The Aldrich Contemporary Art Museum Opens new Installation by David Brooks

The Aldrich Museum of Contemporary Art located on 258 Main Street in the heart of Ridgefield is has commissioned a new installation by artist David Brooks that will run through February 5, 2017. This marks the artist’s first solo museum exhibition. Throughout his practice, Brooks investigates the tenuous relationship between our ecological life and technological industry.

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Brooks (born 1975, Brazil, Indiana) will present every single part of a used 1976 John Deere 3300 combine harvester at The Aldrich, with the components laid out in varying degrees of disassembly in a procession from the front plaza through the Leir Atrium and Leir Gallery and out into the Museum’s sculpture garden. Distinctive elements like the corn head and cab remain unaltered in a weathered John Deere green, while other parts are sandblasted, removing rust, paint and all traces of wear and tear; still others, like pipes and fittings, are brass-plated and housed in museum vitrines, the traditional trappings of highbrow art objects or precious natural history displays.

A combine is the ultimate example of agricultural technology, the otherworldly design of its bulky metal body concealing the integration of all stages of the harvesting process into one machine designed to reap grain, a resource that the efficiency of a combine allows us to take for granted as eternally and inexpensively available.

The stunning array of dismantled machine parts, exhibited in a diverse system of presentation, are designated according to the ecosystem service they represent, making it impossible to conceive of the combine in its entirety or to determine the machine’s complete functionality; similarly, an ecosystem integrates innumerable processes, many of them intangible or undetectable, into one whole, making it impossible for us to conceive of a life unfolding within it.

This installation, Continuous Service Altered Daily asks us to reexamine our perception of products reaped from the landscape, oftentimes those too easily interpreted as “services” for personal use: water, food, clean air, climate, energy—things we have come to expect to be delivered to us forever.

The Aldrich is located at 258 Main Street, Ridgefield, CT. For more information, call 203.438.4519 or visit www.aldrichart.org. For more area information www.litchfieldhills.com

The Museum
Founded by Larry Aldrich in 1964, The Aldrich Contemporary Art Museum is dedicated to fostering the work of innovative artists whose ideas and interpretations of the world around us serve as a platform to encourage creative thinking. It is the only museum in Connecticut devoted to contemporary art, and throughout its fifty-year history has engaged its community with thought-provoking exhibitions and public programs.
The Museum’s education and public programs are designed to connect visitors of all ages to contemporary art through innovative learning approaches in hands-on workshops, tours, and presentations led by artists, curators, Museum educators, and experts in related fields. Area schools are served by curriculum-aligned on-site and in-school programs, as well as teachers’ professional development training.

John Funt and Gerald Incandela to show at Five Points Gallery

Five Points Gallery, located in Downtown Torrington, will open a new exhibition “John Funt and Gerald Incandela at Five Points” on Thursday, May 28th. The show will run through June 27 and will be open Thursdays through Sundays from 1-5 p.m. Five Points Gallery is free and open to the public. An opening reception will take place on Friday, May 29 at 6 p.m. and an artist talk with occur on Friday, June 12 at 6 p.m. The public is encouraged to attend both events, which are sponsored by Burlington Construction.

John Funt Waterfall
John Funt Waterfall

John Funt studied art with sculptor Rhys Caparn at the Dalton School in New York and with painter Joseph Slate at Kenyon College in Ohio. He has had solo exhibitions at Nelson Macker Fine Art, Morgan Lehman Gallery, James Graham and Sons and the Norfolk Library. Funt has worked as an event designer for the Metropolitan Museum of Art and a Designer and Display Director for Tiffany & Company but for the past decade, has devoted himself full-time to painting.

Commenting on Funt’s work, The New Criterion wrote: “John Funt turns the dynamics of landscape around.” Another review from The New Yorker described his work as follows: ” The wide-screen format announces representational intent; the jewel-like undertones and simplified forms reveal the fundamental decorative impulse.”

Incandella Card
Incandella Card

Gerald Incandela is an American artist, born in Tunisia. Incandela received a philosophy degree in 1969, then moved to Paris where he studied art history. In 1974, Gerald Incandela began to photograph and soon after learned photographic printing. He is recognized for his unique photographic process, by which he conceptually merges drawing and photography. During the course of developing the large format, black and white prints, Incandela selectively applies developer and fixer on paper with a brush as to reveal and animate selected elements of the captured image.

His work is in numerous collections including the Metropolitan Museum of Art, the Museum of Modern Art, the J. Paul Getty Museum and the Philadelphia Museum of Art.
Incandela has had numerous solo exhibitions in the United States and abroad and has also taken part in numerous group exhibitions. In his recent body of work, Gerald Incandela has transitioned from drawing with the photographic medium to painting with it. The tones and colors are the result of the action of regular light oxidizing the silver in the paper before fixing the image. It is not a tinted or colored silver print and therefore not “mixed media”. Each one is unique because Incandela applies selectively the solutions onto the paper instead of immersing the paper evenly in the solutions.

Five Points Gallery is located at 33 Main Street, Torrington, CT. Hours are Thursdays through Sundays from 1 to 5 p.m. The gallery is also open by appointment. For more information please visit www.fivepointsgallery.org.

For more event information www.litchfieldhills.com

Eye Candy kicks off the Silo Gallery Spring Season

The Silo at Hunt Hill Farm’s upcoming gallery exhibition, ties together the works of Washington artists Ken Cornet and Tyler Farmen with works that entice the eye. The exhibit runs to May 5, 2015.

Tyler Farmen, Blue Drip
Tyler Farmen, Blue Drip

The exhibit is aptly named, as Cornet describes his work as enticing “the eye through color and movement either with free forms or structures to create a feeling of excitement or serenity, thereby instilling a sense of fun, comfort and well-being.” Farmen says, “My work combines the real and tangible, however it gives the feeling of a surreal fantasy. My intention is to provide viewers with a sense of comfort and at the same time question.”
Ken Cornet was born and raised in New York where he attended The Ethical Culture School and the highly selective High School of Music and Art, now LaGuardia High School. He went on to study painting at the Art Students League, fashion design at the Fashion Institute of Technology, and earned a degree from the New York School of Interior Design. From painting in pre-school to designing textiles and surfaces

In adulthood, Ken returned to painting and creating art. Cornet’s design collections were licensed by major home furnishing companies around the world under the Ken Cornet brand. While always mindful of the past, his style is contemporary and always innovative and playful. Cornet’s licensed product areas included apparel, bed and bath fashions, home textiles and wallpapers, rugs, ceramics, dinner and gift ware, and paper and party goods. His artistic versatility resulted in the New York State Department of Labor labeling his work as “art miscellaneous” in late 1960’s. Editors and buyers labeled his design collections as “contemporary classics” in the late 1980’s and into the 1990’s.

Ken Cornet, Mussorgsky Pictures at an Exhibition, 2014, 11 x 8.5. Gouache collage on Paper.
Ken Cornet, Mussorgsky Pictures at an Exhibition, 2014, 11 x 8.5. Gouache collage on Paper.

Tyler Farmen was born in Washington, CT in 1982. He received a BA in Industrial Design from Pratt Institute, Brooklyn NY in 2004. Tyler lived and worked as a designer in New York until 2006 when he moved back to CT, where he is currently Head of The Fine Arts Department at Rumsey Hall School and working on various creative projects.

In addition, Farmen runs a small art gallery in Lakeside, CT called The Gallery, which features local and national artists as well as a one of a kind gift shop. Tyler has a wide range of work from painting and sculpture to graphics and fashion. His ambition is to make people approach what they look at every day with new value. Referring to his latest oeuvre, Farmen says, It “consists of reinterpreted items that have been discarded by society and consumed by nature. Captured in time, these items are locked in a patina of eternal beauty.

Tyler Farmen, Red Oil 2
Tyler Farmen, Red Oil 2

My artwork is a combination of the many people, places and feelings that I experience in everyday life. “I started painting and creating to break the confines and guidelines of my career as a designer. I don’t restrain myself to one medium or process. I enjoy exploring all avenues of creating taking the pain and anguish that I feel in the universe and portraying it in a positive light through my paintings and sculptures. My work combines the real and tangible, however it gives the feeling of a surreal fantasy. My intention is to provide viewers with a sense of comfort and at the same time question.”

The Silo Gallery and Store are open Wednesday through Saturday, 10 a.m. to 5 p.m. and Sunday from noon to 5 p.m. For more information, please call Liba Furhman at (860) 355-0300 or visit www.hunthillfarmtrust.org.

For area event information on the Litchfield Hills www.litchfieldhills.com

Photographys by Hank Meirowitz at Carole Peck’s Good News Cafe

Hank Meirowitz is proud to bear the title of Portrait Photographer of the Pampered Pet. He has proven himself in group and solo shows in the area and in New York as a lover of animals, using his talent to capture the personality of his subject in his studio in New Milford equipped with animal toys, cookies, bench, backgrounds and floods. He has had no problem with their posing after adjusting themselves to his comfortable set-up. Dealing with pets, much the same as with humans, a one-to-one relationship and trust must be established and then everything works perfectly! However, you must start out with a basic love and interest in both people and animals. And they will respond once they sense your feeling.

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As time has passed, he has grown restless with being confined to a studio space and the lureof travel came on the scene. He now documents far-away lands and indigenous wildlife many people only dream of seeing. Over the last few years he has photographed Russia, Poland, Australia, India, Turkey, China, Korea, Prague, Budapest, Croatia, and ANTARCTICA and has only recently returned from a most exciting riverboat cruise to Viet Nam and Cambodia, which will be on display through March 2015 at the Good News Cafe in Woodbury, Connecticut.The architecture, the people, the faces of happy children and the ambience of each locale are what interests him the most.

The Good News Café is open from 11:30am to 10pm daily; closed Tuesdays and open from 12pm to 10pm Sundays. For more information www.Good-news-café.com

For more event information on Litchfield Hills www.litchfieldhills.com

Discovering the “New World”: Maps & Sea Charts from the Age of Exploration

There is a time honored fascination with maps and sea charts. The new exhibition at the Bruce Museum is featuring maps to be admired… not for navigation!
This exhibition features more than thirty maps and charts dated between 1511 and the 1757. The maps — woodcuts or metal-plate engravings, many with original hand-applied color — represent Renaissance-period attempts by European ateliers to edify their clientele by revealing our “new” hemisphere and its approaches, as discoveries and claims came ashore from those daring enough to pack their sea bags and head for the unknown.

Today, we live in routine harmony, with cartography: on television and the Web; in newspapers, books and magazines. Satellite maps signify weather; detail maps illustrate locales of crucial events; GPS screens send us, often correctly, to new locales. On land, at sea, and in the air—digitized geography helps deliver goods and people everywhere, often without human intervention.

It was not always so. More than five hundred years ago, two European empires began daringly (and competitively) seeking the most efficient seaborne routes to the riches of Arabia and The Orient—Spain sailing west; Portugal sailing east. Mapmakers back home (nearly all landlubbers happy to sit by the fire) scrambled to gather the latest explorers’ reports to enable them to draw up-to-date maps, print them as separate sheets, and sell them largely to the wealthy as bound atlases—massive compendia that glorified leather-filled libraries and enriched cultural reputations.

But much of the news sent home was erroneous, owing to imperfect navigation, honest misreadings of reality, or deliberate misrepresentations. (As he wandered around the Caribbean Sea, for example, Columbus believed he had found India.) Altogether, these factors make historic “New World” maps a fascinating study in geographic and human progress—and occasional regression.

The Bruce Museum is open Tuesday – Sunday 10 am – 5 pm, Doors close 1/2 hour before closing, and the last admission is at 4:30 pm. For additional information call 203-869-0376 or visit https://brucemuseum.org.

For area information www.visitfairfieldcountyct.com

Rick Shaefer Draws the Line at Housatonic Museum of Art

The Housatonic Museum of Art presents Rick Shaefer: Drawing the Line on view in the Burt Chernow Galleries, 900 Lafayette Blvd., Bridgeport, CT, from February 12 through March 27, 2015 with a reception open to the public on February 12 from 5:30-7:00 pm. The Burt Chernow Galleries are free and open seven days a week. Visit the website, www.HousatonicMuseum.org for gallery hours.

LIVE OAKS

Drawing is essential to the training of an artist. It is the most direct medium between the artist and his observations, thoughts, feelings and experiences—serving both as a record and as a revealer of truth. Drawing is both a cognitive and manual process that provides the foundation for painting, sculpture and architecture. Fairfield artist Rick Shaefer’s monumental, breath-taking drawings offer viewers an adventure in looking with his technically precise and visually poetic drawings of animals and nature.

At first glance, it is clear that Shaefer has more than a passing acquaintance with works of art across time. Of all the masters he has studied, it is Albrecht Durer that has influenced him most. In the 16th century, the natural world of animals and plants had become the focus of scientific and cultural interest as explorers returned from far-flung places carrying examples and illustrations of exotic new species. One of Durer’s best known pen drawings, Rhinoceros, 1515, demonstrates the artist’s fascination with recording the curiosities and wonders of the world. Paradoxically, Shaefer’s own African Rhinoceros, beautifully rendered in rich charcoal on vellum, comes full circle by documenting what now may be the waning days of these magnificent beasts.

BELGIAN BLUE

Shaefer’s trees, crowned with leaves or barren and in varying states of decay, are densely detailed and sensitively modeled through the use of tonal gradations. Majestic oaks and tangled vines allow the artist to mine the sculptural properties of a charcoal line, expressing not only what he observes but how he feels. A dramatic narrative unfolds before the eye, compelling the viewer to travel along through the light and into the shadows.

And, like the rhinoceros, these powerful and confident drawings circle around a common theme: the effects of human activity on nature. Climate change specifically could lead to the massive destruction of forests as well as the extinction of countless species. Global warming has led to the increase of forest fires as well as a proliferation of pests and diseases. Rick Shaefer: Drawing the Line looks to the rich tradition of drawing in order to explore the critical issues of our time.

For area event information www.visitfairfieldcountyct.com