Island Sound features hands-on, interactive displays, videos, specimens of bivalves from around the world, and historical objects that appeal to all ages. Objects from the Bruce Museum collection are supplemented by loans of shells, oystering tools, food-related items, and boat models from local collectors including oysterman Norm Bloom and institutions such as the Yale Peabody Museum, Rowayton Historical Society, National Gallery of Art, Grand Central Oyster Bar, and Northeast Fisheries Science Center’s Milford Laboratory.

Complementing the exhibition will be a science lecture series in the fall and a history lecture series in the winter in addition to a variety of programs suitable for all ages.

About the Bruce Museum

Explore Art and Science at the Bruce Museum, located at One Museum Drive in Greenwich, Connecticut. The Museum is open Tuesday through Saturday from 10 am to 5 pm and Sunday from 1 pm to 5 pm; closed Mondays and major holidays. Admission is $7 for adults, $6 for students up to 22 years, $6 for seniors and free for members and children under 5 years. Individual admission is free on Tuesday. Free on-site parking is available and the Museum is accessible to individuals with disabilities. For additional information, call the Bruce Museum at (203) 869-0376 or visit the website at www.brucemuseum.org. For area information www.visitfairfieldcountyct.com

An Emotional Portrayal of Women’s Lives in Afghanistan on View at the Westport Arts Center

Lynsey Addario uses her camera to speak for the people she photographs. She documents the issues and events on the periphery of war, capturing the emotions as a way to draw in the viewer. Ms. Addario, who is a Westport native and Pulitzer Prize-winning photographer, has traveled to war torn countries such as Afghanistan, Sudan, and Libya, to focus her lens on the effects of war. Her stunning photographs will be featured in “On The Wire: Veiled Rebellion” this winter at the Westport Arts Center. This exquisite exhibition will showcase 34 color photographs by Ms. Addario, depicting the plight of women in Taliban-controlled Afghanistan. Throughout her numerous visits, Ms. Addario has trained a close eye through her lens on women’s lives in all areas of Afghan society: culture, politics, education, employment, and domestic life. “Veiled Rebellion” was originally published in National Geographic in December 2010.

“’On the Wire: Veiled Rebellion’ follows the Westport Arts Center’s exhibitions ‘On Duty’ and ‘Chuck Close: About Face,’ which depict investigation and photographic documentation as art form,” says Helen Klisser During, Westport Arts Center Visual Arts Director and curator. “Each one of Lynsey’s images tells a story that conveys a full range of emotions. Lynsey Addario, in my opinion, is a photographer who not only documents but also touches the emotional core of the viewer through her work. She consistently photographs with rawness, honesty, and sensitivity.”

Lynsey Addario: Afghan Woment
Lynsey Addario: Afghan Woment

Ms. Addario has traveled throughout Afghanistan to capture the images featured in “On The Wire: Veiled Rebellion.” Her photographs explore the differences of the lives of women living within the same country. The series depicts births and operations in a hospital in Faizabad, women graduating from Kabul University, and female boxers training for the 2012 Summer Olympics. She has traveled with mobile health clinics, American soldiers, and Abiba Sarabi, the only female governor in Afghanistan. Several of her photographs detail the training of Afghan women by Italian Carabinieri to become police officers. In the photographs, the women shoot AMD-65 rifles at a firing range. Few Afghan women train to be police, about 700 out of 100,000, but their presence is welcome, as many men cannot perform certain tasks due to Islamic custom, such as frisking other women.

Ms. Addario, who is now based in London, England, grew up in Westport, CT and is a graduate of Staples High School. She photographs for The New York Times, National Geographic, and Time Magazine. She was awarded the MacArthur Fellowship, also known as the ‘Genius Grant,’ in 2009 and, along with a team from the New York Times, won the Pulitzer Prize for international reporting for her photographs in “Talibanistan,” in 2008. Her passion for photography has sent her all over the world and placed in her the middle of several wars. In 2011, Lynsey and fellow Westport native and international photographer Tyler Hicks were kidnapped in Libya with two other journalists, Stephen Farrell, and the late Anthony Shadid. The four co-wrote an article for The New York Times detailing their time as captives. While covering the Libyan revolution they were captured outside of Ajdabiya by soldiers loyal to Muammar Qaddafi and held captive for several days.

Visitors to the Westport Arts Center can hear Lynsey Addario speak about her work on January 25th, 2014 from 3 – 5pm where she will discuss topics presented in the exhibition. The opening reception for “On the Wire: Veiled Rebellion” will be held at the Westport Arts Center on January 24, 2014 from 6-8pm.

For more information visit www.westportartscenter.org. For area information www.visitfairfieldcountyct.com