Tag Archives: CT Travel

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Discover 19th Century Inventions at New Lockwood-Mathews Mansion Museum Exhibit

Lookwood Mathews Mansion

Lookwood Mathews Mansion

Technology is a major part of our lives and our culture and the Lockwood Mathews Mansion has put together an exhibit that explores the roots of today’s technology by displaying the “futuristic” inventions of the Victorian Era. The Mansion was ahead of its time and one of America’s most technologically advanced buildings during the Civil War and the Victorian era so it makes the perfect backdrop for this new exhibit called What is It? Technologies and Discoveries of the Victoria Era.

Victorian era gadgets, technologies and breakthroughs will be on display at the Lockwood-Mathews Mansion Museum through October 6th. What Is It? Technologies and Discoveries of the Victorian Era will tantalize student and adult audiences in the exploration of mid-to-late 19th century inventions and discoveries in many diverse areas including communication, transportation, manufacturing, medicine, food and recreation. Visitors are sure to be surprised at how some of those historic breakthroughs are still very relevant today.

A highlight of the exhibit allows visitors to view cutting-edge Victorian Era technology that were precursors of some of today’s technologies, including telegraphs, Dictaphones, gas lighting and early examples of telephones, as well as burglar alarms, stock tickers and much more.

Visitors will discover items still enjoyed today, from board games to food such as condensed milk and breakfast cocoa. Artifacts on display include loans from Connecticut’s Mattatuck Museum and the Museum of American Finance, New York City, among others.

Lockwood Mathews Mansion

Lockwood Mathews Mansion

The Lockwood-Mathews Mansion Museum is a National Historic Landmark located at 295 West Avenue in Norwalk. Tours for the museum and exhibit are offered Wednesdays through Sundays, at noon, 1 p.m., 2 p.m., and 3 p.m. Admittance is $10 for adults, $8 for seniors and $6 for children. Children under 8 are admitted free. For more information, visit www.lockwoodmathewsmansion.com, or call 203-838-9799. For area information www.visitfairfieldcountyct.com

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Open Your Eyes Studio Tour & Showcase in Litchfield Hills

L. Petrocine - Wetlands

L. Petrocine – Wetlands

Artists in the Litchfield Hills are opening their doors to the public this summer on June 22 and 23 free of charge. In the Open your eyes Studio Tour sponsored by the Northwest CT Arts Council, twenty-nine artists and eight performers in New Milford and Kent will open their studios to the public.

Artists will open their creative spaces to the public on Saturday and Sunday along the tour route to show their work and discuss their creative processes. The artists’ media represented on the tour include painting, printmaking, sculpting, photography, metal sculpture, woodworking, wool spinning, dying & weaving, installation work, bookmaking, digital art, drawing, ceramics, and jewelry. The artists are Terri Tibbatts, Bill Merklein, Silver Sun Studio, Michael Everett, Linda Petrocine, Peter Kirkiles, Alison Palmer, Peter Kukresh, Lauri Zarin, Scott Bricher, Naya Bricher, Mary Terrizzi, Ed Martinez, Deborah Chabrian, Jill Scholsohn, Richard Stalter, Susan Grisell, Barbara Dull, Stephen Dull, Elizabeth Mullins, Susan Millins, Kathleen L’Hommedieu, Peter Catchpole, Patrick Purcell, Chris Osborne, Joel Spector, Anda Styler, Lynn WEllings, and Diane Dubreuil.

Tibbatts

Tibbatts

Performers for the Showcase on Saturday, June 22 from 5 – 9 pm on the New Milford Green will include TheatreWorks New Milford, musician Tom Hooker Hanford, Artists in Motion (dance), composer/pianist Sharon Ruchman, Larry Hunt from Masque Theatre, Buzz Turner on acoustic guitar, Rebecca Moore Dance, and True Jensen who perform rock and R & B cover music.

Jill Scholsohn

Jill Scholsohn

For more information about Open Your Eyes Studio Tour & Showcase go to OpenYourEyesTour.org or contact the Northwest Connecticut Arts Council at (860) 618-0075 or mcartsnwct@gmail.com.

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Gary-The Olivia Theater Announces Summer Season

Side View of Theater at Abbey of Regina Laudis

Side View of Theater at Abbey of Regina Laudis

The Gary-The Olivia Theater is located in Bethlehem Connecticut on the grounds of the Abbey of Regina Laudis. This lovely open-air theater built in 1982 seats 300 people. The theater is covered but opens at the back to the woods of the Abbey land, and the trees and birds are often a feature of the theatrical world that is created on stage. The link between drama and monastic life is an ancient one, but The Gary-The Olivia Theater in particular owes its existence to Reverend Mother Dolores Hart, the actress, who in 1963 gave up a successful Hollywood career to become a nun at the Abbey. Each summer several annual performances are given in this theater.

The Pitman

The Pitman

The Pitmen Painters written by Lee Hall and loosely based on a book written by William Feaver will be performed June 14 – June 23. The Pitmen Painters is an inspirational story about a close-knit group of miners in Northeast England in the 1930’s who enroll in an art appreciation class as a way of bettering themselves. The story follows members of the group as they interact with a university art instructor, experiment with actual painting and gradually build a body of work that establishes them as The Ashington Group, a briefly celebrated group of painters in the 30’s and 40’s. Receiving critical acclaim in London and on Broadway, The Pitmen Painters is a humorous, thought provoking and moving testament to friendship, human aspiration and the transforming power of art.

The Gary Oliva Theater

The Gary Oliva Theater

A second show, the Pulitzer Prize and Tony Award winning musical Fiorello will be performed from August 1 – 11. Fiorello follows the dynamic professional and political career of Fiorello La Guardia. Elected to Congress in 1916 and 1918, and again from 1922 through 1930 La Guardia served as Mayor of New York for three terms from 1934 to 1945 and was a major influence in the making of modern day New York. He is considered by many to be one of the greatest mayors in American history. Only five feet tall, he was called “the Little Flower” (“Fiorello” is Italian for “little flower”). The original Broadway production opened at the Broadhurst Theatre in 1959, and won the Pulitzer Prize in 1960.

General admission seats ($20 Pitmen. $22 Fiorello) for these shows are available now online at http://www.thegarytheolivia.com For special group rates (10 or more) please contact Susan Hackel 860 355-5553 or e-mail pr@thegarytheolivia.com.

The opening night gala/fundraiser for The Gary-The Olivia Theater is on June 14th (opening night, The Pitmen Painters-$25 pp) and on August 1st (opening night, Fiorello-$28 pp) with wines from Walker Road Vineyards in Woodbury, CT paired with local farmstead cheeses and a meet and greet with the performers.

For area information www.litchfieldhills.com

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Steam at the Railroad Museum of New England

Steam_on_the_Naugy copy

This June, Steamin’ With Sadie will be the star attraction at the Railroad Museum of New England’s Thomaston Station as restored Lehigh Valley Coal Company Engine #126 leads weekend trips over our scenic railroad between June 8 through 23, including Father’s Day Weekend. Sadie, an 0-6-0 coal-fired steam engine and big sister to Hank the Tank, will be pulling their vintage train cars on hour-long trips along the Naugatuck River. For more information http://www.rmne.org. For area information www.litchifeldhills.com.

All trips are on Saturdays and Sundays for three weekends beginning June 8 at 10 AM, 12 PM and 2 PM, boarding at historic 1881 Thomaston Station. They will also have extra displays, story book readings, live music and activities for kids of all ages at the Station. Tickets are Adults $20 and Children $15 (ages 3 – 12), age 2 and under are free. Purchase tickets online or call (860) 283-7245 to purchase from their agent. This is a special event you will not want to miss!

Steam_at_Thomaston_Station

Between the 1830s and 1960, steam locomotives carried passengers and freight to every corner of America. They became part of our national history, a symbol of mobility and change. Over the years, steam locomotives became larger and more efficient. But technology advances after World War II changed the face of railroading forever. By 1948, steam engines were gone from the Naugatuck Valley, replaced by modern diesel locomotives on the New Haven Railroad from Bridgeport to Winsted, ending an important era in modern industrial history.

Lehigh Valley Coal Company #126 is a 40 ton coal-fired steam locomotive built by Vulcan Iron Works and put in service in 1931. It worked in Pennsylvania coal mines and was purchased by father and son team John and Barney Gramling from Indiana in 1993. Gramling Locomotive Works fully restored #126 to operating condition, completing it June 2011. Since then, #126 has traveled as far as Michigan, Illinois, Tennessee, North Carolina, South Carolina and now to Connecticut as a living, breathing Ambassador of Steam.

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About the Railroad Museum of New England
The Railroad Museum of New England is a not for profit historical and educational organization and an all-volunteer organization. We are located in historic 1881 Thomaston Station at 242 East Main St., Thomaston, CT. Our mission is to tell the story of the region’s rich railroad heritage through our educational exhibits and operation of the Naugatuck Railroad. The museum concept is more than artifacts; it’s also the story of the region and the development of society around the railroad. We offer an entertaining and scenic train ride along the Naugatuck River with vintage locomotives and restored passenger cars, also featuring displays of freight equipment and cabooses.

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Norfolk Chamber Music Festival Announces its 2013 Season Through August 17

The Music Shed

The Music Shed

The Norfolk Chamber Music Festival, presented by the Yale School of Music, celebrates its 72nd season this year with performances and residencies by six internationally esteemed string quartets alongside students and young professionals from around the world. From June 22 to
August 17 Norfolk will host a roster of string quartets including: the Artis Quartet, the Brentano Quartet, the Emerson String Quartet, the Jasper String Quartet, the Keller Quartet, and the Tokyo String Quartet. The Tokyo String Quartet, which is retiring this year, will play its last concert on July 6 at the festival. And on August 3 the Emerson String Quartet will perform its New York area debut concert with the group’s new cellist, Paul Watkins.

Opening the 2013 festival on Saturday, June 22 is a choral program by the Yale Choral Artists, a new ensemble of 24 professional singers from around the country under the direction of the Yale Glee Club’s Jeffrey Douma. The Choral Artists will perform All Night Vigil (Vespers) by Sergei Rachmaninov along with a shorter work by Pavel Chesnokov, Salvation is Created.

From July 5 to August 17 Norfolk will host a six-week Chamber Music Session. Among the twelve concerts each Friday and Saturday night in July and August is a presentation of Franz Schubert’s song cycle Die Winterreise performed by pianist Peter Frankl and baritone Randall Scarlata on
Friday, July 12.

Back Camera

The Norfolk Festival, under the leadership of Paul Hawkshaw since 2004, includes a New Music Workshop led by composer Martin Bresnick, a Lecture series, a Young Artists’ Performance Series, Festival Artist concerts (Friday and Saturday nights), and a Family Day on July 14 that includes a performance of Yale’s Javanese ensemble, Gamelan Suprabanggo. This year’s festival concludes on August 17 with a performance of works for chorus and orchestra from the Renaissance to the contemporary by the Norfolk Festival Chorus and Orchestra directed by Simon Carrington.

For Tickets and Information: Concerts at: The Music Shed, 20 Litchfield Road (Rtes 44 & 272), Norfolk, CT Call: 203.432.1966 Email: norfolk@yale.edu Website: http://www.norfolkmusic.org Series Ticket Prices: $55 – $15; $10 Students (ages18-25), and KIDS COME FREE! Special Event Ticket Prices: The Tokyo String Quartet- The Last Concert $375 ($345 ltd view) – $225 ($175 ltd view) – $100 ($75 ltd view) – $45.

About the Norfolk Chamber Music Festival

Carl Stoeckel and Ellen Battell, both from families steeped in the Yale University tradition, married in 1895 and decided to honor Ellen’s father by founding a local musical society that would bring an abundance of musical excellence to their town of Norfolk, CT. Choral and musical societies already blossomed around the region; every town had a club and a quorum of musicians. Mrs. Stoeckel had long hosted informal evenings in her home, first in the Whitehouse, and later in the church next door. A great musical festival in Norfolk would provide a natural center to a region steeped in music. When the Litchfield County Choral Union came into being in 1899, it soon became the first internationally known music festival of its kind in America, and inspired the array of music centers that have since settled across the Berkshires.
After five years of concerts on their estate, the Stoeckels decided to build a hall worthy of truly great music.

A New York architect, E.K. Rossiter, designed the building, and the Music Shed opened for use on June 6, 1906. The Shed is built of cedar and lined with California redwood, which likely accounts for its brilliant acoustics and certainly for its rustic beauty. The original hall seated 700 audience members, but after several expansions it was enlarged to hold 2,100. (Fire regulations have since reduced its capacity back to under 1,000.) Audiences began to clamor for invitations from all over New England and as far away as Texas, Chicago and California, and within five years they could easily have filled a building many times as large. The Music Shed had begun its reign among the premiere concert halls in New England.

Mr. and Mrs. Stoeckel spared no expense in making the festival concerts extravagant musical events. They recruited a 70-piece orchestra of players from the Philharmonic and Metropolitan Opera orchestras in New York, and paid for a special train to transport the instrumentalists through the Litchfield hills. The appointments were eagerly sought; apart from the honor, the musicians had the pleasure of spending a week in the mountains, and the lawn parties that spread across the estate after rehearsals were soon famous.
Carl Stoeckel died in 1925 and the concerts continued for several years but activities came to a close during the 1930′s. When Ellen Battell Stoeckel passed away in 1939 she left her estate in trust for the use of the Yale School of Music, to continue “studies in music, art and literature,” and the Yale Summer School of Music/ Norfolk Chamber Music Festival began in 1941. Since that time countless gifted musicians have made for themselves a summer home in Norfolk, whether as students, faculty or performers at the Festival.

Since the beginning of the School and Festival, artists such as the Cleveland, Guarneri, Emerson, Juilliard, and Tokyo quartets have taught and performed in Norfolk. Fellows at Norfolk have included the oboist Allen Vogel, violinists Syoko Aki and Pamela Frank, clarinetist Richard Stoltzman, and soprano Frederica Von Stade. Recent ensembles have established themselves as students at Norfolk, including new music ensemble eighth blackbird, the Avalon quartet, the Calder quartet, the Claremont Trio, the Jasper Quartet, and the Miro quartet. In addition, Norfolk alumni are found in virtually every music conservatory and many major orchestras around the world, including the Boston, Chicago, and the Metropolitan Opera Orchestras.

Students from conservatories around the world audition each year to participate in the festival and those that are accepted receive fellowships to cover the cost of tuition, room, and board. Since 1906, Norfolk festival musicians (including Rachmaninov, Sibelius, Vaughn Williams, in the early decades of the 20th century, and the St. Lawrence Quartet, eighth blackbird, Frederica von Stade, Richard Stoltzman and Alan Gilbert more recently) have performed on the stage of the festival’s iconic venue, the “Music Shed.”

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Free New Paddling Guide to Housatonic River

Canoeing in Litchfield Hills

Canoeing in Litchfield Hills

Blessed with two major recreational rivers, the Housatonic and the Farmington, and over 9,000 surface acres of lakes and spring-fed ponds, the Litchfield Hills of Northwest Connecticut are overflowing with spring fun on the water. Melting snow that makes rivers run high means prime time for whitewater challenge and sunny spring days are just right for a peaceful paddle on a sun-dappled river.

The Housatonic Valley Association has just published a free Connecticut Paddling Guide of nine navigable sections of the Housatonic River with 29 access sites starting from Ashley Falls, Mass. and going to Stratford, Connecticut.
The Guide provides detailed maps and easy to read directions. Descriptions of each section of the river include distance, the type of water flow, landmarks, and tributaries entering the section and warnings where necessary. Other sections of the guide have information on the river’s history, its health, and plant and wildlife species found along the river. The guide also includes tips on boating safety and guarding against spreading invasive aquatic species.

Canoing on the Housatonic River in Litchfield Hills

Canoing on the Housatonic River in Litchfield Hills

Notes on specific wildlife, recreational areas, historic sites, other pertinent information as well as photos and illustrations are sprinkled throughout the sections. It is printed on water-resistant paper in two colors with a full color cover and some full color spread throughout the pages.

The guides are available at HVA in Cornwall Bridge; Connecticut Outdoors, LLC, Oakville; Clarke Outdoors, West Cornwall; Main Stream Canoes & Kayaks, New Hartford and The Trading Post, New Milford. This guide may be downloaded at www.hvatoday.org.

For visitor information visit www.litchfieldhills.com. Call for free paddle guide and Unwind brochure 860-567-4506.

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May at Audubon Greenwich

The Greenwich Audubon, http://greenwich.audubon.org
is celebrating May in style with a series of events that will be fun and educational for lovers of nature.

Lady Slipper

Lady Slipper

On two Wednesdays, May 15 and May 22, there is a bird walk from 7 a.m. – 8:30 a.m. at Fairchild Wildflower Garden on North Porchuck Road. For this free event RSVP to 203-869-5272 x230 and don’t forget to bring your binoculars and camera

On Saturday, May 18 and May 25 there will be a bird walk at the Main Sanctuary on Riversville Rd. from 7 a.m. – 8:45 a.m. Morning bird walks are a spring tradition at the Audubon and participants are asked to RSVP to 203-869-5272 x230 and to meet at the Greenwich parking area on Riversville Road.

Also on Saturday, May 18, the Audubon is hosting a program from 2 pm. – 3:30 p.m. called Fast Food Feasts for Songbirds. As neo-tropical migrants return from their wintering areas, emerging insects and other invertebrates provide them with essential foods. Participants will search for feeding birds visit local plant life in search of insects, spiders, and other creatures that make quick treats for spring’s hungry avian travelers.

To finish up the month of May, on the 25th the Audubon Greenwich is hosting Turtle Time with Ted Gilman from 2 p.m. – 3:30. Participants will learn about turtle natural history, nesting behavior, how to help protect turtles, and meet some of our local turtle species. The program is finished with a hike to Mead Lake in search of nesting turtles. This program is appropriate for all ages. Please. RSVP to 203-869-5272 x230.

Birds of New England

Birds of New England

When visiting the Audubon, don’t miss the Birds of New England now on display in in Kiernan Hall at Audubon Greenwich through July 16th. While in New England and the North Atlantic coast, John James Audubon observed many, possibly hundreds of species of birds that lived or migrated here. Audubon painted many of these species, 52 of them while actually on location in New England, and 34 prints are included in this exhibition.

For area information www.visitfairfieldcountyct.com

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The Avon Theater to Offer Classic and Cult Movies May- September

The Avon Theater located on 272 Bedford Street in Stamford is offering a roster of classic films throughout the summer. This non-profit cultural hub is dedicated to presenting film in its highest form to entertain visitors and residents alike. In addition to an exciting slate of new releases The Avon is proud to present a series of classic movies, lectures and other monthly programs.

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This spring and summer The Avon has announced it will bring back a series of bimonthly Cult Classics through April. Ticket prices are: Carte Blanche Members: FREE, Members: $6, Students & Seniors: $8, Nonmembers: $11. Call the Avon business office at 203-661-0321 or the box office at 203-967-3660, x2 for tickets. For more information http://www.avontheatre.org. For area information www.visitfairfieldcountyct.com

The line up planned include the following shows from May – September are as follows:

2001: A SPACE ODDYSSEY (1968) Thursday, May 9 at 9:00 p.m.
At the dawn of mankind, a colony of apes awaken to find a glowing black monolith standing in their midst. After reaching out to touch the mysterious object, the apes become carnivores, employing bones for weapons. Four million years later, in the year 2001, Dr. Heywood Floyd, an American scientist, travels to the moon to investigate a monolith that has been discovered below the lunar surface. Knowing only that the slab emits a deafening sound directed toward the planet Jupiter, the USA sends a spaceship, the Discovery, on a 9-month, half billion-mile journey to the distant planet. Aboard are astronauts David Bowman and Frank Poole, plus three others in frozen hibernation, and a computer called Hal. During the voyage, Hal predicts the failure of a component on one of the spacecraft’s antennae. Bowman leaves the ship in a one-man space pod to replace the crucial part; the prediction proves incorrect, however, and when Poole ventures out to replace the original part, Hal severs his lifeline. Bowman goes to rescue him, but Hal closes the pod entry doors and terminates the life functions of the three hibernating astronauts. Forced to abandon Poole, who is already dead, Bowman reenters the Discovery through the emergency hatch and reduces Hal to manual control by performing a mechanical lobotomy on the computer’s logic and memory circuits. Now alone, Bowman continues his flight until he encounters a third monolith among Jupiter’s moons. Suddenly hurtled into a new dimension of time and space, he is swept into a maelstrom of swirling colors, erupting landscapes, and exploding galaxies. At last coming to rest in a pale green bedroom, Bowman emerges from the nonfunctioning space capsule. A witness to the final stages of his life, the withered Bowman looks up from his deathbed at the giant black monolith standing in the center of the room. As he reaches toward it, he is perhaps reborn, perhaps evolved, perhaps transcended, into a new “child of the universe,” a fetus floating above the Earth. –tcm.com
Not Rated | 160 minutes | In English

C.H.U.D. (1984) Thursday, May 23 at 9:00 p.m.
People are disappearing all over the Big Apple. Nobody cares, though, because most of the missing are homeless. But when investigative reporter Murphy tips off principled photographer George Cooper to a government conspiracy involving the dumping of nuclear waste beneath the streets, Cooper decides to dig a little deeper. Soon he discovers the existence of C.H.U.D.s, or “Cannibalistic Humanoid Underground Dwellers,” derelicts that have become grotesque monsters after being exposed to the mountains of hazardous waste. Meanwhile, Captain Bosch, a cop whose wife is among the missing, forms an unlikely alliance with the Reverend, a leftist soup-kitchen cook who knows the score. Murphy, Cooper, Bosch, and the Reverend soon run up against the stonewalling tactics of Wilson, a government toadie. As the titular monsters begin to tire of their underground habitat, the protagonists — including Cooper’s wife, beautiful model Lauren Daniels — face a race against time to defeat not only the C.H.U.D.s, but also the government’s cover-up. –Brian J. Dillard, Rovi
Rated R | 96 minutes | In English

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DAZED AND CONFUSED (1993) Thursday, June 13 at 9:00 p.m.
Like George Lucas’ AMERICAN GRAFFITTI, Richard Linklater’s DAZED AND CONFUSED is an affectionate look at the youth culture of a bygone era. While Lucas took aim at the conservative 1950s, Linklater jumps ahead a generation to the bicentennial year of 1976 to celebrate the joys of beer blasts and pot smoking. Set on the last day of the academic year, the film follows the random activities of a sprawling group of Texas high schoolers as they celebrate the arrival of summer, their paths variously intersecting at a freshmen hazing, a local pool parlor and finally at a keg party. –Jason Ankeny, Rovi
Rated R | 103 minutes | In English

MISSING IN ACTION (1984) Thursday, June 27 at 9:00 p.m.
Colonel James Braddock is an American officer who spent seven years in a North Vietnamese POW camp, then escaped 10 years ago. After the bloodiest war, Braddock accompanies a government investigation team that goes to Ho Chi Minh City to check out reports of Americans still held prisoner. Braddock gets the evidence then travels to Thailand, where he meets Tuck, an old Army buddy turned black-market kingpin. Together, they launch a mission deep into the jungle to free the American POWs from General Trau. –Anthony Pereyra
Rated R | 101 minutes | In English

THE BIG LEBOWSKI (1998) Thursday, July 11 at 9:00 p.m.
The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians. In 1991, unemployed ’60s refugee Jeff “The Dude” Lebowski grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude’s life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn is owed money by the wife of a certain Jeff Lebowski. However, the goons had the wrong Jeff Lebowski. They should have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski. The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire’s sexy young wife Bunny. Later, Jeffrey (“The Big”) Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine — except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski’s daughter, erotic artist Maude, encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. –Bhob Stewart, Rovi
Rated R | 117 minutes | In English

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SCANNERS (1981) Thursday, July 25 at 9:00 p.m.
The title of this David Cronenberg sci-fi horror film refers to a group of people who have telekinetic powers that allow them to read minds and give them the ability to make other people’s heads explode. The children of a group of women who took an experimental tranquilizer during their pregnancies, the scanners are now adults and have become outcasts from society. But Darryl decides to create an army of scanners to take over the world. The only person who can stop him is his brother Cameron, who wants to forget that he was ever a scanner. –Matthew Tobey, Rovi
Rated R | 120 minutes | In English

THE KARATE KID (1984) Thursday, August 8 at 9:00 p.m.
Newly arrived in California from New Jersey, teenager Daniel almost immediately runs afoul of karate-trained high school bullies. He is rescued by Japanese janitor Miyagi, who agrees to teach Daniel how to harness karate for good instead of brutality. The film culminates in a championship karate bout, pitting Daniel against his sworn enemy Johnny — the cruel and thuggish boyfriend of Ali, with whom Daniel has fallen in love (and vice versa). Real-life karate champ Chuck Norris was offered the role of Kreese, the sadistic coach who goads Johnny into fighting dirty, but Norris turned down the role, refusing to be shown utilizing his skills negatively onscreen. –Hal Erickson, Rovi
Rated PG | 122 minutes | In English

THE WARRIORS (1979) Thursday, August 22 at 9:00 p.m.
In a dystopian near-future, when various gangs control New York City, each gang sports a unique moniker (‘The Warriors,’ ‘The Baseball Furies,’ ‘The Rogues’), with a costume underscoring its “theme”; each, in turn, is also responsible for one geographic area. The city is a massive, violent playground – with vacant subway tunnels, abandoned buildings and the like. As the tale opens, Coney Island’s The Warriors have traveled to the Bronx to attend a city-wide meeting of all gangs; at that event, however, the psychotic leader of a rival gang, The Rogues, assassinates the head of the city’s foremost gang, but The Warriors are pegged as culpable. This sends the gang fleeing through the labyrinthine city. With every thug in Manhattan in vicious, homicidal pursuit. –Nathan Southern, Rovi
Rated R | 93 minutes | In English

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FROM RUSSIA WITH LOVE (1963) Thursday, September 5 at 9:00 p.m.
The second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula. Sean Connery as Bond has nailed down his role as 007 — accentuating Bond’s stylishness and sophistication, while toning down his cold-bloodedness. In FROM RUSSIA WITH LOVE, the bad guys don’t want to take over the world. They want something more mundane — a Russian decoding device. Assigned the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb, and No. 5, Kronsteen, an expert chess player who has plotted every move of the mission. Kronsteen’s plan requires using Bond’s weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova, SPECTRE muscleman Red Grant is to forcibly take it from Bond and kill him. Though Bond suspects a trap, he can’t resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. –Paul Brenner, Rovi
Not Rated | 118 minutes | In English

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Caroline’s Enchanted Garden: Fairy & Wizard Festival in Litchfield Hills

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Connecticut Landmarks’ Bellamy-Ferriday House & Garden located on 9 Main Street in the scenic village of Bethlehem in the heart of the Litchfield Hills will host the fourth annual Caroline’s Enchanted Garden: Fairy & Wizard Festival, on Saturday, May 11th, from 1 to 4 pm.

Children and families can participate in many magical activities offered at this unique festival for kids. One popular activity is for kids to make a basket fairy house out of all natural materials including bark, leaves, twigs, pine cones, and moss to create a charming little home that any fairy would be pleased to move in to. Kids can bring the fairy house home as a souvenir or find a place for it in the Fairy Village to remain throughout the summer on the grounds of the Bellamy-Ferriday Gardens. Another activity for kids is to follow the trail of fairy house’s & woodland creatures made by staff and volunteers to the Fairy Village. Materials will also be available in the Fairy Village to make a fairy dwelling to stay on the property.

Fairy Castle

Fairy Castle

Back by popular demand, Cyril May, the Resourcerer and Director of Yale Recycling, will incorporate magic into a program that teaches children about the value of preserving open space using fairy and animal stories. He will tell tales while performing tricks around the Bellamy- Ferriday grounds, and give a Recycling is Magic show.

Other activities include a Garden Wizard offering children the opportunity to pot a small plant for Mother’s Day, a strolling musician, story reader and puppeteer Sue Meister, pony rides with Joan Coogan of Watertown’s Pony Tales and a game circle. Children are encouraged to come in fairy and wizard costume, and kids of all ages are invited to participate in hands-on craft activities, including making fairy wands out of apple tree suckers from the Ferriday orchard and creating wizard hats. The afternoon will conclude with a fairy and wizard parade around the Bellamy-Ferriday grounds.

Admission is $5 per person; $20 families/$15 CTL Member families. http://www.ctlandmarks.org/?page=bellamy-ferriday-house-garden. For area information www.litchfieldhills.com

About the Bellamy Ferriday House and Garden

The Bellamy-Ferriday House & Garden, located at 9 Main Street North, Bethlehem is open May through October. Hours are as follows: May – September, Thursday, Friday, Saturday & Sunday, 12 – 4pm; October, Saturday & Sunday 12 – 4pm. Open on Monday Holidays: Memorial Day, Labor Day and Columbus Day. Admission is $7 for adults; $6 for students, teachers and seniors; $4 for children age 6-18; children under 6 and Connecticut Landmarks’ members are free. Families, 2 adults with children, are $15; groups of 10 or more are $5 each. For school groups and special curriculum-based programming, to reserve tours for groups of 10 or more, or to rent the facility, please call the Bellamy-Ferriday House & Garden at (203) 266-7596.

Bellamy-Ferriday House & Garden embodies the dramatically different passions of two extraordinary individuals. Bethlehem pastor Rev. Joseph Bellamy, a renowned leader of the Great Awakening, the emotional religious revival of the 1740s, built the house around 1754. In 1912, New Yorkers Henry and Eliza Ferriday acquired it as a summer residence. Mrs. Ferriday and her daughter, Caroline, designed a formal garden which today features historic-style roses, peonies, and lilacs. The Ferriday’s other landscape improvements make the site a destination for gardeners. Caroline, an actress, conservationist and philanthropist, deeded the property and furnishings to Connecticut Landmarks on her death.

About Connecticut Landmarks
Founded in 1936, Connecticut Landmarks is the largest state-wide heritage museum organization in Connecticut. The historic landmark properties include: the Bellamy-Ferriday House & Garden, Bethlehem; the Butler-McCook House & Garden and Main Street History Center, Hartford; the Buttolph-Williams House, Wethersfield; the Hempsted Houses, New London; the Isham-Terry House, Hartford; the Nathan Hale Homestead, Coventry; and the Phelps-Hatheway House & Garden, Suffield.

Connecticut Landmarks’ mission is to inspire interest and encourage learning about the American past by preserving selected historic properties, collections and stories and presenting programs that meaningfully engage the public and our communities. For more information, please visit www.ctlandmarks.org.

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Impressions of Light at Weir Farm in Litchfield Hills

Black Birds Over Weir Farm

Black Birds Over Weir Farm

Weir Farm National Historic Site located in Wilton and Ridgefield is hosting an art show through July 7 called Impressions of Light that features the work of modern-day American Impressionist Dmitri Wright of Greenwich, CT.

This exhibition, Impressions of Light, includes paintings inspired by Weir Farm and by Wright’s plein air experiences. Wright has a long history with Weir Farm National Historic Site, having led the park’s Impressionist Painting Workshops since 2009 as Master Artist/Instructor. Continuing in the vein of Weir Farm’s first American Impressionists, Mr. Wright’s pieces for this exhibit were drawn “full-scale on location” in order express what is happening…behind nature.

In this show, Wright tries to communicate his visual experiences of how light changes the way matter appears and how refracted light affects color. As Master Artist and Instructor at Weir Farm, Wright seeks to help others fulfill their unique gifts through the creative process, by helping them connect with their natural ability and the technical knowledge of their chosen school or schools of art.

There will be a gallery talk on Saturday, May 4 and Sunday, June 9 at 2 p.m. when Wright will discuss the challenges and rewards of plein air painting. He will use Weir Farm National Historic Site’s unique setting to discuss the history behind, and future of, American Impressionism. Participation in these gallery talks is free, but space is limited and registration is required. To register or for more information, please call (203) 834-1896 ext. 28.

The exhibit can be viewed in the Burlingham House Visitor Center Wednesday through Sunday from 10:00 a.m. to 4:00 p.m.

About Weir Farm National Historic Site
Weir Farm National Historic Site, the only National Park Service site dedicated to American painting, was home to three generations of American artists including Julian Alden Weir, a leading figure in American art and the development of American Impressionism. Today, the 60-acre park, which includes the Weir House, Weir and Young Studios, barns, gardens, and Weir Pond, is one of the nation’s finest remaining landscapes of American art. For more information about Weir Farm National Historic Site, please visit www.nps.gov/wefa or call (203) 834-1896.

For area information www.litchfieldhills.com

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Ives Concert Park announces first five shows of Summer Concert Series

After much anticipation, Ives Concert Park has announced the first five artists slated to perform in its 2013 Summer Concert Series. The venue, located on the Western Connecticut State University Westside campus, 43 Lake Ave. Extension in Danbury, has featured a wide variety of performers representing all eras and genres of music for nearly 40 years. Now, thanks to a new partnership with New York-based promoter The Bowery Presents, the summer line-up is starting to take shape.

All shows are rain or shine and tickets for the five shows announced are on sale at at ticketmaster.com. Additional shows and ticket sale dates will be announced soon.

Scheduled to perform are:

moe

moe

• moe. with the Wood Brothers at 6 p.m. on Saturday, June 1
Reserved tickets are $35; lawn tickets are $20.

Gov't_Mule

Gov’t_Mule

• Gov’t Mule at 6 p.m. on Sunday, June 2
Reserved tickets are $35; lawn tickets are $20 in advance and $25 on day of show.

Tony Bennett

Tony Bennett


• Tony Bennett at 8 p.m. on Saturday, July 13
Reserved tickets are $86; lawn tickets are $36.

Gov't_Mule

• Summerland Tour 2013 Alternative Guitars starring Everclear, Live, Filter and Sponge at 8 p.m. on Friday, July 19
Reserved tickets are $35; lawn tickets are $20.

Brandi

Brandi

• Brandi Carlile at 8 p.m. on Saturday, July 20
Reserved tickets are $39.50; lawn tickets are $25.

A special two-show ticket has been created for the back-to-back moe. and Gov’t Mule shows on June 1 and 2. A reserved ticket for both nights will be $50 and a lawn ticket will be $30.

Music-lovers who subscribe to the Ives “Backstage Buzz” e-newsletter will have the opportunity to purchase tickets one day before they go on sale to the general public. To sign up, visit the Ives Concert Park website at http://www.ivesconcertpark.com. For contests and announcements, follow Ives on Facebook at facebook.com/ivesconcertpark and Twitter at @IvesConcertPark.

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Annual Spring Show of the Kent Art Association in Litchfield Hills

The Kent Art Association was founded in 1923 by nine well established artists who knew each other when they lived in New York before moving to Kent: Rex Brasher, Elliot Clark, Floyd Clymer, Williard Dryden Paddock, F. Luis Mora, George Laurence Nelson, Spencer Nichols, Robert Nisbet and Frederick Waugh. Six of these artists were National Academicians.

Daskam Dock and Dory

Daskam Dock and Dory

When the Kent Art Association was first founded, these nine artists held an annual show in which only their work was exhibited. Later, more artists were accepted into the Association and others were invited to be associates. Today the Kent Art Association invites emerging and established artists to display their artwork to a wide audience in their gallery’s several times a year.

Inside this well lite and spacious gallery, located on Rte. 7 (Main Street) in Kent about 100 yards south of the intersection of Rte. 7 and Rte. 341, you will find two stories of exhibition rooms. In addition to the works exhibited on the walls, all of which are for sale, there is a Portfolio Gallery offering unframed work by members of the Association.

To kick off spring in the beautiful Litchfield Hills, the Kent Art Association is holding its first juried show of the season that runs Sunday, April 21 through Monday, May 27. The Gallery is open April- May 17, Friday – Sunday from 1 p.m. to 5 p.m. and May 21 – Oct. 18, Thursday – Sunday from 1 p.m. – 5 p.m.

The Awards Reception is scheduled for Saturday, April 27 from 2 to 4 pm with awards presented at 3 pm. Refreshments will be served and the public is invited to attend.

Visitors will also enjoy the work of Juror Rick Daskam, chairman for Oils at the Hudson Valley Art Association and a a graduate of Paier College of Art in Connecticut where he studied with Rudolf Zallinger and Ken Davies. Daskam was honored with the “Most Outstanding Illustrator Award in addition to the Dumond Award from the Hudson Valley Art Association, Collectors Award from the Butler Art Institute, and the Larry Newquist Award for Excellence at SCAN.

The Judges for this exhibition are Marc Chabot, Diane Dubreuil, and Rick Daskam and $1000 in prizes will be awarded. All work must be original and for sale. A copy of the prospectus can be found at www.kentart.org. For more information call the Gallery at 860.927.3989. For area information visit www.litchifeldhills.com

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Twined Art at the Institute for American Indian Studies

The exhibition Woven from Milk Weed by Wabanaki Artist Vera Longtoe Sheehan opens at the Institute for American Indian Studies in Washington Connecticut runs through May 31, 2013. There is no charge for this exhibition. The Museum is open Monday through Saturday 10 am to 5 pm and Sunday 12 noon to 5pm. The last admission is at 4:30 pm.

Idle_No_More_Bag_001

Vera Longtoe Sheehan is a fiber artist who follows in the footsteps of her ancestors. When she was young, her father started teaching her how to harvest and process plants to make cordage. He also taught her the various techniques that she uses to make twined bags, baskets and textiles.

Vera combines her tribal and family knowledge with many years of researching Wabanaki history, culture and tradition to create her one of a kind twined woven items. She uses both hand-rolled and commercially rolled plant fiber cordage. Each of the hand items can take hours, days, weeks or even months to complete.

Idle_No_More_Bag_003

Her twined art is environmentally friendly because it is made from plants, which are quick growing, renewable resources. She is currently teaching her children to twine, so that this endangered art form is not lost. Some of her twined bags, baskets and textiles have appeared in films and literature.

The artist and her family reside in Vermont. She offers a variety of programs for schools, museums and historic sites.

Quiver_036

“Meet the Artist” Reception is Sunday, April 7th from 1pm -3pm. The reception includes refreshments at 2pm.

For more information about the Institute for American Indian Studies located on 38 Curtis Rd. in Washington CT call 860-868-0518 or visit www.iaismuseum.org. For area information www.litchfieldhills.com.

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The Story of the Game Bird Horse

The Game Bird Horse

The Game Bird Horse

The New England Carousel Museum located on 95 Riverside Ave. in the heart of Bristol is on a mission. This beautiful museum has one of the largest collections of carousel art in the country and wants to welcome a new horse to their magnificent collection.

Located in a 33,000 square foot restored silk mill factory building, the museum preserves and displays carousel art, which is fast becoming a vanishing art form of Americana. Their mission is dedicated to the acquisition, restoration and preservation of operating carousels, and carousel memorabilia as well as the creation of new carousel material for the education and the pleasure of visitors.

The latest quest of the New England Carousel Museum is the acquisition and continued preservation of the Game Bird Horse. Recently, the museum was informed by the estate of Marianne Stevens that she had bequeathed a spectacular jumper horse, named the Game Bird Horse to the Carousel Museum Collection. Marianne, the co-author of Painted Ponies decided to leave this horse to the New England Carousel Museum’s collection because it once rode on a Connecticut Carousel.

The Game Bird Horse will add immeasurably to the Museum’s collection. John Zalar, a carver of great note for the carousel manufacturer Charles Looff, created the horse. The Game Bird horse has a masterfully carved “peek-a-boo” mane and two realistic quail at the back of its saddle and many other beautiful details.

In the spring of 1946, the Game Bird Horse began whirling on the carrousel at Ocean Beach Park in New London Connecticut before Marianne Stevens eventually acquired it.

To find out more about how to get the Game Bird Horse back to Connecticut from Roswell, New Mexico visit http://www.thecarouselmuseum.org because every donation brings this wonderful gift to Connecticut closer to its’ new home at the New England Carousel Museum.

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The Artist in Venice at Darren Winston, Bookseller

On Saturday, April 6, from 2 to 4 p.m., bookseller and gallerist Darren Winston located in Sharon Connecticut in the Litchfield Hills will host a reading and book-signing by Adam Van Doren to celebrate the publication of The Artist in Venice, at Darren Winston, Bookseller (81 Main Street, Sharon, Connecticut). A selection of paintings by Van Doren, including pieces featured in the book, will be on display from April 2–28.

Van Doren’s new book showcases not only his virtuosity as a painter but also his writing talent. He first went to Venice to paint in 1986, to escape the “barren and cheerless” New York winter. He left as an architecture student and came back a painter—and “Venice was responsible.” The Artist in Venice presents twenty-five glorious watercolor paintings of that city, accompanied by sketches, maps, and the artist’s insightful narrative and history.

In the introduction to the book, the writer Simon Winchester observes: “Adam Van Doren has a way with light. His painterly calling-card is, in its essence, illumination. It is opalescence, iridescence, brilliance.” Publisher’s Weekly says of the book: “Architect and artist Van Doren offers a love letter to Venice in this elegant and slender volume, and he sings his praise to the city through majestic prose and 25 beautiful watercolor paintings.”

Adam Van Doren was born in Cambridge, Massachusetts in 1962 and is of the distinguished New York literary and artistic family that includes his grandfather Mark Van Doren—the Pulitzer Prize–winning poet and celebrated Columbia professor—and his great-uncle Carl Van Doren, the Pulitzer Prize–winning historian. His great-aunt Irita Van Doren was the editor of the Books section of The Herald Tribune for forty years, and his grandmother Dorothy Van Doren was a novelist and editor at The Nation. His mother is a painter and was integral in cultivating his artistic sensibilities.

Van Doren studied at Columbia University and the National Academy of Design. He has exhibited at the National Portrait Gallery in Washington, D.C., among other institutions, and his work is included in the Art Institute of Chicago, the Princeton University Art Museum, The Museum of Fine Arts (Houston), the Yale University Art Gallery, The Addison Gallery of American Art, and The Wadsworth Atheneum Museum of American Art, among others. Van Doren has been a Visiting Artist at the American Academy in Rome and an instructor at the Institute of Classical Architecture in New York. He is an Associate Fellow and former Lustman Fund Lecturer at Yale University. He maintains a studio in Manhattan, where he exhibits annually.

Although he was raised in New York, Van Doren and his family have deep connections to the Litchfield Hills in northwest Connecticut. While growing up he spent summers in Cornwall Hollow on the old farm owned by his grandparents, and now he splits his time between that property (in a new house he designed and had built there) and his home in Manhattan. In a recent interview he remembered stories of how his grandfather and uncle had to travel from Manhattan for five hours in a Model-T to reach the farm in Connecticut. “I can only imagine what it was like,” he said. “It might have meant they didn’t come up too often. They went for the summer and stayed there.” Van Doren returns to Darren Winston, Bookseller following the bookstore-gallery’s popular October 2011 exhibit of his paintings, which garnered favorable coverage in The New York Times.

For more information about Darren Winston, Bookseller, please call (860) 364-1890 or e-mail darrenwinston@gmail.com. The shop’s hours are Tuesday through Sunday, from 11 a.m. to 5 p.m. and by appointment, and the website is www.darrenwinstonbookseller.com. For area information www.litchfieldhills.com.