The Beauty of Botanical Illustrations in Litchfield Hills

Betsy Rogers-Knox has been drawing and painting since childhood. Her interest in botanical illustration began in Boulder, Colorado where she worked for a botanist and learned by close observation to appreciate the intricate beauty of Colorado wildflowers. This interest led her to the botanical illustration program at the New York Botanical Garden. Her final project included paintings of historic plants from the gardens of the Bellamy Ferriday House in Bethlehem, Connecticut.

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Betsy is enchanted by the full lifecycle of the plants she portrays in watercolor, and typically observes a plant for a full year before beginning a composition. Published work includes cover designs for Herb Quarterly magazine, the illustrations for the bookHerbs, Leaves of Magic and White Flower Farm’s catalog, as well as over thirty greeting card designs internationally distributed by Renaissance Greeting Card Company and Sunrise Publications.

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She has exhibited extensively including the Smithsonian in Washington, D.C., London’s Kew Gardens, the Horticultural Society of New York, and the New York Botanical Garden. In April 2013 she will show several works at the Royal Horticultural Show in London. Betsy also teaches drawing and watercolor painting to both adults and children from her studio in Bethlehem. Her website is www.betsyrogersknox.com.

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A selection of the work of Betsy Rogers Knox will appear in the Gallery of the Oliver Wolcott Library located on 160 South Street, Litchfield, CT. through April 26 2013. For more information call 860-567-8030. or visit www.owlibrary.org. For area information www.litchfieldhills.com

The Artist in Venice at Darren Winston, Bookseller

On Saturday, April 6, from 2 to 4 p.m., bookseller and gallerist Darren Winston located in Sharon Connecticut in the Litchfield Hills will host a reading and book-signing by Adam Van Doren to celebrate the publication of The Artist in Venice, at Darren Winston, Bookseller (81 Main Street, Sharon, Connecticut). A selection of paintings by Van Doren, including pieces featured in the book, will be on display from April 2–28.

Van Doren’s new book showcases not only his virtuosity as a painter but also his writing talent. He first went to Venice to paint in 1986, to escape the “barren and cheerless” New York winter. He left as an architecture student and came back a painter—and “Venice was responsible.” The Artist in Venice presents twenty-five glorious watercolor paintings of that city, accompanied by sketches, maps, and the artist’s insightful narrative and history.

In the introduction to the book, the writer Simon Winchester observes: “Adam Van Doren has a way with light. His painterly calling-card is, in its essence, illumination. It is opalescence, iridescence, brilliance.” Publisher’s Weekly says of the book: “Architect and artist Van Doren offers a love letter to Venice in this elegant and slender volume, and he sings his praise to the city through majestic prose and 25 beautiful watercolor paintings.”

Adam Van Doren was born in Cambridge, Massachusetts in 1962 and is of the distinguished New York literary and artistic family that includes his grandfather Mark Van Doren—the Pulitzer Prize–winning poet and celebrated Columbia professor—and his great-uncle Carl Van Doren, the Pulitzer Prize–winning historian. His great-aunt Irita Van Doren was the editor of the Books section of The Herald Tribune for forty years, and his grandmother Dorothy Van Doren was a novelist and editor at The Nation. His mother is a painter and was integral in cultivating his artistic sensibilities.

Van Doren studied at Columbia University and the National Academy of Design. He has exhibited at the National Portrait Gallery in Washington, D.C., among other institutions, and his work is included in the Art Institute of Chicago, the Princeton University Art Museum, The Museum of Fine Arts (Houston), the Yale University Art Gallery, The Addison Gallery of American Art, and The Wadsworth Atheneum Museum of American Art, among others. Van Doren has been a Visiting Artist at the American Academy in Rome and an instructor at the Institute of Classical Architecture in New York. He is an Associate Fellow and former Lustman Fund Lecturer at Yale University. He maintains a studio in Manhattan, where he exhibits annually.

Although he was raised in New York, Van Doren and his family have deep connections to the Litchfield Hills in northwest Connecticut. While growing up he spent summers in Cornwall Hollow on the old farm owned by his grandparents, and now he splits his time between that property (in a new house he designed and had built there) and his home in Manhattan. In a recent interview he remembered stories of how his grandfather and uncle had to travel from Manhattan for five hours in a Model-T to reach the farm in Connecticut. “I can only imagine what it was like,” he said. “It might have meant they didn’t come up too often. They went for the summer and stayed there.” Van Doren returns to Darren Winston, Bookseller following the bookstore-gallery’s popular October 2011 exhibit of his paintings, which garnered favorable coverage in The New York Times.

For more information about Darren Winston, Bookseller, please call (860) 364-1890 or e-mail darrenwinston@gmail.com. The shop’s hours are Tuesday through Sunday, from 11 a.m. to 5 p.m. and by appointment, and the website is www.darrenwinstonbookseller.com. For area information www.litchfieldhills.com.

A Visual Spectrum Of Exhibits Opens At Silvermine Arts Center In February

Silvermine Arts Center, located in New Canaan, CT will be opening a new set of exhibits February 24th, ranging from the dazzling abstractions of Sharon Cavagnolo to the visually complex installation by Mary Jo McGonagle. There is also the hyper-real figurative paintings of Anca Pedvisocar and the aptly named “Human Touch” figurative print group show featuring Karen Butler, Helen Cantrell, Alanna Fagan, Nancy Lasar and Nomi Silverman. The show runs through April 5th. All are welcomed to the opening reception on Sunday, February 24th 2:00pm – 4:00pm.

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In her exhibit, “New Paradigms,” artist Sharon Cavagnolo deals with chaos and the human need to control and come to terms with it. For the artist, a gestural or impulsive movement often serves as the beginning of an idea for a painting, with subsequent layers imparting balance, line, color and pattern. The creation of the ‘whole’ represents a new place to be.

“(Dis)connect” is the new site specific installation by Silvermine Guild Artist, Mary Jo McGonagle. Combining video and signature wall coverings and paintings, the installation reflects her fascination with how relationships take place in our everyday lives, hovering between humor and desperation. Time-based media in conjunction with painting creates the overall environment. McGonagle’s work is a multi-disciplinary exploration of images and narratives of sublimated family dynamics and the idea of the suburban home as an environment of contradictions. . In her exhibit, she uses decorative wallpapers, patterning and colorful language to conceal contemporary phrases. The phrases are camouflaged within the wallpaper patterns. There is an element of discovery, revealing our innermost feelings which deal with the unspoken, “not so nice,” thoughts that we all share.

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Anca Pedvisocar’s exhibit “Take 2” is about second chances given to forgotten moments in forgotten lives of forgotten people, to be re-lived in a different way by people of our time. For this artist, the most difficult part in her work is choosing what to do next and why. Anca will look over the many black & white snap shots she has collected of the last century before choosing the most significant “insignificant” moment in time worth painting. The central theme of Pedvisocar’s paintings is a mixture of tension and solitude that seems to bring people together, while simultaneously pulling them apart. This conflict makes itself visually apparent in people’s most inconsequential and mundane actions and postures, glossing their figures with an unmistakable varnish that makes them impervious to one another and to themselves. The treatment of the figures in her paintings are restrained, as in a black and white movie, while exalting the color of the background, evoking the presence of an old, skipping soundtrack and a narrator’s voice starting to tell their story.

Curtain Call

The Guild group exhibition, “The Human Touch: Five Printmakers,” showcases new figurative works by Silvermine members Karen Brussat Butler, Helen Cantrell, Alanna Fagan, Nancy Lasar and Nomi Silverman. The five artists share a love of printmaking, exploring contemporary interpretations of the figure in a variety of print techniques including woodcut, intaglio, lithography and other media.

For more information on these exhibits and other events at the Silvermine Arts Center, please visit www.silvermineart.org or call 203-966-9700 ext. 20. For area information www.visitfairfieldcountyct.com.

ARTSPACE-Torrington Opens First Show of the 2013 Season

ARTSPACE located at 33 Main Street in Downtown Torrington, begins its 2013 season with an exciting show of one-of-a-kind photographs by West Hartford artist, Robert Calafiore whose work has been the subject of numerous exhibitions. Most recently, Calafiore’s work has been shown at the New Britain Museum of American Art, the Nina Freudenheim Gallery (Buffalo, NY), Nest (New York City), as well as the University of New England (Portland, ME), and the University of Massachusetts (Dartmouth, MA).

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The series of work shown at the ARTSPACE-Torrington gallery consists of large C-print photographs, 40” x 30”, taken with a pinhole camera. This particular series features ordinary glass objects which are lit and photographed. The type and intensity of lighting, length of exposure, and color and surface of the subject can be controlled by the artist to produce varying results. The end result is a one-of-a-kind image which is produced without creating film negatives or digital technology. Part of Mr. Calafiore’s interest lies in the ability of the pinhole camera to transform ordinary objects into items of beauty.

The opening reception for Mr. Calafiore will be held in the gallery on Friday, January 25th from 6-8 p.m. Mr. Calafiore will present an artist talk on Friday, Feburary 8th at 6 p.m.

The public is encouraged to visit the gallery during normal hours: Fridays from 6-8 and Saturdays and Sundays from 2-4. The gallery is also open by appointment; to schedule an appointment, please contact Executive Director, Judith McElhone (860-309-2932). ARTSPACE-Torrington may also be open during special downtown events.

About ARTSPACE
ARTSPACE-Torrington is supported in part by the Torrington Downtown Partners and the Arts and Culture Commission of Torrington (ACT). 33 Main Street, located at the corner of Main and Water Streets in Downtown Torrington, is a former retail space that is now home to the city’s newest gallery. Each month, a new show of contemporary work by one or more professional artists will be featured in the gallery.

For further information about ARTSPACE-Torrington please visit www.artspacetorrington.org

FOr area information www.litchfieldhills.com

Open Studio at Whiting Mills Dec. 1 & 2

The Open Studio, on Dec. 1 – Dec. 2 from11 a.m.- 5 p.m. is being held at Whiting Mills. This event is hosted by the artists that reside in this historic building located in Winsted on 100 Whiting Street.

Hearts & Tulips by Cheryl Bartley Designs
Hearts & Tulips by Cheryl Bartley Designs

Just getting around is half the fun as Whiting Mills has some of the oldest working freight elevators in the State. There are over 30 artists, artisans, quilters, photographers, potters, woodworkers, specialty shops and much more to explore.

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The Mill is has been decorated by the watchful eye and creative genius of Steven Silvester who bedecks the mill with an array of lights and chairs. He has even created a movie that you can watch as you move from floor to floor.

At this annual event each artist offers a variety of items in different media for sale. In addition to touring four floors of this historic building, visitors may enjoy art and craft demonstrations at some of the working art studios. Each artist, in their respective studios, will offer free food and drinks to visitors. A strolling guitar player, kids activities and door prizes add to the festive atmosphere.

The Whiting Mills is located at 100 Whiting Street, Winsted, Connecticut. For information call 860-738-2240. Visit http://www.whitingmills.com

Artist’s Studio Restored

Julius LeBlanc Stewart,
In the Artist’s Studio, 1875, oil on
canvas, 21½ x 28¾ in. Andrea family
private collection, photograph courtesy
Sotheby’s, New York.

To celebrate the restoration of the room at Bush-Holley House that served at various times as the studio of Childe Hassam, John Twachtman and Elmer MacRae, the Greenwich Historical Society will present an exhibition exploring the changing concept of the artist’s studio. Representations of an American art student’s Parisian garret, William Merritt Chase’s opulent Tenth Street studio in New York, Dorothy Ochtman’s view of her father in the studio they shared in their Cos Cob home and the repurposed farm sheds used by artists in Old Lyme: these and other paintings will suggest the wide range of spaces in which turn-of-the-century artists worked and will provide a cultural context for the restored studio.

The studio originally doubled as bedroom and workspace for its occupants. To augment the natural light from windows on the northern and eastern exposures, the owners, the Holley family, added a dormer around 1900. Illuminated by windows on three sides, the room offered views of the abundant gardens behind the house, the millpond to one side and the bustling harbor across the street. Now when you visit the Bush-Holley house, you can more easily imagine the vistas the artists enjoyed.

Dorothy Ochtman,
A Corner of the Studio, 1928, oil on canvas,
30 x 25 in. National Academy Museum,
New York, Bequest of Dorothy Ochtman
Del Mar, 1971, 1749-P.

In addition to depictions of American artists’ studios in the nineteenth and twentieth centuries, the exhibition presents the models for Childe Hassam’s work in Cos Cob and a sampling of work done outside the studio in the environs by Hassam, John H. Twachtman and Elmer MacRae. A complementary exhibition, Historic Artists’ Homes & Studios, on loan from Chesterwood (the home and studio of Lincoln Memorial sculptor Daniel Chester French), will feature photographs that focus on the fascinating and eclectic living and workspaces of famous American artists including (among others) N.C. Wyeth, Jackson Pollock and Augustus Saint-Gaudens.

Attributed to Frederick MacMonnies
Atelier at Giverny, 1896 or 1897, oil on canvas,
32 x 17 in. Terra Foundation for American Art, Chicago, Daniel J. Terra Collection, 1999.91,
Photography ©Terra Foundation for American Art, Chicago.

A Good Light: The Artist’s Studio in Cos Cob and Beyond will be on exhibition through January 6, 2013. Wednesday through Sunday, Noon to 4:00 pm. Members: free; nonmembers: $10; seniors and students $8 The Greenwich Historical Society Storehouse Gallery is located on 39 Strickland Road in Cos Cob. www.greenwichhistory.org

For area information www.visitfairfieldcountyct.com