The Glass House Summer Party June 11

Celebrate the start of the season by joining the Glass House on June 11 from 12 p.m. to 4 p.m. as they host their annual Summer Party! This event features a festive picnic by The Schoolhouse at Cannondale in Wilton, CT.

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Party goers will enjoy sound by Chez Conversations and music by DJ Mia Moretti while trying their hand at classic lawn games like croquet and ping-pong. Guest will be encouraged to stop by the Design Within Reach photo booth to capture the moment or lounge on one of their Eos Lounge Chairs.

If you’re more leisure-minded, enjoy a glass of Taittinger champagne and experience the current exhibitions at the Glass House that includes: Yayoi Kusama: Narcissus Garden and Robert Rauschenberg: Spreads and Related Works, or enjoy the chance to roam freely across the pastoral 49-acre grounds.

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If you can’t wait until June 11th to join in on all the fun, start bidding now on the Summer Party silent auction, powered by Paddle 8, including beautiful works by Richard Serra, Bruce Nauman, Josef Albers, Dustin Yellin and KAWS along with luxury trip packages and many more unique items.

The Summer Party will also see the launch of the 2016 Summer Party artist, Vik Muniz’s limited edition work, The Glass House, after Robin Hill, created in chocolate syrup which is included with VIP Friend level tickets at $7,500 and Platinum Table Captain at $20,000. For tickets visit the website. For more area information www.visitfairfieldcountyct.com

Photos © Billy Farrell Agency

Close to the Wind: Our Maritime History at the Greenwich Historical Society

With 36 miles of coastline, the sea has always played a significant role in the history of Greenwich. Since the town’s founding in 1640, boats plying Long Island Sound were a regular and reliable means of commercial trade and passenger transport. Yet by June 1896, the last market sloop sailed from the Lower Landing in Cos Cob to New York, signaling the end of an era.

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With the rise of pleasure yachting, new maritime pursuits appeared on the horizon. Yachting soon became both a sport and a leisure activity associated with the grand lifestyle of the wealthy tycoons who built the great estates. Over time, as boating became more affordable, Greenwich once again witnessed a proliferation of boats of every size and description that resulted in the establishment of many organizations dedicated to boating.

Through paintings, photographs, maps, charts and instruments this exhibition will explore the rich history of maritime Greenwich and share the myriad stories that link Greenwich to it’s coastal roots.

For more information about Greenwich Historical Society visit www.greenwichhistory.org and for more area information www.visitfairfieldcountyct.com

Hotchkiss Fyler House is open for the season

The Torrington Historical Society, located at 192 Main Street, is now open for the 2016 season and will remain open through October 31st. The Society is home to three attractions: the Hotchkiss-Fyler House Museum, the permanent exhibit, No Place Like Home: The History of Torrington, the Hendey Machine Shop exhibit Pursuit of Precision: The Hendey Machine Shop 1870-1954. Hours for the house museum and the two exhibits are Wednesday – Saturday, 12-4 p.m.

Hotchkiss Fyler House Museum, Torrington CT

Fodor’s Guide to New England described the Hotchkiss-Fyler House Museum as “one of the better house museums in Connecticut”. Built in 1900, this grand Victorian mansion was commissioned by Orsamus and Mary Fyler and was designed by New Haven architect William H. Allen. The house was built by Hotchkiss Brothers Company, a Torrington firm. The Torrington Historical Society acquired the home in 1956 when Gertrude Fyler Hotchkiss, daughter of the original owners, bequeathed the house and its contents to the Society.

Today, visitors to the Hotchkiss-Fyler House Museum can see the home as it was when last occupied by Gertrude Fyler Hotchkiss. This grand home is rich in details: mahogany paneling, ornate carvings, stenciled walls, murals, parquet floors and ornamental plaster. Family furnishings include impressive collections of porcelain, glass and oriental carpets as well as paintings by Ammi Phillips, Winfield Scott Clime, E. I. Couse, George Lawrence Nelson and Albert Herter.

Guided tours of the house museum are available for $5 per person; children 12 and under are free. Hours are Wednesday through Saturday, 12-4; the last tour is at 3:30 p.m.

The Torrington History Museum, adjacent to the Hotchkiss-Fyler House Museum, contains an award-winning permanent exhibit, No Place Like Home: The History of Torrington. This self-guided exhibit explores the city’s history while showcasing photographs and artifacts from the Society’s collection. Audio and video components and hands-on interactive stations are featured in this exhibit. Admission is $2; children 12 and under are free.

Another self-guided exhibit, Pursuit of Precision: The Hendey Machine Company 1870-1954, traces the history of the Hendey Machine Company, a former manufacturer of lathes, shapers and milling machines. This exhibit features an operational belt-driven machine shop, a video kiosk, and a photographic history of the company. Admission to this exhibit, which is located in the Carriage House, is free.

The John H. Thompson Memorial Library houses archives pertaining to Torrington history. Researchers may visit the library Wednesday-Friday 1-4, or by appointment. For more information about the Society or to become a member, please visit www.torringtonhistoricalsociety.org or contact the Society at (860) 482-8260.

For more area information www.litchfieldhills.com

HITCHCOCK CHAIR COMPANY MEMORIAL DAY BARN SALE BIGGER THAN EVER

he Hitchcock Chair Co., Ltd., is once again celebrating the beginning of summer with their historic Barn Sale in Riverton CT. Owners Rick Swenson and Gary Hath are hosting this Barn Sale at the main barn at the Riverton Fairgrounds and in their retail store at 13 Riverton Road, Riverton, CT on May 28, 29, and 30 from 10:00 am through 5:00 pm each day.

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Riverton

In the barn, shoppers will find special savings on brand new chairs and tables, as well as scratch and dent pieces, factory seconds, fully restored items, and “gently used” furniture. This year’s sale will also feature a hundreds of restored and “as is” items from the historic Yankee Pedlar Inn, which recently closed. Visitors are also invited to go to the main retail store at 13 Riverton Road for sale prices on all in stock merchandise and to see special one-of-a-kind pieces.

For more information, visit our website at www.hitchcockchair.com, “like” us on Facebook, or contact the store at 860-738-9958.

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Riverton

For more area information www.litchfieldhills.com
About The Hitchcock Chair Co., Ltd. LLC
In 1818, Lambert Hitchcock founded an innovative chair company in the northwestern hills of Connecticut, where he produced his beautiful hand stenciled furniture.

In 2006, the famed Hitchcock Chair Company closed its doors. For four years, the name lay dormant. Those who recognized its unique quality and craftsmanship were able to find fully restored Hitchcock furniture through Still River Antiques, owned and operated by Rick Swenson.

In the spring of 2010, Rick and his business partner, Gary Hath, purchased the Hitchcock name, plans, and artwork. Their goal is to continue the Hitchcock legacy, bringing Hitchcock furniture into the 21st century while maintaining the quality and integrity of Lambert Hitchcock’s original dream.

The Aldrich Contemporary Art Museum Opens new Installation by David Brooks

The Aldrich Museum of Contemporary Art located on 258 Main Street in the heart of Ridgefield is has commissioned a new installation by artist David Brooks that will run through February 5, 2017. This marks the artist’s first solo museum exhibition. Throughout his practice, Brooks investigates the tenuous relationship between our ecological life and technological industry.

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Brooks (born 1975, Brazil, Indiana) will present every single part of a used 1976 John Deere 3300 combine harvester at The Aldrich, with the components laid out in varying degrees of disassembly in a procession from the front plaza through the Leir Atrium and Leir Gallery and out into the Museum’s sculpture garden. Distinctive elements like the corn head and cab remain unaltered in a weathered John Deere green, while other parts are sandblasted, removing rust, paint and all traces of wear and tear; still others, like pipes and fittings, are brass-plated and housed in museum vitrines, the traditional trappings of highbrow art objects or precious natural history displays.

A combine is the ultimate example of agricultural technology, the otherworldly design of its bulky metal body concealing the integration of all stages of the harvesting process into one machine designed to reap grain, a resource that the efficiency of a combine allows us to take for granted as eternally and inexpensively available.

The stunning array of dismantled machine parts, exhibited in a diverse system of presentation, are designated according to the ecosystem service they represent, making it impossible to conceive of the combine in its entirety or to determine the machine’s complete functionality; similarly, an ecosystem integrates innumerable processes, many of them intangible or undetectable, into one whole, making it impossible for us to conceive of a life unfolding within it.

This installation, Continuous Service Altered Daily asks us to reexamine our perception of products reaped from the landscape, oftentimes those too easily interpreted as “services” for personal use: water, food, clean air, climate, energy—things we have come to expect to be delivered to us forever.

The Aldrich is located at 258 Main Street, Ridgefield, CT. For more information, call 203.438.4519 or visit www.aldrichart.org. For more area information www.litchfieldhills.com

The Museum
Founded by Larry Aldrich in 1964, The Aldrich Contemporary Art Museum is dedicated to fostering the work of innovative artists whose ideas and interpretations of the world around us serve as a platform to encourage creative thinking. It is the only museum in Connecticut devoted to contemporary art, and throughout its fifty-year history has engaged its community with thought-provoking exhibitions and public programs.
The Museum’s education and public programs are designed to connect visitors of all ages to contemporary art through innovative learning approaches in hands-on workshops, tours, and presentations led by artists, curators, Museum educators, and experts in related fields. Area schools are served by curriculum-aligned on-site and in-school programs, as well as teachers’ professional development training.

Significant Private Collection of Cuban Art Featured in Westport Arts Center

The Westport Arts Center is presenting Two Steps Forward: Contemporary Cuban Art, an exhibition featuring a diverse and compelling range of works by emerging and established Cuban artists, on display through June 4.

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Two Steps Forward: Contemporary Cuban Art features a significant collection of contemporary Cuban art from the private collection of Greenwich, Connecticut residents Terri and Steven Certilman. The Certilmans, who have sourced pieces directly from the artists during their travels to Cuba over the last decade, are dedicated to promoting the country’s artistic talent.

Steven Certilman offers the following insight into the Cuban art world, “The unique political, social and economic conditions in Cuba have combined to catalyze what may be the world’s highest concentration of artistic talent. Their works are as diverse as the country’s rich cultural heritage. It is said that the eyes are the windows of the soul. Art is the window to the Cuban soul.”

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The painting and sculpture in the show, curated by Certilman and guest curator Arianne Faber Kolb, explore Cuban identity, its diverse cultural heritage, and the political climate and its resulting geographical isolation and emigration. The works are expressions of the soul, beauty, and fortitude of the Cuban people, and how they have met and overcome the circumstances imposed upon their lives.

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The Two Steps Forward title refers to the current political and artistic climate in Cuba and the thaw in relations with the United States. The lifting of travel and trade restrictions between the two countries has allowed artists to have access to more resources and to gain more exposure. However, change is slow and economic strains continue for much of the population. Thus, the title is designed to imply a reference to the adage, “two steps forward, one step back.”

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The artists represented in the exhibition include established figures, such as Abel Barroso, Luis Enrique Camejo, Manuel Mendive, Juan Roberto Diago, Jose Roberto Fabelo, and Kcho. Barroso’s wooden sculptures and intricately constructed mixed media works made of pencil shavings are witty and humorous commentaries on the economic situation. Kcho’s images of precariously stacked rafts refer to the desire and the risks involved in fleeing from one’s circumstances. Fabelo’s monumental and iconic Mermaid’s Dream depicts a sleeping figure (Cuba) detached from reality and surrounded by drifting boats.

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The young artists emerging on the art scene and making their mark include Joniel Leon, Harold Lopez, William Perez, and Mabel Poblet. While Leon and Lopez describe the desires of Cubans through their highly crafted drawings and paintings, Poblet and Perez make statements about the Cuban identity by employing a variety of materials in innovative ways.

FFor more information, contact the Westport Arts Center at (203) 222-7070 or www.westportartscenter.org. The Westport Arts Center gallery is open Monday – Saturday, 10 a.m. to 5 p.m. at 51 Riverside Avenue, Westport, CT. For more area information www.visitfairfieldcountyct.com